Mel Bay Publications, Inc. is proud to present this intriguing collection of fourteentangos by French composers arranged for solo violin with piano accompaniment. The tango is a ballroom dance of Latin-American origin characterized by long pauses and stylized body positions. Most of these instrumental renditions were originally published as Musette pieces in France from the 1930's through 1960's (with a couple of newer arrangements). Includes access to PDF
Tango: A ballroom dance of Latin-American origin characterized by long pauses and stylized body positions. This musical form was subsequently adopted by other countries, primarily France, Spain and Italy. Many prominent composers have applied it to a wide variety of compositions. Using piano scores in both the Latin-American and Spanish rhythmic traditions, Gary Dahl has skillfully compiled and arranged French Tangos for Accordion. the music in this anthology was originally published from the late 1930's to 60's and is characterized by its romanticism, rich harmonies, and emotive melodies. These arrangements are orchestral in nature, befitting the accordion's various timbres and capabilities. In standard notation.
(Amadeus). Let's keep our string programs vital, contemporary, and thriving! Alternative Strings: The New Curriculum is the first resource book in the world to offer a comprehensive guide to string educators wishing to step into twenty-first-century inclusive string pedagogy. The "Dear Abby" for string players, Julie Lyonn Lieberman, offers detailed descriptions of over two dozen fiddle, blues, jazz, pop, and world styles; bountiful support materials; a massive discography; musical examples; photographs; and audio from master players and clinicians, far exceeding the scope of other books in the field. ABOUT THE AUDIO CD: Some of today's top alternative string players and clinicians demonstrate rock, jazz, and fiddle styles; present innovative ideas for teaching new generations of string players; and more. Tracks include: 1. Howard Armstrong: My first fiddle 2. Geoffrey Fitzhugh Perry: Zydeco Rock 3. Daryl Silberman: Through Contemporary to Classical and Back 4. Ed Caner: Rock Basics 5. Anthony Barnett: Stuff Smith plays "Body and Soul" 6. Mark Wood: Evolution, Rock, and Musicianship 7. Jesus Florido: Latin and Beyond 8. Randy Sabien: Jazz Stirngs: A Life Inspiration 9. Leanne Darling: Arabic Strings 10. Bob Phillips: Fiddling in the Schools 11. Julianna Waller: Developing Diversity 12: Martin Norgaard: Jazz String Pedagogy 13. Richard Greene: Moving Forward 14. Martha Mooke: Breaking the Sound Barrier 15. Claude Williams: Reminiscences 16. Julie Lyonn Lieberman: "Fiddle, Sing," excerpt from Mixing America
This easy Gypsy-style introduction takes you on a musical journey along the Romany Trail, assimilating the musical idioms of Eastern Europe and the Mideast. Here are the core nuggets of the flashy and exotic Gypsy style, distilled to their essence. Fun, easy Gypsy-style tunes; Authentic Gypsy violin techniques – scales, bowings, ornaments and more; Play-along CD with slow lead tracks and slow accompaniment tracks; Glossary of techniques and terms.
Mariachi music for most of its 200 or so years has primarily been an aural tradition, passing songs down from generation to generation, ear to ear. In the 1980's there was a sudden renaissance of traditional Mexican music, not in its native Mexico, but around the world. As interest grew in learning mariachi repertory from non-mariachi trained musicians, a need arose to provide written notational documentation of the many songs that have come to identify the mariachi tradition. Author Laura Sobrino has been a professional mariachi and is familiar with the stylistic intricacies that truly make this Mexican traditional and popular music unique. for those who wish to grasp an understanding of the mariachi style and who don't have a mariachi musician to teach them, these transcriptions are some of the best available. the pieces in this collection include parts for one or two violins, guitar (notation and chord symbols), and bass (notation only).
Tracing Tangueros offers an inside view of Argentine tango music in the context of the growth and development of the art form's instrumental and stylistic innovations. Rather than perpetuating the glamorous worldwide conceptions that often only reflect the tango that left Argentina nearly 100 years ago, authors Kacey Link and Kristin Wendland trace tango's historical and stylistic musical trajectory in Argentina, beginning with the guardia nueva's crystallization of the genre in the 1920s, moving through tango's Golden Age (1932-1955), and culminating with the "Music of Buenos Aires" today. Through the transmission, discussion, examination, and analysis of primary sources currently unavailable outside of Argentina, including scores, manuals of style, archival audio/video recordings, and live video footage of performances and demonstrations, Link and Wendland frame and define Argentine tango music as a distinct expression possessing its own musical legacy and characteristic musical elements. Beginning by establishing a broad framework of the tango art form, the book proceeds to move through twelve in-depth profiles of representative tangueros (tango musicians) within the genre's historical and stylistic trajectory. Through this focused examination of tangueros and their music, Link and Wendland show how the dynamic Argentine tango grows from one tanguero linked to another, and how the composition techniques and performance practices of each generation are informed by that of the past.
A stunning sampler of romantic piano solos from the early days of the tango. Here is the first extensive collection of early tango music ever published outside of Argentina. This anthology presents 42 facsimile piano scores in a wide range of tango styles found in 19th century Argentina and Uruguay. Selections include classics by Argentina's and Uruguay's most famous guardia vieja (old guard) composers, written druring the tango's formative years between 1900 and 1920. Many off these pieces evoke musical parallels with American piano rags of the same era. These wonderful early tangos embody the full emotional depth and rhythmic complexity of this fascinating genre, yet are accessible to players of varied abilities.
The music for Michael McLean's popular album Care to Tango? is now available in two collections -- Care to Tango? Book 1 and Care to Tango? Book 2. Book 1 is for two or three violins and piano, while Book 2 is for two violins and piano. These fun arrangements give violinists the chance to play in different styles. Each book contains the score with brief explanations about each piece, violin parts as separate inserts, and the recording. This series will invigorate your ensemble! Titles: 1. Tango 2. Rhumba 3. Csardas 4. Serenata 5. Slavonic Dance 6. Hungarian Dance #5 7. Tango El Choclo"."
Jazz Fiddle Wizard Junior 2 is a continuation of Jazz Fiddle Wizard Junior (Mel Bay, 2002) and is designed for upper middle school and high school string students. JFWjr 2 uses the same basic approach as JFWjr; students learn mainly through imitation, the same way we learn to speak our native tongue. It also introduces very easy optional chord theory but only AFTER the student has experienced improvising with chords aurally. the books come in three versions—violin, viola, and cello/bass—designed to be used together in studio and classroom situations. This volume introduces three basic concepts that are prerequisites to advanced jazz improvising: solo development, modes, and inner melodies - the single most potent technique to get students to improvise on advanced progressions immediately.
