This book is the only full-length treatment of the relationship between aesthetic truths and psychoanalytic discoveries--of art, artists, and a new concept of sublimation. It provides a radical and unique study of the concept of sublimation and proposes a modest replacement for it. In the first third of the book the author reviews critically the psychoanalytic sources of the concept of sublimation. In the second third he shows how the concept developed from Freud's nineteenth-century notions of perception. In the last third he revises a concept of sublimation using a contemporary theory of perception. In the final chapter he examines four works of literature: short stories of John Cheever, a Japanese novel, portions of Hamlet, and sublimation and perversion in Orson Welles' Citizen Kane.
This book is the only full-length treatment of the relationship between aesthetic truths and psychoanalytic discoveries—of art, artists, and a new concept of sublimation. It provides a radical and unique study of the concept of sublimation and proposes a modest replacement for it. In the first third of the book the author reviews critically the psychoanalytic sources of the concept of sublimation. In the second third he shows how the concept developed from Freud's nineteenth-century notions of perception. In the last third he revises a concept of sublimation using a contemporary theory of perception. In the final chapter he examines four works of literature: short stories of John Cheever, a Japanese novel, portions of Hamlet, and sublimation and perversion in Orson Welles' Citizen Kane.
Normal red-blooded Americans prefer tennis to sex-and Sigmund Freud always knew it. the famous doctor surpressed his findings because of a morbid fear of white shorts, but now his secret papers have been discovered. Complete with case studies, photographs, personal correspondence, and seminal doodles, Sex as a Sublimation for Tennis explains the conclusions Freud hid and reveals man's true basic drive: getting a court in prime time. 43,000 copies in print.
According to Freud's later works, we do not really feel well or free within civilization. Our discontent never disappears, and we shall never become completely reliable members of society. Alcohol already suffices, Freud tells us, to ruin the fragile architecture of sublimations. Since 'Beyond the Pleasure Principle,' sublimation seems to be nothing more than a euphemism for suppressing the drives. We sublimate because we did not get or were not allowed to have what we 'actually' wanted. Is sublimation a mere surrogate or perhaps even the name psychoanalysis found for 'theoria' in the twentieth century? With Freud as its pivot, Goebel provides an intellectual history of sublimation, which also serves as an introduction to other key ideas associated with the authors discussed, such as Schopenhauer's philosophy of music, the will to power in Nietzsche, the structure of Freudian psychoanalysis, Adorno's concept of modern art, or Lacanian ethics. In examining both its prehistory and reception, Goebel argues that sublimation can be reconsidered as the road toward an individual and social life beyond discontent.
In psychoanalytic theory, sublimation--the process of expressing instinctual impulses in constructive, socially acceptable forms--is a central, yet poorly understood psychic process. The eminent psychoanalyst Hans W. Loewald here offers a provocative new examination of sublimation. After reviewing the writings of Freud, Fenichel, Hartmann, Winnicott, and Kris on sublimation, Dr. Loewald presents his own ideas. In his attempt to disentangle sublimation from other concepts with which it is often confused, he examines it within three contexts: as reconciliation, as defense, and as symbolic expression. He establishes a strong case for the undifferentiated quality of early life--a time of unselfconscious unity prior to awareness of self or other. Sublimation, according to Dr. Loewald, is an act of instinctual expression derived from this early pre-differentiated period. Dr. Loewald's inquiry leads to a reexamination and revision of basic psychoanalytic theory relating to instincts, symbolism, motivation, ego development, and various emotional processes. "This is a new and highly thought-provoking approach to an understanding of the phenomena of sublimation."--A. Scott Dowling, M.D., Case Western Reserve University "This book is not only a profound consideration of the nature of sublimation--a subject of excruciating importance for humans--it is a summarizing statement encompassing the whole work of a great psychoanalyst."--Vann Spruiell, M.D., Tulane University
A psychoanalytic and philosophical exploration of sublimation as a key term in Jacques Lacan's theories of ethics and feminine sexuality. Jacques Lacan claimed that his theory of feminine sexuality, including the infamous proposition, "the Woman does not exist," constituted a revision of his earlier work on "the ethics of psychoanalysis." In Imagine There's No Woman, Joan Copjec shows how Freud's ragtag, nearly incoherent notion of sublimation was refashioned by Lacan to become the key term in his ethics. To trace the link between feminine being and Lacan's ethics of sublimation, Copjec argues, one must take the negative proposition about the woman's existence not as just another nominalist denunciation of thought's illusions about the existence of universals, but as recognition of the power of thought, which posits and gives birth to the difference of objects from themselves. While the relativist position currently dominant insists on the difference between my views and another's, Lacan insists on this difference within the object I see. The popular position fuels the disaffection with which we regard a world in a state of decomposition, whereas the Lacanian alternative urges our investment in a world that awaits our invention. In the book's first part, Copjec explores positive acts of invention/sublimation: Antigone's burial of her brother, the silhouettes by the young black artist Kara Walker, Cindy Sherman's Untitled Film Stills, and Stella Dallas's final gesture toward her daughter in the well-known melodrama. In the second part, the focus shifts to sublimation's adversary, the cruelly uncreative superego, as Copjec analyzes Kant's concept of radical evil, envy's corruption of liberal demands for equality and justice, and the difference between sublimation and perversion. Maintaining her focus on artistic texts, she weaves her arguments through discussions of Pasolini's Salo, the film noir classic Laura, and the Zapruder film of the Kennedy assassination.
This Encyclopedia provides a comprehensive overview of individual differences within the domain of personality, with major sub-topics including assessment and research design, taxonomy, biological factors, evolutionary evidence, motivation, cognition and emotion, as well as gender differences, cultural considerations, and personality disorders. It is an up-to-date reference for this increasingly important area and a key resource for those who study intelligence, personality, motivation, aptitude and their variations within members of a group.
The sublime refers to a conflict of the Kantian faculties of reason and imagination, and involves the attempt to represent what is intrinsically unrepresentable. Through topics such as sublimation, schizophrenia, God, and creation ex nihilo, this book contributes to a form of radical theological thinking that is involved in the world.
Many of the leading Freudian analysts, including in the early days, Jung, Adler, Reich and Rank, attempted to link the writings of Nietzsche with the clinical work of Freud. But what was Nietzsche to Freud--an intuitive anticipation, a precursor, a rival psychologist? Assoun moves beyond the seduction of these attractive analogues to a deeper analysis of the relation between these two figures.
