Second issue of FUTURE SF features nine stories by ten authors from six different countries totaling over 50,000 words of original fiction. From the time of the dinosaurs to the heat death of the universe, from thinking and feeling androids to human consciousness spanning multiple bodies, from cats on the Moon to alien salad dressing that makes plastic digestible and delicious, these tales have something for everyone. Table of contents: “Tideline Treasures, or Growing Up Along the Mile-High Dyke” by Tais Teng and Jaap Boekestein “The Roost of Ash and Fire” by David Walton “The Lord of Rivers” by Wanxiang Fengnian (translated by Nathan Faries) “No Body Enough” by Dantzel Cherry “An Actual Fish” by Natalia Theodoridou “The Peculiar Gravity of Home” by Beth Cato “The Zest for Life” by N. R. M. Roshak “The Token” by Mike Resnick “To Save a Human” by Svyatoslav Loginov (translated by Max Hrabrov)
The most celebrated science fiction short story editor of our time, multi-award-winning editor and Locus Magazine critic Jonathan Strahan presents the definitive collection of best short science fiction of 2020. With short works from some of the most lauded science fiction authors, as well as rising stars, this science fiction collection displays the top talent and cutting-edge cultural moments that affect our lives, dreams, and stories. These brilliant authors examine the way we live now, our hopes, and struggles, all through the lens of the future. An assemblage of future classics, this star-studded anthology is a must-read for anyone who enjoys the vast and exciting world of science fiction.
Future SF is a magazine focusing on international science fiction. This issue features stories from Mexico, China, Croatia, and the United States. “The Second Celeste” by Alberto Chimal (Mexico), translated by Patrick Weill “The Two Festivals that Cannot Coexist” by Liu Cixin (China), translated by Nathan Faries “The Office Drone” by Nic Lipitz (USA)“Perfect Date” by Jelena Dunato (Croatia)| “The Final Test” by Ti Sha (China), translated by Judith Huang
Future SF is a magazine focusing on international science fiction. In this issue we feature stories from Sweden, Germany, and Brazil: * A virtual priest of the Fundamental DOS must help a young wanderer in post-apocalyptic Europe. * A cultural officer for the Circle of Suns is forced to decide which members of the conquered alien species will live and which will die. * Two artificial intelligences meet in a fan fiction forum.
Science fiction is the playground of the imagination. If you are interested in science or fascinated with the future then science fiction is where you explore new ideas and let your dreams and nightmares duke it out on the safety of the page or screen. But what if we could use science fiction to do more than that? What if we could use science fiction based on science fact to not only imagine our future but develop new technologies and products? What if we could use stories, movies and comics as a kind of tool to explore the real world implications and uses of future technologies today? Science Fiction Prototyping is a practical guide to using fiction as a way to imagine our future in a whole new way. Filled with history, real world examples and conversations with experts like best selling science fiction author Cory Doctorow, senior editor at Dark Horse Comics Chris Warner and Hollywood science expert Sidney Perkowitz, Science Fiction Prototyping will give you the tools you need to begin designing the future with science fiction. The future is Brian David Johnson’s business. As a futurist at Intel Corporation, his charter is to develop an actionable vision for computing in 2021. His work is called “future casting”—using ethnographic field studies, technology research, trend data, and even science fiction to create a pragmatic vision of consumers and computing. Johnson has been pioneering development in artificial intelligence, robotics, and reinventing TV. He speaks and writes extensively about future technologies in articles and scientific papers as well as science fiction short stories and novels (Fake Plastic Love and Screen Future: The Future of Entertainment, Computing and the Devices We Love). He has directed two feature films and is an illustrator and commissioned painter. Table of Contents: Preface / Foreword / Epilogue / Dedication / Acknowledgments / 1. The Future Is in Your Hands / 2. Religious Robots and Runaway Were-Tigers: A Brief Overview of the Science and the Fiction that Went Into Two SF Prototypes / 3. How to Build Your Own SF Prototype in Five Steps or Less / 4. I, Robot: From Asimov to Doctorow: Exploring Short Fiction as an SF Prototype and a Conversation With Cory Doctorow / 5. The Men in the Moon: Exploring Movies as an SF Prototype and a Conversation with Sidney Perkowitz / 6. Science in the Gutters: Exploring Comics as an SF Prototype and a Conversation With Chris Warner / 7. Making the Future: Now that You Have Developed Your SF Prototype, What’s Next? / 8. Einstein’s Thought Experiments and Asimov’s Second Dream / Appendix A: The SF Prototypes / Notes / Author Biography
This book, first published in 1980, is a guide to the major forces in the subculture of science fiction. It analyses the history of the field and the related developments, for instance the Bomb, that have shaped the literature. It examines the complex of activity and background tradition, the body of accepted beliefs and conventions, and the ethics and values of the world of science fiction.
