Future SF is a magazine focusing on international science fiction. In this oversized issue we've collected stories from the established masters as well as some exciting up-and-comers in China, Japan, and South Korea. From machine societies to ocean depths, from interstellar migrations to genetically engineered mermaids, these tales envision very different, often dark, but always fascinating futures. Includes the following stories: Rœsin by Wu Guan (translated from Chinese by Judith Huang) Raising Mermaids by Dai Da (translated from Chinese by S. Quouyi Lu) Butterfly Blue by Gustavo Bondoni (Argentina) Reflection by Gu Shi (translated from Chinese by Ken Liu; reprint) Whale Snows Down by Kim Bo-Young (translated from Korean by Sophie Bowman) Formerly Slow by Wei Ma (translated from Chinese by Andy Dudak) Just Like Migratory Birds by Taiyo Fujii (translated from Japanese by Emily Balistrieri)
Future SF is a magazine focusing on international science fiction. This issue features stories from Mexico, China, Croatia, and the United States. “The Second Celeste” by Alberto Chimal (Mexico), translated by Patrick Weill “The Two Festivals that Cannot Coexist” by Liu Cixin (China), translated by Nathan Faries “The Office Drone” by Nic Lipitz (USA)“Perfect Date” by Jelena Dunato (Croatia)| “The Final Test” by Ti Sha (China), translated by Judith Huang
Issue 3 of Future Science Fiction Digest features over 60,000 words of fiction. A selection of moon-based stories commemorates the 50th anniversary of the moon landing, followed by a sampling of AI stories (featuring both humans owning robotic dogs and robots owning live dogs!), with a little bit of time travel to round things out. Fiction from authors in the United States, China, Russia, Bulgaria, and Sri Lanka.
Inaugural issue of a new science fiction magazine with an added focus on international fiction and translation. Ranging from lyrical to humorous, from optimistic to jaded, from earthbound to interstellar, these stories offer six very different glimpses into the future. Matthew Kressel's "The History Within Us" takes place during the final stages of the heat death of the universe, where a ship filled with refugees of different species is huddled near one of the last burning stars, and that star is about to go nova. Tatiana Ivanova's satirical "Impress Me, Then We'll Talk About the Money" imagines the consequences of unscrupulous pharmacologists creating drugs that allow people to fulfill their deepest desire, which is to change. In "Earthrise," Lavie Tidhar examines what it means to be an artist in a futuristic society where humanity has colonized the solar system. In Alvaro Zinos-Amaro's "e^h" human colonists encounter a region of space in which their junk DNA mutates, revealing information encoded there by aliens. Teng Ye's "Universal Cigarettes" is a tongue-in-cheek tale of a grandiose marketing stunt with a dark twist reminiscent of Philip K. Dick's work. In the Nebula Award-nominated "Utopia, LOL?" by Jamie Wahls, a modern-day human wakes from cryogenic suspension in a utopian future overseen by a benevolent computer.
This book, first published in 1980, is a guide to the major forces in the subculture of science fiction. It analyses the history of the field and the related developments, for instance the Bomb, that have shaped the literature. It examines the complex of activity and background tradition, the body of accepted beliefs and conventions, and the ethics and values of the world of science fiction.
Transparent Minds explores the intersection between neuroscience and science fiction stories. Paul Matthews expertly analyses the narratives of humans and nonhumans from Mary Shelley to Kazuo Ishiguro across 200 years of the genre. In doing so he gives lucid insight into the meaning of existence and self-awareness. Rigorously researched and highly accessible, Matthews argues that psycho-emotional science fiction writers both imitate and inform alien and post-human consciousnesses through exploratory narratives and metaphor. Drawing from a diverse range of scholars and critics, Matthews explores topics such as psychonarration and neuroaesthetics, to create a thoughtful and cogent argument. By synthesising concepts from philosophy, neuroscience, and literary theory, Matthews posits the potential for science fiction to bridge the gap in understanding between AI and human minds. Given the recent advancements in AI technology, Matthews’ timely discussion enters the speculative realm of sentient technology and postcyborg ethics. The work constitutes a major contribution to cross-disciplinary perspectives on alien and posthuman psychology, that engages with future states of existence in both ourselves and the machines we create. Transparent Minds will be of interest to innovators, authors, and science fiction enthusiasts alike.
