"This book asks what drove the religious visions of ancient scribes. During the first millennium BCE both Babylonian and Judean scribes wrote about and emulated their heroes Adapa and Enoch, who went to heaven to meet their god."--Preface, p. [v].
The scholarly world first became aware of the myth of Adapa and the South Wind when it was discovered on a tablet from the El-Amarna archive in 1887. We now have at our disposal six fragments of the myth. The largest and most important fragment, from Amarna, is dated to the 14th century B.C.E. This fragment of the Adapa myth has red-tinted points applied on the tablet at specific intervals. Izre’el draws attention to a few of these points that were missed in previous publications by Knudtzon and Schroeder. Five other fragments were part of the Assurbanipal library and are representative of this myth as it was known in Assyria about seven centuries later. The discovery of the myth of Adapa and the South Wind immediately attracted wide attention. Its ideology and its correspondence to the intellectual heritage of Western religions precipitated flourishing studies of this myth, both philological and substantive. Many translations have appeared during the past century, shedding light on various aspects of the myth and its characters. Izre’el unveils the myth of Adapa and the South Wind as mythos, as story. To do this, he analyzes the underlying concepts through extensive treatment of form. He offers an edition of the extant fragments of the myth, including the transliterated Akkadian text, a translation, and a philological commentary. The analysis of poetic form that follows leads to understanding the myth as a piece of literature and to uncovering its meanings. This study therefore marks a new phase in the long, extensive research into this Mesopotamian myth.
Most cultures have myths of origin. The Babylonians were the first to combine blocks of traditions about primeval time into primeval histories where humans had a central role. In the first millennium there were different versions that influenced the concepts of primeval history within Jewish religion, both in the Bible and in the parallel Enochic tradition. Atrahasis and the traditions of primeval dynasties had crucial impact on Genesis; the traditions of the primeval apkallus as cosmic guardians were lying behind the Enochic Watcher Story. The book offers a comprehensive analytic comparison between the images of primeval time in these three traditions. It presents new interpretations of each of these traditions and how they relate to each other.
The Adapa myth is a literary work of ancient Mesopotamia with different versions in Sumerian and Akkadian. According to the Adapa myth, the sage and cook from Eridu goes fishing to the Persian Gulf, where the South Wind capsizes his boat. The sage's curse breaks the wing of the South Wind. Adapa lies seven days in the ocean, whence he is summoned to heaven, to be positively judged by the sky god Anu. The present book investigates the literary development of the Adapa myth and argues that it represents an exorcistic version of the flood story with the protagonist as priest. In the Adapa myth, the primordial sage survives the flood, which serves as ideological background for exorcism, ─ ┼ ip┼1/2tu. The exorcist, who used fire and water as sanitizing substances during the rituals, impersonated Adapa, who had gone through an extreme form of purification himself. Adapa's critical period in the sea was the symbolic etiology for illnesses, difficult births, witchcraft, bad omens, sin, and imprisonment, which the exorcist was able to counter. The deluge was a symbol of water ordeal and judgment, for which the exorcist's assistance was sought. Because Adapa was given rebirth from his disaster, the human exorcist as his embodiment possessed the powers of the flood in manipulating the purifying substances and incantations against all misfortune. The identity constituting narrative of ancient Mesopotamian exorcism is explored with a methodology combining the intertextual studies with cognitive neuroscience.
Few, if any, thinkers and writers today would have the imagination, the breadth of knowledge, the literary skill, and-yes-the audacity to conceive of a powerful, secular alternative to the Bible. But that is exactly what A.C. Grayling has done by creating a non-religious Bible, drawn from the wealth of secular literature and philosophy in both Western and Eastern traditions, using the same techniques of editing, redaction, and adaptation that produced the holy books of the Judaeo-Christian and Islamic religions. The Good Book consciously takes its design and presentation from the Bible, in its beauty of language and arrangement into short chapters and verses for ease of reading and quotability, offering to the non-religious seeker all the wisdom, insight, solace, inspiration, and perspective of secular humanist traditions that are older, far richer and more various than Christianity. Organized in 12 main sections----Genesis, Histories, Widsom, The Sages, Parables, Consolations, Lamentations, Proverbs, Songs, Epistles, Acts, and the Good----The Good Book opens with meditations on the origin and progress of the world and human life in it, then devotes attention to the question of how life should be lived, how we relate to one another, and how vicissitudes are to be faced and joys appreciated. Incorporating the writing of Herodotus and Lucretius, Confucius and Mencius, Seneca and Cicero, Montaigne, Bacon, and so many others, The Good Book will fulfill its audacious purpose in every way.
John Day investigates disputed points of interpretation within Genesis 1-11, expanding on his earlier book From Creation to Babel with 11 stimulating essays. Day considers the texts within their Near Eastern contexts, and pays particular attention to the later history of interpretation and reception history. Topics covered include the meaning of the Bible's first verse and what immediately follows, as well as what it means that humanity is made in the image of God. Further chapters examine the Garden of Eden, the background and role of the serpent and the ambiguous role of Wisdom; the many problems of interpretation in the Cain and Abel story, as well as what gave rise to this story; how the Covenant with Noah and the Noachic commandments, though originally separate, became conflated in some later Jewish thought; and the location of 'Ur of the Chaldaeans', Abraham's alleged place of origin, and how this was later misinterpreted by Jewish, Christian and Islamic sources as referring to a 'fiery furnace of the Chaldaeans'. These chapters, which illuminate the meaning, background and subsequent interpretation of the Book of Genesis, pave the way for Day's forthcoming ICC commentary on Genesis 1-11.
Internationally renowned contributors assess the signifcance of the Parables of Enoch in the study of Christian Origins, the New Testament and the Second Temple Period.
The uncertain position of the Persian Period in Jewish memory is nothing new -- in fact, it can be traced back to nearly two thousand years. Yet it can lead contemporary scholars to exercise too much caution when dating, analyzing, and discussing ancient scribal texts. Utilizing recent tools to examine scribal methods, Mark Leuchter takes a definitive approach. An Empire Far and Wide focuses on a careful selection of literary test cases to better understand how Jewish scribes in Persian Yehud interacted with a feature of Persian imperialism that has not received adequate attention: the dynastic mythology of the Achaemenid rulers and the way it shaped emerging Jewish identity in the Persian period.
In this book, Molly Zahn investigates how early Jewish scribes rewrote their authoritative traditions in the course of transmitting them, from minor edits in the course of copying to whole new compositions based on prior works. Scholars have detected evidence for rewriting in a wide variety of textual contexts, but Zahn's is the first book to map manuscripts and translations of biblical books, so-called 'parabiblical' compositions, and the sectarian literature from Qumran in relation to one another. She introduces a new, adaptable set of terms for talking about rewriting, using the idea of genre as a tool to compare and contrast different cases. Although rewriting has generally been understood as a vehicle for biblical interpretation, Zahn moves beyond that framework to demonstrate that rewriting was a pervasive textual strategy in the Second Temple period. Her book contributes to a powerful new model of early Jewish textuality, illuminating the rich and diverse culture out of which both rabbinic Judaism and early Christianity eventually emerged.