Medievalism

Medievalism

Author: David Matthews

Publisher: Boydell & Brewer Ltd

Published: 2015

Total Pages: 231

ISBN-13: 1843843927

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An accessibly-written survey of the origins and growth of the discipline of medievalism studies. The field known as "medievalism studies" concerns the life of the Middle Ages after the Middle Ages. Originating some thirty years ago, it examines reinventions and reworkings of the medieval from the Reformation to postmodernity, from Bale and Leland to HBO's Game of Thrones. But what exactly is it? An offshoot of medieval studies? A version of reception studies? Or a new form of cultural studies? Can such a diverse field claim coherence? Should it be housed in departments of English, or History, or should it always be interdisciplinary? In responding to such questions, the author traces the history of medievalism from its earliest appearances in the sixteenth century to the present day, across a range of examples drawn from the spheres of literature, art, architecture, music and more. He identifies two major modes, the grotesque and the romantic, and focuses on key phases of the development of medievalism in Europe: the Reformation, the late eighteenth century, and above all the period between 1815 and 1850, which, he argues, represents the zenith of medievalist cultural production. He also contends that the 1840s were medievalism's one moment of canonicity in several European cultures at once. After that, medievalism became a minority form, rarely marked with cultural prestige, though always pervasive and influential. Medievalism: a Critical History scrutinises several key categories - space, time, and selfhood - and traces the impact of medievalism on each. It will be the essential guide to a complex and still evolving field of inquiry. David Matthews is Professor of Medieval and Medievalism Studies at the University of Manchester.


Medievalism

Medievalism

Author: Michael Alexander

Publisher: Yale University Press

Published: 2017-04-04

Total Pages: 327

ISBN-13: 0300229550

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Now reissued in an updated paperback edition, this groundbreaking account of the Medieval Revival movement examines the ways in which the style of the medieval period was re-established in post-Enlightenment England—from Walpole and Scott, Pugin, Ruskin, and Tennyson to Pound, Tolkien, and Rowling. “Medievalism . . . takes a panoramic view of the ‘recovery’ of the Medieval in English literature, visual arts and culture. . . . Ambitious, sweeping, sometimes idiosyncratic, but always interesting.”—Rosemary Ashton, Times Literary Supplement “Deeply researched and stylishly written, Medievalism is an unalloyed delight that will instruct and amuse a wide readership.”—Edward Short, Books & Culture


Movie Medievalism

Movie Medievalism

Author: Nickolas Haydock

Publisher: McFarland

Published: 2014-01-10

Total Pages: 246

ISBN-13: 0786451378

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This work offers a theoretical introduction to the portrayal of medievalism in popular film. Employing the techniques of film criticism and theory, it moves beyond the simple identification of error toward a poetics of this type of film, sensitive to both cinema history and to the role these films play in constructing what the author terms the "medieval imaginary." The opening two chapters introduce the rapidly burgeoning field of medieval film studies, viewed through the lenses of Lacanian psychoanalysis and the Deleuzian philosophy of the time-image. The first chapter explores how a vast array of films (including both auteur cinema and popular movies) contributes to the modern vision of life in the Middle Ages, while the second is concerned with how time itself functions in cinematic representations of the medieval. The remaining five chapters offer detailed considerations of specific examples of representations of medievalism in recent films, including First Knight, A Knight's Tale, The Messenger: The Story of Joan of Arc, Kingdom of Heaven, King Arthur, Night Watch, and The Da Vinci Code. The book also surveys important benchmarks in the development of Deleuze's time-image, from classic examples like Bergman's The Seventh Seal and Kurosawa's Kagemusha through contemporary popular cinema, in order to trace how movie medievalism constructs images of the multivalence of time in memory and representation. Instructors considering this book for use in a course may request an examination copy here.


