Departing from an ethnographic collection in London, From Storeroom to Stage traces the journey of its artefacts back to the Romanian villages where they were made 70 years ago, and to other places where similar objects are still in use. The book explores the role that material culture plays in the production of value and meaning by examining how folk objects are mobilized in national ideologies, transmissions of personal and family memory, museological discourses, and artistic acts.
By examining how folk objects are mobilized in national ideologies, transmissions of personal and family memory, museological discourses, and artistic acts, From Storeroom to Stage explores the role that material culture plays in the production of value and meaning. Departing from a museum collection in London, the book traces in reverse the journey of these artefacts to the villages where they were made, as well as to other spaces. It also looks at the places where this movement of objects is halted, and the value of the artefacts is put to test.
Konstantin Stanislavski was a Russian director who transformed theatre in the West with his contributions to the birth of Realist theatre and his unprecedented approach to teaching acting. He lived through extraordinary times and his unique contribution to the arts still endures in the twenty-first century. He established the Moscow Art Theatre in 1898 with, among other plays, the premiere of Chekhov's The Seagull. He also survived revolutions, lost his fortune, found wide fame in America, and lived in internal exile under Stalin's Soviet Union. Before writing his classic manual on acting, Stanislavski began writing an autobiography that he hoped would both chronicle his rich and tumultuous life and serve as a justification of his aesthetic philosophy. But when the project grew to 'impossible' lengths, his publisher (Little, Brown) insisted on many cuts and changes to keep it to its deadline and to a manageable length. The result was a version published in English in 1924, which Stanislavski hated and completely revised for a Soviet edition that came out in 1926. Now, for the first time, translator Jean Benedetti brings us Stanislavski's complete unabridged autobiography as the author himself wanted it – from the re-edited 1926 version. The text, in clear and lively English, is supplemented by a wealth of photos and illustrations, many previously unpublished.
SURPLUS RECORD, is the leading independent business directory of new and used capital equipment, machine tools, machinery, and industrial equipment, listing over 95,000 industrial assets; including metalworking and fabricating machine tools, chemical and process equipment, cranes, air compressors, pumps, motors, circuit breakers, generators, transformers, turbines, and more. Over 1,100 businesses list with the SURPLUS RECORD. March 2022 issue. Vol. 99, No. 3
Supplement to 3d ed. called Selected characteristics of occupations (physical demands, working conditions, training time) issued by Bureau of Employment Security.
This study is an investigation of the structure of a typical stage and of the general method of play-production in the Elizabethan period. The materials which have been used are mainly of four kinds: 1. Contemporary statements and records bearing on the stage. 2. Four drawings which have usually been considered as presentments of interiors of Shaksperian theaters. 3. Pre-Elizabethan and Restoration stage conditions. 4. The Elizabethan drama. -- Introduction.
