The waltz, perhaps the most beloved social dance of the 19th and early 20th centuries, once provoked outrage from religious leaders and other self-appointed arbiters of social morality. Decrying the corrupting influence of social dancing, they failed to suppress the popularity of the waltz or other dance crazes of the period, including the Charleston, the tango, and "animal dances" such as the Turkey Trot, Grizzly Bear, and Bunny Hug. This book investigates the development of these popular dances, considering in particular how their very existence as "taboo" cultural fads ultimately provided a catalyst for lasting social reform. In addition to examining the impact of the waltz and other scandalous dances on fashion, music, leisure, and social reform, the text describes the opposition to dance and the proliferation of literature on both sides.
In an engaging book that sweeps from the Gilded Age to the 1960s, award-winning author Laura Claridge presents the first authoritative biography of Emily Post, who changed the mindset of millions of Americans with Etiquette, a perennial bestseller and touchstone of proper behavior. A daughter of high society and one of Manhattan’s most sought-after debutantes, Emily Price married financier Edwin Post. It was a hopeful union that ended in scandalous divorce. But the trauma forced Emily Post to become her own person. After writing novels for fifteen years, Emily took on a different sort of project. When it debuted in 1922, Etiquette represented a fifty-year-old woman at her wisest–and a country at its wildest. Claridge addresses the secret of Etiquette’s tremendous success and gives us a panoramic view of the culture from which it took its shape, as its author meticulously updated her book twice a decade to keep it consistent with America’s constantly changing social landscape. Now, nearly fifty years after Emily Post’s death, we still feel her enormous influence on how we think Best Society should behave.
Enter into a world where supernaturals are the human races last hope. Hell has escaped its prison early and is devastating the world. The humans are useless to help themselves and all could be lost if the gates of Hell are not slammed shut. That's where my team comes in. I am Kira Gaetano and my team may be the world's last hope for survival. We fight the big bad nightmares and are racing against the clock to stop Hell from taking over the world. The only question I have is can we do it?......
Before skyscrapers and streetlights, American cities fell into inky blackness with each setting of the sun. But over the course of the 19th and early 20th centuries, new technologies began to light up the city. This text depicts the changing experiences of the urban night over this period, visiting a host of actors in the nocturnal city.
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
Race and Vision in the Nineteenth-Century United States is a collection of twelve essays by cultural critics that exposes how fraught relations of identity and race appear through imaging technologies in architecture, scientific discourse, sculpture, photography, painting, music, theater, and, finally, the twenty-first century visual commentary of Kara Walker. Throughout these essays, the racial practices of the nineteenth century are juxtaposed with literary practices involving some of the most prominent writers about race and identity, such as Herman Melville and Harriet Beecher Stowe, as well as the technologies of performance including theater and music. Recent work in critical theories of vision, technology, and the production of ideas about racial discourse has emphasized the inextricability of photography with notions of race and American identity. The collected essays provide a vivid sense of how imagery about race appears in the formative period of the nineteenth-century United States.
New Rome perches upon the shores of the Thamis River, and in its soot-stained depths a teeming mass of humanity lives under the iron fist of an Empire that never fell to Vandals or Christianity. In the shadows, assassins congregate and secret societies bloom—the Priory, dedicated to worship of the criminal Dead God, and the Hellions, thieves and murderers whose aim is mere freedom. Or so they say. Gemma Dove arrives in New Rome with a small independence and a burning desire: to gain revenge upon those who murdered her parents and drove her beloved aunt to a premature death. The city is a dangerous place, but Gemma has her own secret skills and isn't afraid to use them. She longs to complete her vengeance and return to her safe, beautiful estate across the Channel, but fate has other ideas. His name for now is Avery Black, but they call him the Rook. The young Hellion has sunk himself in vice and treachery, and he knows there's more to Miss Dove than meets the eye. He also knows she's playing a dangerous game, one which will end in her death—unless he takes a hand in matters. It might even be connected to his own vengeance against the Priory, but that's fast becoming a secondary consideration. Under soot-stained skies and flickering gaslamps, from the crowd of thieves and gin-soaked tenements to the glittering whirl of Society, plans, treachery, and counter-betrayal are afoot. Gemma and Avery can deal the Priory a stinging defeat, but that ancient organization has its own plans for Miss Dove, and the Rook might be her only defense… Praise for the author: "Lilith Saintcrow is a master at world building. And her imagination is endless. I can't wait to see what's next."—Cheryl B, Goodreads reviewer of Sons of Ymre: Erik "This writer cannot write a bad book. Her unique writing style literally has me tasting her words and slavering for more. This book better be a series—that's all I'm saying."—Craig Bethel, Amazon reviewer of Sons of Ymre: Erik. "Saintcrow writes stories that are almost always nonstop action from beginning to end. Her women are kick-ass strong, her men ruggedly handsome and dedicated to the women they serve. It isn't a bad combination at all."—CJ Reading of The Watcher Series. About the Author: Lilith Saintcrow lives in Vancouver, Washington, with her children, dogs, cat, a library for wayward texts, and assorted other strays.
