Gaelic names of plants, Scottish and Irish, with notes
Author: John Cameron (of Sunderland.)
Publisher:
Published: 1883
Total Pages: 180
ISBN-13:
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Author: John Cameron (of Sunderland.)
Publisher:
Published: 1883
Total Pages: 180
ISBN-13:
DOWNLOAD EBOOKAuthor: John Cameron
Publisher:
Published: 1900
Total Pages: 192
ISBN-13:
DOWNLOAD EBOOKAuthor: John Bulloch
Publisher:
Published: 1901
Total Pages: 216
ISBN-13:
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Publisher:
Published: 1900
Total Pages: 646
ISBN-13:
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Publisher:
Published: 1913
Total Pages: 184
ISBN-13:
DOWNLOAD EBOOKAuthor: Albert Broglie (duc de)
Publisher:
Published: 1883
Total Pages: 372
ISBN-13:
DOWNLOAD EBOOKAuthor: John Smith & Sons
Publisher:
Published: 1926
Total Pages: 380
ISBN-13:
DOWNLOAD EBOOKAuthor: Roger D. Upton
Publisher:
Published: 1881
Total Pages: 436
ISBN-13:
DOWNLOAD EBOOKAuthor: Berthold Seemann
Publisher:
Published: 1888
Total Pages: 428
ISBN-13:
DOWNLOAD EBOOKAuthor: John G. Gibson
Publisher: McGill-Queen's Press - MQUP
Published: 2017-07-04
Total Pages: 464
ISBN-13: 0773550615
DOWNLOAD EBOOKThe step-dancing of the Scotch Gaels in Nova Scotia is the last living example of a form of dance that waned following the great emigrations to Canada that ended in 1845. The Scotch Gael has been reported as loving dance, but step-dancing in Scotland had all but disappeared by 1945. One must look to Gaelic Nova Scotia, Cape Breton, and Antigonish County, to find this tradition. Gaelic Cape Breton Step-Dancing, the first study of its kind, gives this art form and the people and culture associated with it the prominence they have long deserved. Gaelic Scotland’s cultural record is by and large pre-literate, and references to dance have had to be sought in Gaelic songs, many of which were transcribed on paper by those who knew their culture might be lost with the decline of their language. The improved Scottish culture depended proudly on the teaching of dancing and the literate learning and transmission of music in accompaniment. Relying on fieldwork in Nova Scotia, and on mentions of dance in Gaelic song and verse in Scotland and Nova Scotia, John Gibson traces the historical roots of step-dancing, particularly the older forms of dancing originating in the Gaelic–speaking Scottish Highlands. He also places the current tradition as a development and part of the much larger British and European percussive dance tradition. With insight collected through written sources, tales, songs, manuscripts, book references, interviews, and conversations, Gaelic Cape Breton Step-Dancing brings an important aspect of Gaelic history to the forefront of cultural debate.