C. Day Lewis (1904-1972) was one of the leading young poets of the 1930's who - along with W. H. Auden, Louis MacNeice, and Stephen Spender - broke away from the staid poetic establishment to dominate British poetry in the middle third of the century. Here, for the first time, are all the poems Day Lewis wrote, including occasional verse which has never appeared in book form and a number of poems previously published only in limited editions. The Complete Poems has been edited, with an introduction and textual notes, by Jill Balcon, the poet's widow.
Nonfiction. FROM FEATHERS TO IRON--a series of lectures by John Clarke--has virtually no precedent in the literature of poetic interpretation. It is at once a profound revelation of the physics of poetic intelligence and a brilliantly conceived declaration of "the implicate order of the universe." "How rarely I come upon a truly useful book. Clarke has packed it all in here and wherever you open the pages, jewels, pearls, crowns tumble out. I see illustrations to the Arabian Nights. I have already picked up and walked off with treasures"--James Hillman.
Once, when I was still a child, my father asked me:'Which weighs more: 1 kilo of iron or 1 kilo of feathers?'I remember that sure of myself I answered him quickly: 'Surely 1 kilo of iron weighs more, dad, because metal things, like the armor of medieval knights, are very heavy, while the feathers that decorate birds' wings are very light'.I can't tell you how disappointed I was when I heard him say:'No my son, that's wrong: they weigh the same, because 1 kilo is always 1 kilo!'Maybe because of the evening trick questions from my dad, when I grew up I decided to become a physicist, and to my big surprise I discovered that I was right when I was a child. Indeed: On the Earth, even if only by a little, 1 kilo of iron weighs more than 1 kilo of feathers!Don't worry, the sawdust that I have in my head has not caught on fire! But I hope that I have made you curious and that now you will want to come hunting with me for this strange and heavy mistake.
The Oxford poets of the 1930s--W. H. Auden, C. Day Lewis, Stephen Spender, and Louis MacNeice--represented the first concerted British challenge to the domination of twentieth-century poetry by the innovations of American modernists such as Ezra Pound and William Carlos Williams. Known for their radical politics and aesthetic conservatism, the "Auden Generation" has come to loom large in our map of twentieth century literary history. Yet Auden's voluble domination of the group in its brief period of association, and Auden's sway with critics ever since, has made it difficult to hear the others on their own terms and in their own distinct voices. Here, rendered in eloquent prose by one of our most distinguished critics of modern poetry, is the first full-length study of the poetry of C. Day Lewis, a book that introduces the reader to a profoundly revealing and beautifully wrought record of his poetry against the cultural and literary ferment of this century. Albert Gelpi explores in three expansive sections the major periods of the poet's development, beginning with the emergence of Day Lewis in the thirties as the most radical of the Oxford poets. An artist who sought through poetry a way of "living in time" without traditional religious assurances, Day Lewis went further than his friends in seeking to forge a revolutionary poetry out of his commitment to Marxism. When Stalinism led to his resignation from the Communist Party, Day Lewis in the forties went on to shape a rich, fiercely perceptive poetry out of the convergence of the wartime crisis with the explosive events of his own inner life, intensified by the erotics of a decade-long affair. Returning to his Irish roots and meditating on the persistent tension between agnosticism and faith in the work of his third and final period, Day Lewis wrote some of the most moving poems in the language about mortality and dying, the limits and possibilities of human striving. Through the traumatic changes of his life C. Day Lewis came increasingly to depend on the intricacies of poetry itself as a way of living in time. His abiding belief in the psychological and moral functions of poetry impelled him in his critical writings and in his own poetic practice to delineate a modern poetics that presents an effective alternative to the elitist experimentation associated with Modernism. This vital revisionist reading of Day Lewis demonstrates that much of his best work was written after the thirties and establishes him as one of the most significant and accomplished British poets of the modern period.
Wunder recovers the common knowledge about secret societies like the Rosicrucians and Freemasons during the Romantic period and offers readers a first look at the role they played in the writings of Romantic authors in general and Keats in particular. As she details the reading public's exposure to and fascination with articles, pamphlets, and books about the societies, Wunder also traces their influence on Keats's poetry and letters and offers a new perspective on Keats scholarship.
Look out for the original series—starring Peyton List, Brent Rivera, Liana Liberato, Ajiona Alexus, and Dylan Sprayberry—now streaming on Hulu! Riverdale meets Final Destination in this fast-paced and deliciously creepy novel about an innocent game that turns deadly at a high school sleepover. It was supposed to be a game… Junior year is shaping up to be the best of McKenna Brady’s life. After a transformative summer, McKenna is welcomed into the elite group of popular girls at Weeping Willow High, led by the gorgeous Olivia Richmond. For the first time in a long time, things are looking up. But everything changes the night of Olivia’s Sweet Sixteen sleepover. Violet, the mysterious new girl in town, suggests the girls play a game during which Violet makes up elaborate, creepily specific stories about the violent ways the friends will die. Though it unsettles McKenna, it all seems harmless at the time. Until a week later, when Olivia dies…exactly as Violet predicted. As Violet rises to popularity and steps into the life Olivia left unfinished, McKenna becomes convinced Olivia’s death wasn’t just a coincidence, especially when a ghost haunting her bedroom keeps leaving clues that point to Violet. With the help of her cute neighbor, Trey, McKenna pledges to get to the bottom of Violet’s secrets and true intentions before it’s too late. Because it’s only a matter of time before more lives are lost.
DigiCat Publishing presents to you this special edition of "The Practical Ostrich Feather Dyer" by Alexander Paul. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
From bestselling, award-winning Jane Feather, hailed as “an author to treasure” by Romantic Times, comes this passionate tale of an iron-willed nobleman who suddenly becomes the guardian of a mischievous, orphaned beauty. Chloe Gresham wasn’t expecting a warm welcome—after all, her new guardian was a total stranger. But when Sir Hugo Lattimer strode into Denholm Manor after a night of carousing and discovered he’d been saddled with an irrepressible and beautiful young ward, the handsome bachelor made it perfectly clear he wanted nothing to do with her. Chloe, however, had ideas of her own. . . . Driven by dark memories to a tormenting despair, the last thing Hugo needed was an irritating, infuriating, unpredictable schoolgirl, especially one whose stunning beauty and natural sensuality challenged his self-control. Yet he owed it to the lass to turn her into a proper lady and marry her off to a wealthy young lord in London. And by God he would do it . . . if only he could resist the temptation to bring her to his bed . . . and if only he could keep her safe from those who would use an innocent young woman for shameless revenge.
