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Author: John Cline
Publisher:
Published: 2010
Total Pages: 374
ISBN-13:
DOWNLOAD EBOOKThis collection of essays represents key contributions to 'transgression cinema: ' overlooked, forgotten, or under-analyzed movies that walk the fine line between 'arthouse' and 'grindhouse' film
Author: John Cline
Publisher: Scarecrow Press
Published: 2010-07-17
Total Pages: 364
ISBN-13: 0810876558
DOWNLOAD EBOOKThis collection of essays represents key contributions to 'transgression cinema:' overlooked, forgotten, or under-analyzed movies that walk the fine line between 'arthouse' and 'grindhouse' film.
Author: Austin Fisher
Publisher: Bloomsbury Publishing USA
Published: 2016-09-22
Total Pages: 280
ISBN-13: 1628927461
DOWNLOAD EBOOKThe pervasive image of New York's 42nd Street as a hub of sensational thrills, vice and excess, is from where “grindhouse cinema,” the focus of this volume, stemmed. It is, arguably, an image that has remained unchanged in the mind's eye of many exploitation film fans and academics alike. Whether in the pages of fanzines or scholarly works, it is often recounted how, should one have walked down this street between the 1960s and the 1980s, one would have undergone a kaleidoscopic encounter with an array of disparate “exploitation” films from all over the world that were being offered cheaply to urbanites by a swathe of vibrant movie theatres. The contributors to Grindhouse: Cultural Exchange on 42nd Street, and Beyond consider “grindhouse cinema” from a variety of cultural and methodological positions. Some seek to deconstruct the etymology of “grindhouse” itself, add flesh to the bones of its cadaverous history, or examine the term's contemporary relevance in the context of both media production and consumerism. Others offer new inroads into hitherto unexamined examples of exploitation film history, presenting snapshots of cultural moments that many of us thought we already knew.
Author: David Church
Publisher: Edinburgh University Press
Published: 2015-01-13
Total Pages: 296
ISBN-13: 0748699112
DOWNLOAD EBOOKToo often dismissed as nothing more than 'trash cinema', exploitation films have become both earnestly appreciated cult objects and home video items that are more accessible than ever. In this wide-ranging new study, David Church explores how the history of drive-in theatres and urban grind houses has descended to the home video formats that keep these lurid movies fondly alive today. Arguing for the importance of cultural memory in contemporary fan practices, Church focuses on both the re-release of archival exploitation films on DVD and the recent cycle of 'retrosploitation' films like Grindhouse, Machete, Viva, The Devil's Rejects, and Black Dynamite. At a time when older ideas of subcultural belonging have become increasingly subject to nostalgia, Grindhouse Nostalgia presents an indispensable study of exploitation cinema's continuing allure, and is a bold contribution to our understanding of fandom, taste politics, film distribution, and home video.
Author: Kevin M. McGeough
Publisher: Discourses in Ancient Near Eastern and Biblical Studies
Published: 2022
Total Pages: 394
ISBN-13: 9781781799819
DOWNLOAD EBOOKAn introduction to how the ancient world is represented in film, especially in Hollywood cinema, and considers the potential that movies have to help us think about antiquity and their relationship with traditional academic historical work.
Author: Simon Hobbs
Publisher: Edinburgh University Press
Published: 2018-08-01
Total Pages: 234
ISBN-13: 1474427391
DOWNLOAD EBOOKUsing paratextual theory to address the accusations of gimmickry often directed towards extreme art films, Cultivating Extreme Art Cinema focuses upon the DVD and Blu-ray object, analysing how sleeve designs, blurbs, and special features shape the identity of the film.
Author: Christopher Sieving
Publisher: Wesleyan University Press
Published: 2011-05-01
Total Pages: 280
ISBN-13: 0819571342
DOWNLOAD EBOOKThe sixties were a tremendously important time of transition for both civil rights activism and the U.S. film industry. Soul Searching examines a subject that, despite its significance to African American film history, has gone largely unexplored until now. By revisiting films produced between the march on Washington in 1963 and the dawn of the “blaxploitation” movie cycle in 1970, Christopher Sieving reveals how race relations influenced black-themed cinema before it was recognized as commercially viable by the major studios. The films that are central to this book—Gone Are the Days (1963), The Cool World (1964), The Confessions of Nat Turner (never produced), Uptight (1968), and The Landlord (1970)—are all ripe for reevaluation and newfound appreciation. Soul Searching is essential reading for anyone interested in the politics and cultural movements of the 1960s, cinematic trends like blaxploitation and the American “indie film” explosion, or black experience and its many facets. Ebook Edition Note: All images have been redacted.
Author: Geoff King
Publisher: Routledge
Published: 2013
Total Pages: 274
ISBN-13: 0415684285
DOWNLOAD EBOOKEdited and written by leading authors in the field, this book offers an examination of American independent cinema through four sections that range in focus from broad definitions to close focus on particular manifestations of independence.
Author: Ernest Mathijs
Publisher: Routledge
Published: 2019-11-22
Total Pages: 976
ISBN-13: 1317362233
DOWNLOAD EBOOKThe Routledge Companion to Cult Cinema offers an overview of the field of cult cinema – films at the margin of popular culture and art that have received exceptional cultural visibility and status mostly because they break rules, offend, and challenge understandings of achievement (some are so bad they’re good, others so good they remain inaccessible). Cult cinema is no longer only comprised of the midnight movie or the extreme genre film. Its range has widened and the issues it broaches have become battlegrounds in cultural debates that typify the first quarter of the twenty-first century. Sections are introduced with the major theoretical frameworks, philosophical inspirations, and methodologies for studying cult films, with individual chapters excavating the most salient criticism of how the field impacts cultural discourse at large. Case studies include the worst films ever; exploitation films; genre cinema; multiple media formats cult cinema is expressed through; issues of cultural, national, and gender representations; elements of the production culture of cult cinema; and, throughout, aspects of the aesthetics of cult cinema – its genre, style, look, impact, and ability to yank viewers out of their comfort zones. The Routledge Companion to Cult Cinema goes beyond the traditional scope of Anglophone and North American cinema by including case studies of East and South Asia, continental Europe, the Middle East, and Latin America, making it an innovative and important resource for researchers and students alike.
Author: David Andrews
Publisher: University of Texas Press
Published: 2013-11-15
Total Pages: 310
ISBN-13: 0292747748
DOWNLOAD EBOOKThe term “art cinema” has been applied to many cinematic projects, including the film d’art movement, the postwar avant-gardes, various Asian new waves, the New Hollywood, and American indie films, but until now no one has actually defined what “art cinema” is. Turning the traditional, highbrow notion of art cinema on its head, Theorizing Art Cinemas takes a flexible, inclusive approach that views art cinema as a predictable way of valuing movies as “art” movies—an activity that has occurred across film history and across film subcultures—rather than as a traditional genre in the sense of a distinct set of forms or a closed historical period or movement. David Andrews opens with a history of the art cinema “super-genre” from the early days of silent movies to the postwar European invasion that brought Italian Neorealism, the French New Wave, and the New German Cinema to the forefront and led to the development of auteur theory. He then discusses the mechanics of art cinema, from art houses, film festivals, and the academic discipline of film studies, to the audiences and distribution systems for art cinema as a whole. This wide-ranging approach allows Andrews to develop a theory that encompasses both the high and low ends of art cinema in all of its different aspects, including world cinema, avant-garde films, experimental films, and cult cinema. All of these art cinemas, according to Andrews, share an emphasis on quality, authorship, and anticommercialism, whether the film in question is film festival favorite or a midnight movie.
