Damien Parer was without doubt Australia?s greatest war photographer. He helped create the Anzac legend ? and many, many of our iconic war images are his photographs. He served his apprenticeship as a stills photographer on the famous Chauvel film, 'Forty Thousand Horsemen', and was appointed Official Photographer covering the Australian fighting in the early days of World War II in Greece and Syria, and Tobruk. His most famous documentary is 'Kokoda Front Line!' , made during the darkest days of the campaign in mid-1942 (it went on to win Australia?s first Academy Award). His photographs and films brought the war home to Australians ? and are now an integral part of our military history. He died in action ? shot by Japanese machine gun fire, as he filmed an American advance on Peleliu. Originally published as WAR CAMERAMAN: THE STORY OF DAMIEN PARER, and later in an expanded form as DAMIEN PARER'S WAR, this colourful and authoritative story of a great Australian includes many of his most iconic photographs.
In 1970 Jerry Della Femina wrote this gossip-filled, insider's account of working on Madison Avenue during the golden age of advertising. It caused a sensation, became a bestseller and established itself as a cult classic. Years later, it inspired the multi-award-winning drama Mad Men.
The Vietnam War was New Zealand's longest and most controversial military engagement of the twentieth century. No Front Lineexplores this war like never before, from the perspective of New Zealanders who were there, in their own words- on operations, on a mission for good, on orders, or simply out for adventure. It relays military, civilian and domestic histories in a narrative that is at once sincere, direct and undeniable - sometimes shocking and always absorbing. These war stories take readers on operations with gunners, infantrymen, pilots and troopers who face fear and heartbreak, and who witness the devastation of a country at war. The book also includes important reflections from non-combatant engineers, medics, aid workers and administrators; it profiles civilian and service personnel treating Vietnamese casualties in provincial hospitals; it places on record the integral role of women in Vietnam- as nurses, doctors, aid workers, journalists and entertainers. Back home in New Zealand, veterans' families recall the war's reach into the suburbs - both then and now. Personal testimonies in No Front Line are drawn from a collectionof 150 oral history interviews recorded over five years. They present a fresh perspective on New Zealand's collective experience of the Vietnam War - an episode in history that cannot be ignored
From Vanessa Harbour comes Flight, a middle-grade historical fiction novel about a Jewish boy and a Roma girl leading a group of horses across mountains to escape Nazis during WWII. Everyone deserves to be free and feel safe, even horses. The year is 1945 in Austria, where an SS officer and some of his men visit a stable, determined to find the Jewish boy they believe the owner is hiding there. Luckily, just as Jakob—the boy in question—is about to be found, the men are called away...but not before the SS officer shoots and kills Jakob’s favorite horse. It’s very clear then, to Jakob and his guardian, that they are no longer safe there. Traveling through Nazi territory with that many horses will be incredibly difficult and risky, but the alternative—staying—is even more dangerous. After an orphaned Roma girl named Kizzy joins the pair, the three of them travel across woods and mountains in the hopes of finding safety. Along the way are life-threatening obstacles and an injury that could prove to be deadly. Inspired by a real mission, this is a story of courage, adventure, friendship, and dancing horses.
A NEW YORK TIMES BESTSELLER! Jacqueline Woodson's first middle-grade novel since National Book Award winner Brown Girl Dreaming celebrates the healing that can occur when a group of students share their stories. It all starts when six kids have to meet for a weekly chat--by themselves, with no adults to listen in. There, in the room they soon dub the ARTT Room (short for "A Room to Talk"), they discover it's safe to talk about what's bothering them--everything from Esteban's father's deportation and Haley's father's incarceration to Amari's fears of racial profiling and Ashton's adjustment to his changing family fortunes. When the six are together, they can express the feelings and fears they have to hide from the rest of the world. And together, they can grow braver and more ready for the rest of their lives.
Combining the sorcery of The Night Circus with the malefic suspense of A Secret History, Thorn Jack is a spectacular, modern retelling of the ancient Scottish ballad, Tam Lin—a beguiling fusion of love, fantasy, and myth that echoes the imaginative artistry of the works of Neil Gaiman, Cassandra Clare, and Melissa Marr. In the wake of her older sister’s suicide, Finn Sullivan and her father move to a quaint town in upstate New York. Populated with socialites, hippies, and dramatic artists, every corner of this new place holds bright possibilities—and dark enigmas, including the devastatingly attractive Jack Fata, scion of one of the town’s most powerful families. As she begins to settle in, Finn discovers that beneath its pretty, placid surface, the town and its denizens—especially the Fata family—wield an irresistible charm and dangerous power, a tempting and terrifying blend of good and evil, magic and mystery, that holds dangerous consequences for an innocent and curious girl like Finn. To free herself and save her beloved Jack, Finn must confront the fearsome Fata family . . . a battle that will lead to shocking secrets about her sister’s death.
On the centennial of Joseph Mitchell's birth, here is a new edition of the classic collection containing his most celebrated pieces about New York City. Fifty years after its original publication, The Bottom of the Harbor is still considered a fundamental New York book. Every story Mitchell tells, every person he introduces, every scene he describes is illuminated by his passion for the eccentrics and eccentricities of his beloved adopted city. All of the pieces here are connected in one way or another--some directly, some with a kind of mysterious circuitousness--to New York's fabled waterfront, the terrain that Mitchell brilliantly made his own. They tell of a life that has passed--of vacant hotel rooms, deserted communities, once-thriving fishing areas that are now polluted and studded with wrecks. Included are "Up in the Old Hotel," a portrait of Louis Morino, the proprietor of a restaurant called (to his disgust) Sloppy Louie's; "The Rats on the Waterfront," which has inspired countless writers to attempt portraits of these most demonized New Yorkers; and "Mr. Hunter's Grave," widely considered to be the finest single piece of nonfiction to have ever appeared in the pages of The New Yorker. Here is the essential work of a legendary writer.