Fundamentals of Piano Technique - The Russian Method

Fundamentals of Piano Technique - The Russian Method

Author: Olga Conus

Publisher: Hal Leonard Corporation

Published: 2016-12-01

Total Pages: 139

ISBN-13: 1495089339

DOWNLOAD EBOOK

(Piano Instruction). Fundamentals of Piano Technique was developed by Leon Conus (1871-1944) and Olga Conus (1890-1976) during many decades of teaching and performing, and through association with the most prominent Russian musicians of the time including Rachmaninoff, Scriabin, and Medtner. The exercises in this method are concise and efficient, focusing on the elements of good playing: control, touch, nuance, and musicianship. This book can be used by students at all levels of development, and with all shapes and sizes of hands. The preparatory exercises allow students to begin using the book within their first year of lessons. A systematic approach allows the hands to develop gradually, avoiding dangerous tension or muscle damage. Topics include: preparatory exercises; extension exercises; five-finger exercises; flexibility of the thumb; trill exercises; scales & arpeggios; wrist development; double notes; and more.


Mastering Piano Technique

Mastering Piano Technique

Author: Seymour Fink

Publisher: Hal Leonard Corporation

Published: 1992

Total Pages: 196

ISBN-13: 9780931340468

DOWNLOAD EBOOK

(Amadeus). This holistic approach to the keyboard, based on a sound understanding of the relationship between physical function and musical purpose, is an invaluable resource for pianists and teachers. Professor Fink explains his ideas and demonstrates his innovative developmental exercises that set the pianist free to express the most profound musical ideas. HARDCOVER.


Fundamentals of Piano Practice

Fundamentals of Piano Practice

Author: Chuan C. Chang

Publisher:

Published: 2016-01-06

Total Pages: 272

ISBN-13: 9781523287222

DOWNLOAD EBOOK

This is the first book that teaches piano practice methods systematically, based on mylifetime of research, and containing the teachings of Combe, material from over 50 pianobooks, hundreds of articles, and decades of internet research and discussions with teachersand pianists. Genius skills are identified and shown to be teachable; learning piano can raiseor lower your IQ. Past widely taught methods based on false assumptions are exposed;substituting them with efficient practice methods allows students to learn piano and obtainthe necessary education to navigate in today's world and even have a second career. See http://www.pianopractice.org/


Piano Technique

Piano Technique

Author: Walter Gieseking

Publisher: Courier Corporation

Published: 2013-04-09

Total Pages: 162

ISBN-13: 0486317412

DOWNLOAD EBOOK

Two books, bound together, by one of the greatest pianists of all time and his famed teacher: The Shortest Way to Pianistic Perfection and Rhythmics, Dynamics, Pedal and Other Problems of Piano Playing.


What Every Pianist Needs to Know about the Body

What Every Pianist Needs to Know about the Body

Author: Thomas Carson Mark

Publisher: GIA Publications

Published: 2003

Total Pages: 182

ISBN-13: 9781579992064

DOWNLOAD EBOOK

Describes and demonstrates the places of balance, standing and sitting in balance, structure, movement of the hands and arms, and other topics.


The Art of Piano Playing

The Art of Piano Playing

Author: George Kochevitsky

Publisher: Alfred Music

Published: 1995-11-16

Total Pages: 82

ISBN-13: 1457400332

DOWNLOAD EBOOK

So many of the great pianists and teachers have come out of Poland and Russia (Rubinstein, Anton as well as Arthur, Leschetizky, Paderewski, the Lhevinnes, Gilels, Richter, and others), yet we know little about their methods of learning and teaching. George Kochevitsky in The Art of Piano Playing supplies some important sources of information previously unavailable in the United States. From these sources, tempered by this own thinking, Kochevitsky formulated a scientific approach that can solve most problems of piano playing and teaching. George Kochevitsky graduated in 1930 from Leningrad Conservatory and did post-graduate work at Moscow Conservatory. After coming to the U.S., he taught privately in New York City, gave a number of lectures, and wrote for various music periodicals.