Sigmund "Ziggy" Blissman isn't the best-looking, sanest boy in the world. Far from it. But this misfit child of a failed husband-and-wife vaudeville team has one thing going for him: He can crack people up just by batting his eyelashes. Vittorio "Vic" Fontana, the son of a fisherman, can barely carry a tune or even stay awake while attempting to, but he, too, has one thing going for him: Women love to look at him. On their own, these two men are failures. But one summer night in the Catskills, Ziggy and Vic step onstage and together become the funniest men -- and hottest act -- in America. Written as a fictional oral history and filled with more than seventy memorable characters, Funnymen is the wildly inventive story of "Fountain and Bliss," the comedy duo that delighted America in the 1940s and 1950s. The episodes recounted here by managers, wives, children, mistresses, friends, fans, and foes -- and the truths Heller reveals about human ambition, egotism, and friendship -- make Funnymen not only a masterpiece of storytelling, but also a thoroughly hilarious read.
SIGMUND "ZIGGY" BLISSMAN isn't the best-looking, sanest boy in the world. Far, far from it. But this misfit child of a failed husband-and-wife vaudeville team has one (and only one) thing going for him: He can crack people up merely by batting his eyelashes. And Vittorio "Vic" Fontana, the son of a fisherman, is a fraud. Barely able to carry a tune or even stay awake while attempting to, the indolent baritone (if that's what he is) has one thing going for him: Women love to look at him. On their own, they're failures. But on one summer night in the Catskills, they step onstage and together become the funniest men -- and the hottest act -- in America. Funnymen is the wildly inventive story of Fountain and Bliss, the comedy duo that delighted America in the 1940s and '50s. Conceived as a fictional oral biography and filled with more than seventy memorable characters, Funnymen details the extraordinary careers of two men whose professional success is never matched in their personal lives. The two men fight constantly with their managers, their wives, their children, their mistresses, and those responsible for their success: each other. The stories recounted about Vic and Ziggy -- and the truths Heller reveals about human ambition, egotism, and friendship -- make Funnymen a wild ride of a novel that is also a rare and imaginative masterpiece of storytelling.
This star-studded tribute to the kings and queens of comedy draws together such legendary names as Steve Martin, Tina Fey, Steve Carell, Eddie Murphy, Robin Williams, Ricky Gervais, and many more. Granted extraordinary access, photographer Matt Hoyle has captured his subjects in portraits that are works of art in themselves—by turns zany and deadpan, laugh-out-loud and contemplative. Accompanying them are first-person reflections from each of the comedians on life and laughter that always cut straight to the heart of comedy: it's funny because it's true. Page after sidesplitting page in Comic Genius offers prose as engaging as each portrait is memorable. Here, in one handsome package, is the gift of laughter itself. Comic Genius is proud to support Save The Children.
From Nick Altrock to Casey Stengel, Dizzy Dean to Satchel Paige, Bill Veeck to Bob Uecker, baseball has always admired the clever. This book tells the stories of some of the players, coaches, managers and broadcasters who had the most fun in the Major Leagues and made fans laugh out loud (or shake their heads in disbelief). The author recounts tales both famous and little known that capture the character of unusual and offbeat players, unique and engaging personalities and the succession of eccentrics who were officially dubbed "Clown Prince of Baseball."
Six-time Emmy Award-winning funny man Tim Conway—best known for his roles on The Carol Burnett Show—offers a straight-shooting and hilarious memoir about his life on stage and off as an actor and comedian. In television history, few entertainers have captured as many hearts and made as many people laugh as Tim Conway. What’s So Funny? follows Tim’s journey from life as an only child raised by loving but outrageous parents, to his tour of duty in the army, to his ascent as a national star. Conway’s often-improvised humor, razor-sharp timing, and hilarious characters have made him one of the funniest and most authentic performers to grace the stage and studio. As Carol Burnett, who also provides an intimate foreword to the book, has said, “there’s no one funnier” than Tim Conway. What’s So Funny? shares hilarious accounts and never-before-shared stories of behind-the-scenes antics on McHale’s Navy and The Carol Burnett Show as well as his famous partnerships with entertainment greats like Harvey Korman, Don Knotts, and Dick Van Dyke; and his friendships with stars like Betty White and Bob Newhart. Filled with warmth, humor, and heart, What’s So Funny will delight and inspire fans everywhere.
A deeply textured and compelling biography of comedy giant Mel Brooks, covering his rags-to-riches life and triumphant career in television, films, and theater, from Patrick McGilligan, the acclaimed author of Young Orson: The Years of Luck and Genius on the Path to Citizen Kane and Alfred Hitchcock: A Life in Darkness and Light. Oscar, Emmy, Tony, and Grammy award–winner Mel Brooks was behind (and sometimes in front the camera too) of some of the most influential comedy hits of our time, including The 2,000 Year Old Man, Get Smart, The Producers, Blazing Saddles, and Young Frankenstein. But before this actor, writer, director, comedian, and composer entertained the world, his first audience was his family. The fourth and last child of Max and Kitty Kaminsky, Mel Brooks was born on his family’s kitchen table in Brooklyn, New York, in 1926, and was not quite three-years-old when his father died of tuberculosis. Growing up in a household too poor to own a radio, Mel was short and homely, a mischievous child whose birth role was to make the family laugh. Beyond boyhood, after transforming himself into Mel Brooks, the laughs that came easily inside the Kaminsky family proved more elusive. His lifelong crusade to transform himself into a brand name of popular humor is at the center of master biographer Patrick McGilligan’s Funny Man. In this exhaustively researched and wonderfully novelistic look at Brooks’ personal and professional life, McGilligan lays bare the strengths and drawbacks that shaped Brooks’ psychology, his willpower, his persona, and his comedy. McGilligan insightfully navigates the epic ride that has been the famous funnyman’s life story, from Brooks’s childhood in Williamsburg tenements and breakthrough in early television—working alongside Sid Caesar and Carl Reiner—to Hollywood and Broadway peaks (and valleys). His book offers a meditation on the Jewish immigrant culture that influenced Brooks, snapshots of the golden age of comedy, behind the scenes revelations about the celebrated shows and films, and a telling look at the four-decade romantic partnership with actress Anne Bancroft that superseded Brooks’ troubled first marriage. Engrossing, nuanced and ultimately poignant, Funny Man delivers a great man’s unforgettable life story and an anatomy of the American dream of success. Funny Man includes a 16-page black-and-white photo insert.
The funny man is a middling comic in an unnamed city. By day he takes care of his infant son, by night he performs in small clubs. His wife waits tables to support the family. It doesn't sound like much, but they're happy (more or less) - until the day he comes up with his magic gimmick. And what is it? He performs his set with his fist in his mouth. Jokes, impressions, commercials - all take place with his fist wrist-deep in his mouth. People are crazy for him, but he's tired of it. This brilliant debut documents one man's slide from everyman to monster.
The twelve classic comedy films examined within these pages are distinguished by an equal number of defining comic performances. Ranging from The Great Dictator (1940) to A Southern Yankee (1948), each film focuses on the most central theme of "clown comedy": Resilience, the encouragement or hope that one can survive the most daunting of life's dilemmas--even during the war-torn 1940s. And each film can be regarded as a microcosm of the antiheroic world of its central clown (or clowns). Among the performers represented are Charlie Chaplin, W.C. Fields, Abbott and Costello, Jack Benny, Eddie Bracken, Bob Hope, Bing Crosby, Danny Kaye, the Marx Brothers, Harold Lloyd and Red Skelton. This lavishly illustrated work includes an introduction by noted film critic and historian Anthony Slide.