From Medieval to Medievalism

From Medieval to Medievalism

Author: John Simons

Publisher: Springer

Published: 1992-10-13

Total Pages: 171

ISBN-13: 134922233X

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The book surveys medieval literature from both a critical and an historical standpoint. Medieval literature is increasingly seen as an area of intense specialism which is to be treated differently from other areas of English Studies. The essays collected here try to overturn this perception in two ways. Firstly, there is a demonstration of the ways in which modern critical approaches and perspectives work with the medieval text. Secondly, the idea of the medieval is shown, historically, to be a discourse which has been given different symbolic values and served different social purposes.


Rewriting the Middle Ages in the Twentieth Century

Rewriting the Middle Ages in the Twentieth Century

Author: Jaume Aurell i Cardona

Publisher: Brepols Publishers

Published: 2005

Total Pages: 356

ISBN-13:

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Rewriting the Middle Ages in the Twentieth Century offers analytical introductions to the biographical and academic trajectories as well as the scholarly contributions of the most important medievalists of the 20th century, privileging the contexts in which their influential texts in modern medieval studies were articulated and their effect on subsequent approaches to the field. The volume pays tribute to the medievalists-historians, philologists, literary critics, philosophers, historians of art and science, and theologians-whose work effectively forged contemporary academics and acknowledges a debt of gratitude for the trail they blazed in the twentieth century. An introductory essay provides a comprehensive examination of the development of historiographical perspectives on medieval studies as shaped by the subjects of the volume, contextualizing the individual chapters and offering a critical reconsideration of the manifold ways in which medievalism has been inscribed. The chapters in the book develop from interdisciplinary and transversal strategies which reflect the kind of originative work enacted by both the subjects of the volume and the scholars who write about them. The contributors include renowned international medievalists and historiographers as Martin Aurell, Paul Freedman, Natalie Fryde, Alessandro Ghisalberti, Massimo Mastrogregori, Michael McVaugh, Jean-Calude Schmitt, and Martin Thurner. A concluding essay summarizes the place of the medievalists in relation to their professional identity, to the time in which they worked, and to the national spaces that marked their scholarly production. Among the medievalists studied are the leading exponents of the influential French historical school of the Annales, Marc Bloch, Jacques Le Goff and Georges Duby; representatives from the highest philosophical tradition, including Raymond Klibansky, Albert Zimmermann, and Clemens Baeumker; economic and trade historian Roberto Sabatino Lopez; historians of political thought like Ernst Kantorowicz; exponents from the classical school of legal and institutional history such as Francois Louis Ganshof and Frederic William Maitland; pioneering cultural historian Charles Homer Haskins; historians of theology and Christian philosophy Etienne Gilson and Marie-Dominique Chenu; members of the Spanish historical and philological school that include Ramon Menendez Pidal, Rafael Lapesa, and Claudio Sanchez de Albornoz and, in Catalonia, Ferran Soldevila; and finally, from lesser known but equally fascinating fields of medieval studies like the science historian Pierre Duhem and the music historian Ugo Sesini.


The United States of Medievalism

The United States of Medievalism

Author: Tison Pugh

Publisher: University of Toronto Press

Published: 2021-08-31

Total Pages: 336

ISBN-13: 1487536143

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The United States of Medievalism contemplates the desires, dreams, and contradictions inherent in experiencing the Middle Ages in a nation that is so temporally, spatially, and at times politically removed from them. The European Middle Ages have long influenced the national landscape of the United States through the medieval sites that permeate its self-announced republican landscapes and cities. Today, American-built medievalisms continue to shape the nation’s communities, collapsing the binaries between past and present, medieval and modern, European and American. The volume’s chapters visit the nation’s many medieval-inspired spaces, from Sherwood Forest in Texas to California’s San Andreas Fault. Stops are made in New York City’s churches, Boston’s gardens, Philadelphia’s Bryn Athyn Cathedral, Orlando’s Magic Kingdom, Appalachian highways, Minnesota’s Viking Villages, New Orleans’s Mardi Gras, and the Las Vegas Strip. As the editors and their fellow essayists take the reader on this cross-country trip across the United States, they ponder the cultural work done by the nation’s medievalized spaces. In its exploration of a seemingly distant period, this collection challenges the underexamined legacy of medievalism on the western side of the Atlantic. Full of intriguing case studies and reflections, this book is informative reading for anyone interested in the contemporary vestiges of the Middle Ages.


