Future Noir: The Making of Blade Runner
Future Noir: The Making of Blade Runner

Author: Paul M. Sammon

Publisher: Harper Collins

Published: 1996-05-01

Total Pages: 467

ISBN-13: 0061053147

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The 1992 release of the "Director's Cut" only confirmed what the international film cognoscenti have know all along: Ridley Scott's Blade Runner, based on Philip K. Dick's brilliant and troubling SF novel Do Androids Dream of Electric Sheep, still rules as the most visually dense, thematically challenging, and influential SF film ever made. Future Noir is the story of that triumph. The making of Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry. A fascinating look at the ever-shifting interface between commerce and the art that is modern Hollywood, Future Noir is the intense, intimate, anything-but-glamerous inside account of how the work of SF's most uncompromising author was transformed into a critical sensation, a commercial success, and a cult classic.

Future Noir
Future Noir

Author: Paul M. Sammon

Publisher: HarperCollins

Published: 2017-11-14

Total Pages: 466

ISBN-13: 0062852892

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Updated edition: The ultimate guide to Ridley Scott’s transformative sci-fi classic Blade Runner, with photos, new cast interviews, and more. Based on Philip K. Dick’s brilliant and troubling science fiction masterpiece Do Androids Dream of Electric Sheep?, Blade Runner is among the most visually dense, thematically challenging, and influential science fiction films ever made. Future Noir offers a deeper understanding of this cinematic phenomenon that is storytelling and visual filmmaking at its best. In an intensive, intimate, and anything-but-glamorous behind-the-scenes account, Paul M. Sammon explores how Ridley Scott purposefully used his creative genius to transform the work of science fiction’s most uncompromising author into a critical sensation and cult classic that would reinvent the genre. Sammon reveals how the making of the original Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry at the time it was made. This revised and expanded edition of Future Noir includes: An overview of Blade Runner’s impact on moviemaking and popular culture An exploration of the history of Blade Runner: The Final Cut and its theatrical release in 2007 A look at its long-awaited sequel, Blade Runner 2049 The longest interview Harrison Ford has ever granted about Blade Runner Exclusive new interviews with Rutger Hauer and Sean Young A fascinating look at the ever-shifting interface between commerce and art, illustrated with production photos and stills, Future Noir provides an eye-opening and enduring look at modern moviemaking, the business of Hollywood, and one of the greatest films of all time.

Future Noir
Future Noir

Author: Paul M. Sammon

Publisher: Orion

Published: 1997

Total Pages: 441

ISBN-13: 9780752807409

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This is an insider's account of the making of "Blade Runner", arguably the most influential science fiction film ever made. It was a seven-year odyssey which tested the nerve and imagination of the most innovative writers, producers, special effects technicians and set designers in the industry.

Retrofitting Blade Runner
Retrofitting Blade Runner

Author: Judith Kerman

Publisher: Popular Press

Published: 1991

Total Pages: 344

ISBN-13: 9780879725105

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This book of essays looks at the multitude of texts and influences which converge in Ridley Scott's film Blade Runner, especially the film's relationship to its source novel, Philip K. Dick's Do Androids Dream of Electric Sheep? The film's implications as a thought experiment provide a starting point for important thinking about the moral issues implicit in a hypertechnological society. Yet its importance in the history of science fiction and science fiction film rests equally on it mythically and psychologically resonant creation of compelling characters and an exciting story within a credible science fiction setting. These essays consider political, moral and technological issues raised by the film, as well as literary, filmic, technical and aesthetic questions. Contributors discuss the film's psychological and mythic patterns, important political issues and the roots of the film in Paradise Lost, Frankenstein, detective fiction, and previous science fiction cinema.

Blade Runner
Blade Runner

Author: Scott Bukatman

Publisher: Bloomsbury Publishing

Published: 2017-10-26

Total Pages: 112

ISBN-13: 1844577139

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Ridley Scott's dystopian classic Blade Runner, an adaptation of Philip K. Dick's novel, Do Androids Dream of Electric Sheep?, combines noir with science fiction to create a groundbreaking cyberpunk vision of urban life in the twenty-first century. With replicants on the run, the rain-drenched Los Angeles which Blade Runner imagines is a city of oppression and enclosure, but a city in which transgression and disorder can always erupt. Graced by stunning sets, lighting, effects, costumes and photography, Blade Runner succeeds brilliantly in depicting a world at once uncannily familiar and startlingly new. In his innovative and nuanced reading, Scott Bukatman details the making of Blade Runner and its steadily improving fortunes following its release in 1982. He situates the film in terms of debates about postmodernism, which have informed much of the criticism devoted to it, but argues that its tensions derive also from the quintessentially twentieth-century, modernist experience of the city – as a space both imprisoning and liberating. In his foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Bukatman suggests that Blade Runner 's visual complexity allows it to translate successfully to the world of high definition and on-demand home cinema. He looks back to the science fiction tradition of the early 1980s, and on to the key changes in the 'final' version of the film in 2007, which risk diminishing the sense of instability created in the original.

