This work takes a fresh approach to the first 60 years of printing in England by placing Caxton, his contemporaries and the later generations in the broad context of the history of book production between the middle of the 15th century and the Reformation.
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Owen investigates what the manuscripts of the Canterbury Tales reveal about the way they came into being. [see revs] This study of the manuscripts of the Canterbury Talescalls into question previous efforts to explain the complexities, the different orderings of the tales and the extraordinary shifts in textual affiliations within the manuscripts. Owen sees the manuscripts that survive, most of them collections of all or almost all the tales, as derived from the large number of single tales and small collections that circulated after Chaucer's death. This theory takes issue with all modern editions of the Canterbury Tales, which in Owen's view reflect the effort of medieval scribes and supervisors to make a satisfactory book of the collection of fragments Chaucer left behind. It is this collection of fragments, the authentic Tales of Canterbury by Geoffrey Chaucer, which reflects the different stages of the plan that was still evolving at his death. CHARLES A. OWEN Jr is former Professor of English and Chairman of Medieval Studies at the University of Conneticut.
In this fascinating read, William Kuskin argues that the development of print production is part of a larger social network involving the political, economic, and literary systems that produce the intangible constellations of identity and authority.
Norman Blake, Professor of English Language and Linguistics at Sheffield University, is known throughout the world to scholars of mediaeval English Literature. He has published thirty books and 140 articles on subjects as diverse as Old Norse, Old English, Middle English, early printed books, Shakespeare, Historical Linguistics, Stylistics, Grammar, and the cultural context of mediaeval England. He is best known as an authority on Chaucer, Caxton and Shakespeare's language, and is director of The Canterbury Tales Project, based in the University of Sheffield, which is a scheme to put all the manuscript and early printed versions of the poem onto computer and to issue the transcribed texts on CD-ROM. Norman has lectured and taught in many countries, and is a frequent contributor to international conferences. He has been a Teaching Quality Assessor in universities in Britain and elsewhere. He is also well known (among many other things) for his work as member of the Council of the Early English Text Society, Editor for the Index of Middle English Prose, General Editor of Macmillan's Language of Literature series, and as Secretary of the European Society of the Study of English. Friends and colleagues of this approachable and widely respected scholar have come together to mark his 65th birthday in spring 1999 by contributing to this volume. The essays-on Chaucer, Caxton and related aspects of Middle English-are not only a tribute to Norman's work but also a valuable contribution to Middle English studies in their own right.