Aggie is a witch in hiding from her coven and the magickal world at large, after her virginity contract was sold at birth to an incubus; a sex demon who would surely kill her during the inheritance ceremony. Now turning forty, her magick is tired of being contained, and attracts the attention of a few nearby supernaturals, all vying for her attention: Karl, a grumpy, self-effacing vampire who fusses like a mother hen, Luka, a rowdy werewolf with golden retriever energy, and Quinn: a player warlock with a pet hawk. If they can sense her, then surely her jilted betrothed can as well. And they aren't about to let Aggie go without a fight.
PURITY AND POWER As a war to determine the rightful ruler of medieval France ravages the land, it seems that the only hope for most, is protection from the heavens above through prayer. But deep in the forest outside of a small, bucolic village, the witch Maria will not stand idly by as men kill each other and commit horrendous acts in the name of God and glory. Using her powerful magic, she’ll summon various beasts and demons―even going as far as using a succubus to seduce soldiers into submission under the veil of night―all to stop the needless slaughter. However, Maria’s display of her magical might has drawn the ire of the Kingdom of Heaven and after the Archangel Michael puts an end to her meddling, he curses her to lose her powers if she ever gives up her virginity. Will she forgo the forbidden fruit of adulthood in order to bring an end to the merciless machine of war?
Practical Magic meets Gilmore Girls in this adorable witchy rom-com by New York Times bestselling author Ann Aguiree, with a bisexual cinnamon roll hero, a commitment-averse heroine, and a chemistry between them that causes literal sparks. Danica Waterhouse is a fully modern witch—daughter, granddaughter, cousin, and co-owner of the Fix-It Witches, a magical tech repair shop. After a messy breakup that included way too much family "feedback," Danica made a pact with her cousin: they'll keep their hearts protected and have fun, without involving any of the overly opinionated Waterhouse matriarchs. Danica is more than a little exhausted navigating a long-standing family feud where Gram thinks the only good mundane is a dead one and Danica's mother weaves floral crowns for anyone who crosses her path. Three blocks down from the Fix-It Witches, Titus Winnaker, owner of Sugar Daddy's bakery, has family trouble of his own. After a tragic loss, all he's got left is his sister, the bakery, and a lifetime of terrible luck in love. Sure, business is sweet, but he can't seem to shake the romantic curse that's left him past thirty and still a virgin. He's decided he's doomed to be forever alone. Until he meets Danica Waterhouse. The sparks are instant, their attraction irresistible. For him, she's the one. To her, he's a firebomb thrown in the middle of a family war. Can a modern witch find love with an old-fashioned mundane who refuses to settle for anything less than forever? Praise for Witch Please: "The start to Aguirre's Fix-It Witches series is a delightful, laugh-out-loud small-town tale...Ann Aguirre's sexy, sweet, funny, and oh-so-fulfilling witchy love story will leave readers hungry for Clementine's story"—Library Journal, starred review "Readers will be enchanted."—Publishers Weekly "WITCH PLEASE is a lovely breath of fresh, cinnamon-scented air. It's sexy and sweet, and it's the soft, adorable romance we need right now."—Kristen Callihan, New York Times and USA Today bestselling author of the Game On series
A RENDEVOUS WITH OLD FRIENDS Maria and her friends are back in a collection of stories that offer a glimpse into their past, present, and future. From Viv’s journey to France, to a day in the life of Maria and her owl companions, and even a brief peek at the result of Ezekiel’s judgment, Maria the Virgin Witch: Exhibition allows fans of the series to enjoy their favorite characters once more with new and untold stories.
THE ALPHA'S TOY To spare an innocent she has to become his plaything. When Zeke attacks her pack, Mary, a half-breed wolf, wants to save a young wolf, but to do so, she has to accept his bargain. She must be his toy until the next full moon. Mary despises the alpha she must now give her body to, but she can't deny the response he inspires within her. Exploring the deceased pack's lair Zeke stumbles onto something that could destroy all breeds of wolf. The leaders of Mary's pack had been experimenting on wolves. The reasons why are still unknown, but Zeke will do everything in his power to find out the truth, especially when he discovers Mary was one of their experiments. Even before the end of the month Mary becomes all he can think about, and he's determined to keep his toy safe. Then a twist of fate lets him know she's more than a toy. Mary is his mate. Can he overcome her fear of him and convince her to stay when her month is up? ALPHA BAIT There is a law that binds an Alpha to his wolf and stops him from hurting others of his pack. If an Alpha lashes out with the intention to harm, then his wolf will stop it, forcing on the transition...but one wolf has found the loophole. Chain is determined to inflict harm. He sends out the one woman he wants but cannot have, Victoria. She will be his Alpha Bait, luring another Alpha to his death, thus freeing Chain from the control of his wolf. For most of her adult life Victoria has been at the mercy of Chain. He scares her more than anything else. Doing as she's told, Victoria sets the trap in order to gain Scorch's attention. Scorch is a good leader and strong Alpha. He will not hurt anyone. When a beautiful red-head ends up in his care, he cannot turn away from the attraction she inspires. Their wolves are mates, and they're destined to be together. However, what will Scorch do when he realizes Victoria is with him to lure him to his death? Can she really send the man she loves to his grave? Being Alpha Bait was never her choice, but who really holds her loyalty, Chain or Scorch?