Future Noir
Future Noir

Author: Paul Sammon

Publisher:

Published: 2007

Total Pages: 0

ISBN-13: 9780575081604

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The fascinating story of the making of the most influential SF film ever made, republished to coincide with the film's cinematic re-release. It contains exclusive production photos; an exclusive interview with Ridley Scott, cast interviews - including an entirely new interview with Harrison Ford - one of the very last interviews make with Philip K. Dick, and a complete annotated bibliography.

Typeset in the Future
Typeset in the Future

Author: Dave Addey

Publisher: Abrams

Published: 2018-12-11

Total Pages: 274

ISBN-13: 168335334X

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A designer’s deep dive into seven science fiction films, filled with “gloriously esoteric nerdery [and] observations as witty as they are keen” (Wired). In Typeset in the Future, blogger and designer Dave Addey invites sci-fi movie fans on a journey through seven genre-defining classics, discovering how they create compelling visions of the future through typography and design. The book delves deep into 2001: A Space Odyssey, Star Trek: The Motion Picture, Alien, Blade Runner, Total Recall, WALL·E, and Moon, studying the design tricks and inspirations that make each film transcend mere celluloid and become a believable reality. These studies are illustrated by film stills, concept art, type specimens, and ephemera, plus original interviews with Mike Okuda (Star Trek), Paul Verhoeven (Total Recall), and Ralph Eggleston and Craig Foster (Pixar). Typeset in the Future is an obsessively geeky study of how classic sci-fi movies draw us in to their imagined worlds.

Must-See Sci-fi
Must-See Sci-fi

Author: Sloan De Forest

Publisher: Running Press Adult

Published: 2018-05-01

Total Pages: 756

ISBN-13: 0762491531

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Spanning nine decades and branded by the most trusted authority on film, Turner Classic Movies: Must-See Sci-Fi showcases 50 of the most shocking, weird, wonderful, and mind-bending movies ever made. From A Trip to the Moon (1902)to Arrival (2016), science fiction cinema has produced a body of classics with a broader range of styles, stories, and subject matter than perhaps any other film genre. They are movies that embed themselves in the depths of the mind, coloring our view of day-to-day reality and probably fueling a few dreams (and nightmares) along the way. In Turner Classic Movies: Must-See Sci-Fi, fifty unforgettable films are profiled, including beloved favorites like The Day the Earth Stood Still (1951) and Fantastic Voyage (1966), groundbreaking shockers like Planet of the Apes (1968) and Alien (1979), and lesser-known landmarks like Things to Come (1936) and Solaris (1972). Illustrated by astounding color and black-and-white images, the book presents the best of this mind-bending genre, detailing through insightful commentary and behind-the-scenes stories why each film remains essential viewing. A perfect gift for any film buff or sci-fi fanatic!

The Art and Soul of Blade Runner 2049
The Art and Soul of Blade Runner 2049

Author: Tanya Lapointe

Publisher: Titan Books

Published: 2017

Total Pages: 217

ISBN-13: 9781785657580

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Embargoed to 5th October Officer K (Ryan Gosling), a new blade runner for the Los Angeles Police Department, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. His discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former blade runner who's been missing for 30 years The Art and Soul of Blade Runner 2049 goes behind the scenes and reveals how this epic production was brought to the screen. Featuring incredible concept art and on-set photography, this deluxe book is a rare treat for fans as key cast and crew tell the story of how Blade Runner was revived and was given a whole new lease of life. See the trailer here

Tech-Noir
Tech-Noir

Author: Paul Meehan

Publisher: McFarland

Published: 2015-08-13

Total Pages: 273

ISBN-13: 147660973X

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This critical study traces the common origins of film noir and science fiction films, identifying the many instances in which the two have merged to form a distinctive subgenre known as Tech-Noir. From the German Expressionist cinema of the late 1920s to the present-day cyberpunk movement, the book examines more than 100 films in which the common noir elements of crime, mystery, surrealism, and human perversity intersect with the high technology of science fiction. The author also details the hybrid subgenre's considerable influences on contemporary music, fashion, and culture.