The Dresden Files meets American Gods in New York City. What would you do if you lost everything that mattered to you, as well as all means to protect yourself and others, but still had to save the day? Conrad Brent is about to find out. Conrad Brent protects the people of Brooklyn from monsters and magical threats. The snarky, wisecracking guardian also has a dangerous secret: he's one in a million - literally. Magical ability comes to about one in every 30,000 and can manifest at any age. Conrad is rarer than this, however. He's a middling, one of the half-gifted and totally despised. Most of the gifted community feels that middlings should be instantly killed. The few who don't flat out hate them still aren't excited to be around middlings. Meaning Conrad can't tell anyone, not even his best friends, what he really is. Conrad hides in plain sight by being a part of the volunteer Watch, those magically gifted who protect their cities from dangerous, arcane threats. And, to pay the bills, Conrad moonlights as a private detective and monster hunter for the gifted community. Which helps him keep up his personal fiction - that he's a magical version of Batman. Conrad does both jobs thanks to charms, artifacts, and his wits, along with copious amounts of coffee. But little does he know that events are about to change his life...forever. When Conrad discovers the Traveling Fair auction house has another middling who's just manifested her so-called powers on the auction block, he's determined to save her, regardless of risk. But what he finds out while doing so is even worse - the winning bidder works for a company that's just created the most dangerous chemical weapon to ever hit the magical community. Before Conrad can convince anyone at the Watch of the danger, he's exposed for what he really is. Now, stripped of rank, magical objects, friends and allies, Conrad has to try to save the world with only his wits. Thankfully though, no one's taken away his coffee.
This third volume in Mike Ashley's four-volume study of the science-fiction magazines focuses on the turbulent years of the 1970s, when the United States emerged from the Vietnam War into an economic crisis. It saw the end of the Apollo moon programme and the start of the ecology movement. This proved to be one of the most complicated periods for the science-fiction magazines. Not only were they struggling to survive within the economic climate, they also had to cope with the death of the father of modern science fiction, John W. Campbell, Jr., while facing new and potentially threatening opposition. The market for science fiction diversified as never before, with the growth in new anthologies, the emergence of semi-professional magazines, the explosion of science fiction in college, the start of role-playing gaming magazines, underground and adult comics and, with the success of Star Wars, media magazines. This volume explores how the traditional science-fiction magazines coped with this, from the
Issue #2 is titled "A NEW DAWN. Contemporary Science Fiction from Greece" and its content is: Hephaestion Christopoulos: Editorial Vasso Christou: Dust and Dreams Hephaestion Christopoulos: Sins of the Mother Hephaestion Christopoulos: Lamarck's Ghost II Antony Paschos: The 13% Rule Kostas Charitos: Emotionarium Christine Malapetsa (Angelsdotter): I Soul You Kristi Yakumaku: Akane and the Host Hunter Dimitra Nikolaidou: A Short History of Science Fiction in Greece Hephaestion Christopoulos: Interview With Nebula Nominee Eugenia Triantafyllou
The second volume of the first authorized biography of Robert A. Heinlein, generally considered the greatest SF writer of the 20th century, a bestselling author, military man, politician, and one of the founding minds of Libertarian politics in the USA.