From the podcast host of The Witch Wave and practicing witch Pam Grossman—who Vulture has dubbed the “Terry Gross of witches”—comes an exploration of the world’s fascination with witches, why they have intrigued us for centuries and why they’re more relevant now than ever. When you think of a witch, what do you picture? Pointy black hat, maybe a broomstick. But witches in various guises have been with us for millennia. In Waking the Witch, Pam Grossman explores the impact of the world’s most magical icon. From the idea of the femme fatale in league with the devil to the bewitching pop culture archetypes in Sabrina the Teenage Witch and Harry Potter; from the spooky ladies in fairy tales to the rise of contemporary witchcraft, witches reflect the power and potential of women. Part cultural analysis, part memoir, Waking the Witch traces the author’s own journey on the path to witchcraft, and how this has helped her find self-empowerment and purpose. It celebrates witches past, present, and future, and reveals the critical role they have played—and will continue to play—in the world as we know it. “Deftly illuminating the past while beckoning us towards the future, Waking the Witch has all the makings of a feminist classic. Wise, relatable, and real, Pam Grossman is the witch we need for our times” (Ami McKay, author of The Witches of New York).
Young and attractive Boston attorney Luba Kadak is feeling very anxious. Her relationships with men culminate with their erectile dysfunction; her wealthy father is aloof from her and her free spirited sister Eva is still missing after she and her lover, the witch Zdenka, were driven from her father's Upper East Side brownstone by her enraged dying mother. Unknown to Luba, she and her wealthy father Joseph are the object of a Carpathian witch's evil prophesy, involving a doomsday viral plague, that is recorded in the witch's apocalyptic compact with Satan himself; and Luba is shadowed by witches and demons. The lethal struggle between the resolute men of the ancient and covert Jesuit Corinthian Brotherhood and the evil ones reaches a crescendo at a horrific witches' Sabbath, leading to the final encounter with Satan along Manhattan's East River Drive.
A fake relationship between a magic-less witch and a wolf shifter turns to more in the start of a bewitching new paranormal rom-com series. Magic-less witch Violet Maxwell wants nothing to do with alpha wolf shifter Lincoln Thorne—the man who broke her fragile, teenage heart. But when the two of them are forced by arcane Supernatural Laws to find mates, Violet and Lincoln agree to fake-date their way to a fake-mating in order to conjure themselves some time. The joke’s on them. When old feelings make a reappearance—along with Violet’s magic—they both realize there’s nothing fake about their feelings. But there are old secrets and looming threats that could snatch away their happily ever after, again. One thing’s for sure: magic doesn’t make dating and love any easier. In Not the Witch You Wed, April Asher brings all the hilarity and sweet, sexy moments you love in a romantic-comedy—plus a fun dose of magic—to this spell-binding new series about being sexy, single, and supernatural in New York City.
Already a great historian, Tracy Borman proves with this thrilling debut novel that she is also a born storyteller. As she helps to nurse the dying Queen Elizabeth, Frances Gorges longs for the fields and ancient woods of her parents' Hampshire estate, where she has learned to use the flowers and herbs to become a much-loved healer. Frances is happy to stay in her beloved countryside when the new King arrives from Scotland, bringing change, fear and suspicion. His court may be shockingly decadent, but James's religion is Puritan, intolerant of all the old ways; he has already put to death many men for treason and women for witchcraft. So when her ambitious uncle forcibly brings Frances to court, she is trapped in a claustrophobic world of intrigue and betrayal - and a ready target for the twisted scheming of Lord Cecil, the King's first minister. Surrounded by mortal dangers, Frances finds happiness only with the precocious young Princess Elizabeth, and Tom Wintour, the one courtier she can trust. Or can she? 'Watch out Philippa Gregory and Alison Weir, I can see a new contender for the Queen of Historical Fiction!' Netgalley reviewer 'A fascinating read, felt very true to time period but with that personal touch . . . Five stars' Jeannie Zelos book reviews
The beloved, bestselling author of The Birth House and The Virgin Cure is back with her most beguiling novel yet, luring us deep inside the lives of a trio of remarkable young women navigating the glitz and grotesqueries of Gilded-Age New York by any means possible, including witchcraft... The year is 1880. Two hundred years after the trials in Salem, Adelaide Thom (Moth from The Virgin Cure) has left her life in the sideshow to open a tea shop with another young woman who feels it's finally safe enough to describe herself as a witch: a former medical student and gardien de sorts (keeper of spells), Eleanor St. Clair. Together they cater to Manhattan's high society ladies, specializing in cures, palmistry and potions—and in guarding the secrets of their clients. All is well until one bright September afternoon, when an enchanting young woman named Beatrice Dunn arrives at their door seeking employment. Beatrice soon becomes indispensable as Eleanor's apprentice, but her new life with the witches is marred by strange occurrences. She sees things no one else can see. She hears voices no one else can hear. Objects appear out of thin air, as if gifts from the dead. Has she been touched by magic or is she simply losing her mind? Eleanor wants to tread lightly and respect the magic manifest in the girl, but Adelaide sees a business opportunity. Working with Dr. Quinn Brody, a talented alienist, she submits Beatrice to a series of tests to see if she truly can talk to spirits. Amidst the witches' tug-of-war over what's best for her, Beatrice disappears, leaving them to wonder whether it was by choice or by force. As Adelaide and Eleanor begin the desperate search for Beatrice, they're confronted by accusations and spectres from their own pasts. In a time when women were corseted, confined and committed for merely speaking their minds, were any of them safe?
