Giovanni Pascoli, Gabriele D’Annunzio, and the Ethics of Desire

Giovanni Pascoli, Gabriele D’Annunzio, and the Ethics of Desire

Author: Elena Borelli

Publisher: Rowman & Littlefield

Published: 2017-03-30

Total Pages: 181

ISBN-13: 1611479142

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This book focuses on the notion of desire in late-nineteenth-century Italy, and how this notion shapes the life and works of two of Italy’s most prominent authors at that time, Giovanni Pascoli and Gabriele D’Annunzio. In the fin de siècle, the philosophical speculation on desire, inspired by Arthur Schopenhauer and Friedrich Nietzsche intersected the popularization of Charles Darwin’s theory of evolution. Within this context, desire is conceptualized as an obscure force and remnant of mankind’s animalistic origins. Both Pascoli and D’Annunzio put into play the drama of desire as a force splitting the unity of the characters in their works, and variously attempt to provide solutions to this haunting force within the human self.


The Oxford Handbook of Percy Bysshe Shelley

The Oxford Handbook of Percy Bysshe Shelley

Author: Madeleine Callaghan

Publisher: Oxford University Press, USA

Published: 2013

Total Pages: 734

ISBN-13: 0199558361

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The book is an authoritative and up-to-date collection of original essays on one of the greatest of all English poets, Percy Bysshe Shelley. It covers a wide range of topics, exploring Shelley's life and work from various angles.


Dante’s Prayerful Pilgrimage

Dante’s Prayerful Pilgrimage

Author: Alessandro Vettori

Publisher: BRILL

Published: 2019-09-16

Total Pages: 273

ISBN-13: 9004405259

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In Dante’s Prayerful Pilgrimage Alessandro Vettori provides a comprehensive analysis of prayer in Dante’s Commedia and considers the prayerful phenomenon a poetic/metaphorical pilgrimage of the soul toward the vision of the Trinity, while also reflecting Dante’s own exilic experience.


Dante as Dramatist

Dante as Dramatist

Author: Franco Masciandaro

Publisher: University of Pennsylvania Press

Published: 2016-11-11

Total Pages: 272

ISBN-13: 1512809519

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The overwhelming concentration on questions of allegory in Dante studies, Franco Masciandaro contends, has come at the expense of considerations of the poem's literal dimension. And while the dramatic quality of the Divine Comedy is often recognized, few critics have made it the object of sustained inquiry. In Dante as Dramatist, Masciandaro refocuses on the "poetry of the theater" in the Commedia by examining Dante's interpretation of the myth of the Earthly Paradise as it is represented in a number of key episodes of Inferno and Purgatorio. His principal objective is twofold: to analyze Dante's dramaturgy, especially the creative force of the tragic rhythm that the scenes under scrutiny produce as they succeed one another; and to show how Dante stages the action of the pilgrim's journey to the Earthly Paradise as the fundamental conflict between the dream of a future, second innocence, which ignores the tact of evil, and the recovery of another innocence, analogous to that found in Eden before the Fall. Dante as Dramatist will be of unique interest not only to students and scholars of Dante but also to those who study dramatic forms in literature and theories of the tragic.