Sci-fi and fantasy of tomorrow . . . . . . selected by masters of today. Where can you find the hottest new talent all in one book? Right here. This year’s winning stories include a diverse collection of brilliantly realized worlds of dystopian politics, magical realism, post-apocalyptic adventure, and romance, dark fantasy and more. You’ll love this anthology because these writers push the boundaries—and break beyond them . . . these illustrators envision the impossible—and render it real . . . these stories challenge the way we see ourselves—and present the world in a new way. Buy Writers of the Future Volume 36. 24 Award-winning Authors and Illustrators Bonus short stories by: L. Ron Hubbard • Katherine Kurtz • Jody Lynn Nye • Nnedi Okorafor Art and writing tips by: Echo Chernik • L. Ron Hubbard • Mike Perkins • Sean Williams Edited by: David Farland 16-page color Gallery of Artwork Cover art by: Echo Chernik Soar to new heights of Science Fiction & Fantasy. Get to know tomorrow’s brightest creative talents chosen by some of today’s bestselling authors and celebrated artists including Kevin J. Anderson, Orson Scott Card, Larry Elmore, Brandon Sanderson, Dan dos Santos, and Robert J. Sawyer. The future of science fiction and fantasy is in your hands. Anthology includes: 12 award-winning stories, 16 full-color illustrations, 4 bonus stories, and 4 articles offering art and writing tips. ___________________________ 4 bonus short stories: “Borrowed Glory” by L. Ron Hubbard: For a single day of glory and the settlement of a dispute among immortals, a life can be a satisfactory price. “The Green Tower” by Katherine Kurtz: The magic is strong in the Green Tower, and two young girls struggle to discover its secrets. “The Phoenix’s Peace” by Jody Lynn Nye: The Phoenix has always been the guardian of Dembia. Now there’s trouble in the land, and mysteriously, the Phoenix has left two golden eggs. “The Winds of Harmattan” by Nnedi Okorafor: A young woman seeks her destiny in the African winds of Harmattan. ___________________________ Art and writing tips: “The Illustrators of the Future Contest and the Art of This Anthology” by Echo Chernik: As a successful advertising and publishing illustrator, Contest Coordinating Judge, and art director, Echo gives the story behind the cherished art included in this anthology. “Steps in the Right Direction” by L. Ron Hubbard: In this interview, Ron describes the practical philosophy and energetic disciplines he applied with such telling success to his own career as a professional author. “Breaking In” by Mike Perkins: Marvel and DC artist for Captain America, Thor, and Spider-Man shares valuable advice for anyone wanting to make it as a professional artist and illustrator. “Making Collaboration Work for You or Co-writing with Larry and Sean” by Sean Williams: New York Times bestselling author, provides insight on the pitfalls and advantages of collaborating with another author. “These are the people who are going to be creating trends.” —Brandon Sanderson
The most celebrated science fiction short story editor of our time, multi-award-winning editor and Locus Magazine critic Jonathan Strahan presents the definitive collection of best short science fiction of 2020. With short works from some of the most lauded science fiction authors, as well as rising stars, this science fiction collection displays the top talent and cutting-edge cultural moments that affect our lives, dreams, and stories. These brilliant authors examine the way we live now, our hopes, and struggles, all through the lens of the future. An assemblage of future classics, this star-studded anthology is a must-read for anyone who enjoys the vast and exciting world of science fiction.
A LOCUS AWARD FINALIST FOR BEST FIRST NOVEL! The Guardian's Pick for Best Science Fiction Book of the Year! A timely and uncanny portrait of a world in the wake of fake news, diminished privacy, and a total shutdown of the Internet BEFORE: In Bristol’s center lies the Croft, a digital no-man’s-land cut off from the surveillance, Big Data dependence, and corporate-sponsored, globally hegemonic aspirations that have overrun the rest of the world. Ten years in, it’s become a center of creative counterculture. But it’s fraying at the edges, radicalizing from inside. How will it fare when its chief architect, Rushdi Mannan, takes off to meet his boyfriend in New York City—now the apotheosis of the new techno-utopian global metropolis? AFTER: An act of anonymous cyberterrorism has permanently switched off the Internet. Global trade, travel, and communication have collapsed. The luxuries that characterized modern life are scarce. In the Croft, Mary—who has visions of people presumed dead—is sought out by grieving families seeking connections to lost ones. But does Mary have a gift or is she just hustling to stay alive? Like Grids, who runs the Croft’s black market like personal turf. Or like Tyrone, who hoards music (culled from cassettes, the only medium to survive the crash) and tattered sneakers like treasure. The world of Infinite Detail is a small step shy of our own: utterly dependent on technology, constantly brokering autonomy and privacy for comfort and convenience. With Infinite Detail, Tim Maughan makes the hitherto-unimaginable come true: the End of the Internet, the End of the World as We Know It.
This is the first of three volumes that chart the history of the science fiction magazine from the earliest days to the present. This first volume looks at the exuberant years of the pulp magazines. It traces the growth and development of the science fiction magazines from when Hugo Gernsback launched the very first, Amazing Stories, in 1926 through to the birth of the atomic age and the death of the pulps in the early 1950s. These were the days of the youth of science fiction, when it was brash, raw and exciting: the days of the first great space operas by Edward Elmer Smith and Edmond Hamilton, through the cosmic thought variants by Murray Leinster, Jack Williamson and others to the early 1940s when John W. Campbell at Astounding did his best to nurture the infant genre into adulthood. Under him such major names as Robert A. Heinlein, Isaac Asimov, A. E. van Vogt and Theodore Sturgeon emerged who, along with other such new talents as Ray Bradbury and Arthur C. Clarke, helped create modern science fiction. For over forty years magazines were at the heart of science fiction and this book considers how the magazines, and their publishers, editors and authors influenced the growth and perception of this fascinating genre.
