From Schongauer to Holbein

From Schongauer to Holbein

Author: Öffentliche Kunstsammlung Basel. Kupferstichkabinett

Publisher:

Published: 1999

Total Pages: 460

ISBN-13:

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"Presenting for the first time complementary holdings from the internationally renowned drawing collections of the Kupferstichkabinett, Berlin, and the Kupferstichkabinett, Basel, this volume is a singular overview of drawings from the beginnings of the German Renaissance to the mid-sixteenth century." "This survey presents twenty-five artists altogether, each represented by descriptive analysis and color reproductions of their work, in addition to detailed essays about the history of the Basel and Berlin collections, an outline of the history of master drawings from the German Renaissance, and a selected bibliography."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Painted Prints

Painted Prints

Author: Susan Dackerman

Publisher: Penn State Press

Published: 2002

Total Pages: 324

ISBN-13: 9780271022352

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Betr. u.a. Hans Holbeins Totentanz in den "Simulachres & historiées faces de la mort", Lyon 1538 (S. 176-179).


Art and Dis-illusion in the Long Sixteenth Century

Art and Dis-illusion in the Long Sixteenth Century

Author: Larry Silver

Publisher: BRILL

Published: 2023

Total Pages: 417

ISBN-13: 9004504419

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Dramatic changes during the Reformation era in Northern Europe, such as witchcraft and new global discoveries, are examined through visual culture, both prints and paintings.


The Body of the Artisan

The Body of the Artisan

Author: Pamela H. Smith

Publisher: University of Chicago Press

Published: 2018-01-16

Total Pages: 402

ISBN-13: 0226764265

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Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a "new" philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans' objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.