"Crime narratives provide one of the most vivid means of accessing the reality of life and criminality in the early modern period. With an extended introduction setting the narratives in their social, national and international context, this collection should appeal as much to students of law, crime and society, as to those with an interest in the history of printing, publishing, language and reading."--BOOK JACKET.
The eighteenth century is in many ways the most problematic era in Irish history. Traditionally, the years from 1700 to 1775 have been short-changed by historians, who have concentrated overwhelmingly on the last quarter of the period. Professor Ian McBride's survey, the fourth in the New Gill History of Ireland series, seeks to correct that balance. At the same time it provides an accessible and fresh account of the bloody rebellion of 1798, the subject of so much controversy. The eighteenth century was the heyday of the Protestant Ascendancy. Professor McBride explores the mental world of Protestant patriots from Molyneux and Swift to Grattan and Tone. Uniquely, however, McBride also offers a history of the eighteenth century in which Protestant, Catholic and Dissenter all receive due attention. One of the greatest advances in recent historiography has been the recovery of Catholic attitudes during the zenith of the Protestant Ascendancy. Professor McBride's Eighteenth-Century Ireland insists on the continuity of Catholic politics and traditions throughout the century so that the nationalist explosion in the 1790s appears not as a sudden earthquake, but as the culmination of long-standing religious and social tensions. McBride also suggests a new interpretation of the penal laws, in which themes of religious persecution and toleration are situated in their European context. This holistic survey cuts through the clichés and lazy thinking that have characterised our understanding of the eighteenth century. It sets a template for future understanding of that time. Eighteenth-Century Ireland: Table of Contents Introduction Part I. Horizons - English Difficulties and Irish Opportunities - The Irish Enlightenment and its Enemies - Ireland and the Ancien Régime Part II. The Penal Era: Religion and Society - King William's Wars - What Were the Penal Laws For? - How Catholic Ireland Survived - Bishops, Priests and People Part III The Ascendancy and its World - Ascendancy Ireland: Conflict and Consent - Queen Sive and Captain Right: Agrarian Rebellion Part IV. The Age of Revolutions - The Patriot Soldier - A Brotherhood of Affection - 1798
With characteristic lawlessness and connection to the common man, the figure of the rogue commanded the world of Irish fiction from 1660 to 1790. During this period of development for the Irish novel, this archetypal figure appears over and over again. Early Irish fiction combined the picaresque genre, focusing on a cunning, witty trickster or pícaro, with the escapades of real and notorious criminals. On the one hand, such rogue tales exemplified the English stereotypes of an unruly Ireland, but on the other, they also personified Irish patriotism. Existing between the dual publishing spheres of London and Dublin, the rogue narrative explored the complexities of Anglo-Irish relations. In this volume, Lines investigates why writers during the long eighteenth-century so often turned to the rogue narrative to discuss Ireland. Alongside recognized works of Irish fiction, such as those by William Chaigneau, Richard Head, and Charles Johnston, Lines presents lesser-known and even anonymous popular texts. With consideration for themes of conflict, migration, religion, and gender, Lines offers up a compelling connection between the rogues themselves, marked by persistence and adaptability, and the ever-popular rogue narrative in this early period of Irish writing.
This innovative urban history of Dublin explores the symbols and spaces of the Irish capital between the Restoration in 1660 and the advent of neoclassical public architecture in the 1770s. The meanings ascribed to statues, churches, houses, and public buildings are traced in detail, using a wide range of visual and written sources.
Diarmaid Ó Muirithe's column Words We Use was a feature of The Irish Times for many years. This collection of his most memorable contributions, by turns witty and sympathetic, wears its prodigious learning lightly and is sure to delight those captivated by the power of language to shape the world around us. Drawing on the author's nearly inexhaustible knowledge of languages, their mechanics and idiosyncrasies, Words We Use has sections covering everything from Magic and Shakespeare to Computers and Text Messaging. It will change the way you think about language forever.
This fascinating and innovative study explores the lives of people living in early modern Ireland through the books and printed ephemera which they bought, borrowed or stole from others. While the importance of books and printing in influencing the outlook of early modern people is well known, recent years have seen significant changes in our understanding of how writing and print shaped lives, and was in turn shaped by those who appropriated the written word. This book draws on this literature to shed light on the changes that took place in this unusual European society. The author finds that there, almost uniquely in Europe, a set of revolutions took place which transformed the lives of the Irish in unexpected ways, and that the rise of writing and the spread of print were central to an understanding of those changes which have previously only been understood to have been the result of conquest and colonisation. This is a book which will be read not only by those interested in the Irish past but by all those who are concerned with the impact of communications media on social change.
Forgetful Remembrance examines the paradoxes of what actually happens when communities persistently endeavour to forget inconvenient events. The question of how a society attempts to obscure problematic historical episodes is addressed through a detailed case study grounded in the north-eastern counties of the Irish province of Ulster, where loyalist and unionist Protestants—and in particular Presbyterians—repeatedly tried to repress over two centuries discomfiting recollections of participation, alongside Catholics, in a republican rebellion in 1798. By exploring a rich variety of sources, Beiner makes it possible to closely follow the dynamics of social forgetting. His particular focus on vernacular historiography, rarely noted in official histories, reveals the tensions between professed oblivion in public and more subtle rituals of remembrance that facilitated muted traditions of forgetful remembrance, which were masked by a local culture of reticence and silencing. Throughout Forgetful Remembrance, comparative references demonstrate the wider relevance of the study of social forgetting in Northern Ireland to numerous other cases where troublesome memories have been concealed behind a veil of supposed oblivion.
Offering a unique insight into the habitual inebriate offender class in Ireland, this book examines the inebriate reformatory system in Ireland from its foundation in 1900 until its closure in 1920 and the three institutions charged with punishing or rehabilitating habitual drunkards: The State Inebriate Reformatory, The Certified Inebriate Reformatory and The Voluntary Inebriate Retreat.Using registers of inmates, annual reports, court cases and institutional records, Conor Reidy presents a stark account of the ways in which alcohol addiction and lack of opportunity condemned countless Irish victims to lives of poverty, misery and crime in the early twentieth century. The author also looks at the ways in which institutional staff sought to exact reform over the inmates through education, training, religion and discipline.This book profiles a hitherto little-known system, giving it a place within the historiography of Ireland’s complex web of so-called reformative institutions.
"Michael Pierse is Lecturer in Irish literature at Queen's University Belfast. His research mainly explores the writing and cultural production of Irish working-class life. Over recent years this work has expanded into new multidisciplinary themes and international contexts, including the study of festivals, digital methodologies in public humanities and theatre-as-research practices. Michael has contributed to a range of national and international publications, is the author of Writing Ireland's Working Class: Dublin after O'Casey (2011), and has been awarded several Arts and Humanities Research Council awards and the Vice Chancellor's Award at Queen's"--