The Persistence of Medievalism

The Persistence of Medievalism

Author: A. Weisl

Publisher: Palgrave Macmillan

Published: 2003

Total Pages: 292

ISBN-13: 9780312239688

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The Persistence of Medievalism seeks to examine the ways medieval genre shapes contemporary public culture. Through an exploration of several contemporary cultural phenomena, this book reveals the narrative underpinnings of public discourse. The ways these particular forms of storytelling shape our assumptions are examined by Weisl through a series of examples that demonstrate the intrinsic ways medievalism persists in the modern world, thus perpetuating archaic ideas of gender, ideology, and doctrine.


The Cambridge Companion to Medievalism

The Cambridge Companion to Medievalism

Author: Louise D'Arcens

Publisher: Cambridge University Press

Published: 2016-03-10

Total Pages: 257

ISBN-13: 110708671X

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An introduction to medievalism offering a balance of accessibility and sophistication, with comprehensive overviews as well as detailed case studies.


From Medievalism to Early-Modernism

From Medievalism to Early-Modernism

Author: Marina Gerzic

Publisher: Routledge

Published: 2018-10-26

Total Pages: 419

ISBN-13: 0429683006

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From Medievalism to Early-Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early-modernism—a new term introduced in this collection—present in contemporary popular culture. By focusing on often overlooked uses of the past in contemporary culture—such as the allusions to John Webster’s The Duchess of Malfi (1623) in J.K. Rowling’s Harry Potter books, and the impact of intertextual references and internet fandom on the BBC’s The Hollow Crown: The Wars of the Roses—the contributors illustrate how cinematic, televisual, artistic, and literary depictions of the historical and cultural past not only re-purpose the past in varying ways, but also build on a history of adaptations that audiences have come to know and expect. From Medievalism to Early-Modernism: Adapting the English Past analyses the way that the medieval and early modern periods are used in modern adaptations, and how these adaptations both reflect contemporary concerns, and engage with a history of intertextuality and intervisuality.


The Middle Ages in Popular Culture: Medievalism and Genre - Student Edition

The Middle Ages in Popular Culture: Medievalism and Genre - Student Edition

Author: Helen Young

Publisher: Cambria Press

Published: 2015-07-30

Total Pages: 240

ISBN-13:

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Note: this is an abridged version of the book with references removed. The complete edition is available on this website. This fascinating study places multiple genres in dialogue and considers both medievalism and genre to be frameworks from which meaning can be produced. It explores works from a wide range of genres-children's and young adult, historical, cyberpunk, fantasy, science fiction, romance, and crime-and across multiple media-fiction, film, television, video games, and music. The range of media types and genres enable comparison, and the identification of overarching trends, while also allowing comparison of contrasting phenomena. As the first volume to explore the nexus of medievalism and genre across such a wide range of texts, this collection illustrates the fractured ideologies of contemporary popular culture. The Middle Ages are more usually, and often more prominently, aligned with conservative ideologies, for example around gender roles, but the Middle Ages can also be the site of resistance and progressive politics. Exploring the interplay of past and present, and the ways writers and readers work engage with them demonstrates the conscious processes of identity construction at work throughout Western popular culture. The collection also demonstrates that while scholars may have by-and-large abandoned the concept of accuracy when considering contemporary medievalisms, the Middle Ages are widely associated with authenticity, and the authenticity of identity, in the popular imagination; the idea of the real Middle Ages matters, even when historical realities do not. This book will be of interest to scholars of medievalism, popular culture, and genre.