This new edition features material from business, law and literary texts. This is Essential reading for advanced undergraduates and postgraduate students of French, the book will also appeal to language students and tutors.
English-French Translation: A Practical Manual allows advanced learners of French to develop their translation and writing skills. This book provides a deeper understanding of French grammatical structures, the nuances of different styles and registers and helps increase knowledge of vocabulary and idiomatic language. The manual provides a wealth of practical tasks based around carefully selected extracts from the diverse text types students are likely to encounter, from literary and expository, to persuasive and journalistic. A mix of shorter targeted activities and lengthier translation pieces guides learners through the complexities and challenges of translation from English into French. This comprehensive manual is ideal for advanced undergraduate and postgraduate students in French language and translation.
This workbook combines methodology and practice for beginning translators with a solid proficiency in French. It assumes a linguistic approach to the problems of translation and addresses common pitfalls, including the delineation of “translation units”, word polysemy, false cognates, and structural and cultural obstacles to literal translation. The first part of the book focuses on specific strategies used by professionals to counter these problems, including transposition, modulation, equivalence, and adaptation. The second part of the book provides a global application of the techniques taught in the opening sections, guiding the student through step-by-step translations of literary and non-literary excerpts. The revised edition clarifies some of the finer points of the translation techniques introduced in the first edition, provides extra practice exercises, and offers information on a website that can be used in class.
The Stylistique comparée du français et de l'anglais has become a standard text in the French-speaking world for the study of comparative stylistics and the training of translators. This updated, first English edition makes Vinay & Darbelnet's classic methodology of translation available to a wider readership. The translation-oriented contrastive grammatical and stylistic analyses of the two languages are extensively exemplified by expressions, phrases and texts. Combining description with methodological guidelines for translation, this volume serves both as a course book and through its detailed index and glossary as a reference manual for specific translation problems.
With the intrigue of a psychological thriller, Camus's masterpiece gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. Behind the intrigue, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. First published in 1946; now in translation by Matthew Ward.
In 1951, when a school of information science was first established, Briet was the founding Director of Studies. She became Vice President of the International Federation for Documentation (FID) and acquired the nickname 'Madame Documentation.' This book relates her fascinating story and includes the first English translation of Briet's manifesto on the nature of documentation, a 48-page pamphlet, which sought to push the boundaries of the field beyond texts to include any material form of evidence. It also argued that a new and distinct profession was emerging and urged the societal need for new and active documentary services. Due to its continuing relevance towards understanding the nature, scope, and societal impacts of documents and documentation, Briet's modernist perspective, combined with semiotics, still deserves attention because it offers a sturdy and insightful alternative to the scientific, positivist view that has so dominated information science and which is increasingly being questioned.
This book takes a linguistic approach to translation issues, looking first at the structural view of language that explains the difficulty of translation and at theories of cultural non-equivalence. A subsequent chapter on text types, readership and the translator's role completes the theoretical framework. The linguistic levels of analysis are then discussed in ascending order, from morpheme up to sentence, while a summarising chapter considers various translation types and strategies, again considered in relation to text type, author and reader.
Thinking Translation is a comprehensive and revolutionary 20-week course in translation method. It has been fully and successfully piloted at the University of St. Andrews. The course offers a challenging and entertaining approach to the acquisition of translation skills. Translation is presented as a problem-solving discipline. Discussion, examples and a full range of exercise work allows students to acquire the skills necessary for a broad range of translation problems. Thinking Translation draws on a wide range of material from technical texts to poetry and song.
This popular and important romance in the Middle Ages was written in Picard, one of the more difficult regional dialects of Old French. Guillaume de Palerne is a non-Arthurian romance offering a different vision of the medieval world, one in which we find the hero in a more realistic setting confronting the obstacles that fate--not his quest for fame--has set in his path. It is the story of a young prince of Sicily who is kidnapped by a werewolf at the age of four. Woven into the story of the eponymous hero is the parallel story of Alphonse, the Spanish prince who was transformed into a werewolf by his stepmother when he was still a toddler. The anonymous poet has woven humor, contemporary allusions, reworkings of traditional motifs and a hidden moral lesson into the story's engaging plot. The romance also presents the reader and scholar with a complex portrayal of the constancy and changeability of identity that provides new insight into the medieval attitude toward individuality. Based primarily on Alexandre Micha's 1990 edition, this translation is intended as a guide to reading the original rather than as a substitute. The editor has attempted to be as literal as possible and to remain faithful to the register and tone of the original, including its original word order and grammatical structure. In addition to the translation, the finished text includes an introduction, notes and a select bibliography.