Fruit-Gathering Rabindranath Tagore - Fruit-Gathering is a poem by Rabindranath Tagore, first published in 1916. Fruit Gathering is a book so rare in style and theme, yet not difficult to relate to as it is based on the relationship between God and man, the atom and the cosmos. Tagore was heavily influenced by the rich heritage of the Subcontinent and uses its fruit and flowers to symbolise the spiritual and moral values that underlie his own devotion and love for the creator. His simple poetic style finds the most evocative words and phrases, symbols and images, which have haunting music in them bringing out the deepest emotions of any reader. Fruit Gathering is the finest example of Tagores simple poetic style whose influence is still strong today with his words heard daily in the Indian and Bangladesh national anthems and studied in countless countries as they continue to capture hearts and minds.
"Gitanjali" is a collection of poems by the Bengali poet Rabindranath Tagore. The English Gitanjali or Song Offerings is a collection of Tagore's own English translations of his Bengali poems. These poems highlight the many realizations author had under the crimson sky, casting his forlorn eye and pensive heart. Tagore received the Nobel Prize for Literature, largely for this book. "Fruit-Gathering" is a collection of poems and a sequel to Gitanjali. In it, Tagore meditates simply and directly on the interplay between the individual and the surroundings. "My Reminiscences" is an autobiography of the great Bengali poet and philosopher Rabindranath Tagore.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
The 3-volume set LNAI 12712-12714 constitutes the proceedings of the 25th Pacific-Asia Conference on Advances in Knowledge Discovery and Data Mining, PAKDD 2021, which was held during May 11-14, 2021. The 157 papers included in the proceedings were carefully reviewed and selected from a total of 628 submissions. They were organized in topical sections as follows: Part I: Applications of knowledge discovery and data mining of specialized data; Part II: Classical data mining; data mining theory and principles; recommender systems; and text analytics; Part III: Representation learning and embedding, and learning from data.
Tagore S English Writings Originals And Translations Have Not Received The Attention That They Deserve. The Purpose Of This Edition Is To Make The English Writings Of Tagore Available To The Widest Possible Range Of Readers Interested In The Writings Of Tagore All Over The World, With Just The Bare, Minimum Information Necessary For Appreciating The Writings, And Leave The Critical Assessment To The Readers Themselves.There May Be Two Possible Reasons For The Neglect Of Tagore S English Writings. Firstly, Tagore S Prolific Output, Shakespearean Felicity And Protean Plasticity As A Bengali Poet, Who, Though Well-Versed In English, Chose To Write In The Medium Of His Mother Tongue For Nearly The First Fifty Years Of His Life, And There Is Hardly Any Literary Form That He Did Not Touch Upon And Turn Into Gold. His Creative Genius Found Expression In Poems, Plays, Novels, Essays, Short Stories, Satirical Pieces, Textbooks For Children, And Songs Of All Kinds. The Only Literary Form That He Did Not Try Is Epic. But In His Long, Eventful And Creative Eighty Years Of Life He Virtually Lived An Epic. It Is Largely Due To His Mighty Stature As A Bengali Poet That Nobody Really Bothered About His English Writings And His Own Translations Of His Own Writings.Secondly, It Is Owing To The Supposedly Poor Quality Of His Translations Subsequent To The Translation Of Gitanjali. It Was Only After Tagore Received The Nobel Prize For Literature In 1913 That There Was A Growing Demand For His Writings In The West, And As Tagore Was Not Apparently Satisfied By The Translations That Others Mainly His Admirers Made, He Began To Translate His Writings Himself. But The Tremendous Haste With Which He Had To Translate, Possibly Affected The Quality Of Translations. Come What May, The Point Is Whether Tagore S English Translations Are Good Or Bad, Whether The Translation Furthered His Reputation Or Damaged It, Is Immaterial. The Fact Of The Matter Is That They Are His, And His Own Translation Of Whatever Quality It May Be Is More Valuable To A Tagore Lover Than The Best Translation Made By Somebody Else, As Van Gogh S One Original Single Scratch Is More Valuable Than The Best Possible Copy By Some Other Artist.The Value Of Tagore S English Writings Lies Here : They Constitute An Important Part Of His Total Oeuvre, Add A New Magnificent Dimension To It And Offer Us A Glimpse Into The Mystique Of The Creative Anxiety That Could Have Haunted Even The Greatest Writer Of The Twentieth Century, About His Possible Reception In An Alien Culture.
