French Ruled Notebook. 8.5 x 11. 120 Pages. Blank Lined Seyes Ruled Notebook Journal. Size 8.5 x 11 in (21.6 x 27.9 cm) 120 Blank Lined French Ruled Paper Book Industry Standard Professional Binding
French Ruled Paper or Seyes Ruled Paper / Lined Paper Notebook Journal for Kids This French ruled notebook also known as Seye ruled paper. Rules for standard handwriting calligraphers. Use this ruled paper to practice handwriting skills. Perfect size 8.5" x 11" 120 pages, It's the perfect size- easy to carry!
This French ruled paper workbook also known as Seye ruled paper. If you are interested in spending some time on your handwriting, French ruled paper, or Seyes ruled paper, could be something to help you out. Calligraphers also use this paper, sometimes ignoring the rules for standard handwriting, but using the lines to help get a consistent size. Use this ruled paper to practice handwriting skills. Become more proficient at letter formations, size and spacing. There are three light lines between two darker lines. The letters start on the bottom darker line. There are five rules for writing using the Seyes ruled paper. 1. Capital letters go up to the third line. 2. Lower case letters; a, c, the round portions of d or p - go up to the first line. 3. The loop branches of b, f, h, k, & l go up to the third line. 4. The straight branches of d, and t go up to the second line. 5. f, g, j, p, q, y, z - go down two lines below the main body of the letter. Use this notebook to practise your handwriting in French language. Size 8.5 x 11 Inches, 120 Pages.
This is a French-ruled practice notebook, known also as Seyè, featuring an 8mm by 8mm grid with lighter horizontal lines spaced 2 mm apart.BONUS:Included with this edition is the following:* French Complete Alphabet: Lowercase and Uppercase * Elegant Block Complete Alphabet: Lowercase and Uppercase* Very specific rules on how to use this notebook with the included alphabets.Use this ruled paper to practice calligraphy, consistency at letter formations, size and spacing. This is a helpful tool for children and adults.230 pages 8.5" X 11"
Author's Foreword This book is unfinished. The Filipino people shall finish it for me. I wrote this volume very, very slowly. 1 could have done with it In three months after my defection from the conjugal dictatorship of Ferdinand and Imelda Marcos on February 20.1975. Instead, I found myself availing of every excuse to slow it down. A close associate, Marcelino P. Sarmiento, even warned me, "Baka mapanis 'yan." (Your book could become stale.)While I availed of almost any excuse not to finish the manuscript of this volume, I felt the tangible voices of a muted people back home in the Philippines beckoning to me from across the vast Pacific Ocean. In whichever way I turned, I was confronted by the distraught images of the Filipino multitudes cryingout to me to finish this work, lest the frailty of human memory -- or any incident a la Nalundasan - consign to oblivion the matters I had in mind to form the vital parts of this book. It was as if the Filipino multitudes and history itself were surging in an endless wave presenting a compelling demand on me toSan Francisco, California perpetuate the personal knowledge I have gained on the infamous machinations of Ferdinand E. Marcos and his overly ambitious wife, Imelda, that led to a day of infamy in my country, that Black Friday on September 22, 1972, when martial law was declared as a means to establish history's first conjugal dictatorship. The sense of urgency in finishing this work was also goaded by the thought that Marcos does not have eternal life and that the Filipino people are of unimaginable forgiving posture. I thought that, if I did not perpetuate this work for posterity, Marcos might unduly benefit from a Laurelian statement that, when a man dies, the virtues of his past are magnified and his faults are reduced to molehills. This is a book for which so much has been offered and done by Marcos and his minions so that it would never see the light of print. Now that it is off the press. I entertain greater fear that so much more will be done to prevent its circulation, not only in the Philippines but also in the United States.But this work now belongs to history. Let it speak for itself in the context of developments within the coming months or years. Although it finds great relevance in the present life of the present life of the Filipinos and of Americans interested in the study of subversion of democratic governments by apparently legal means, this work seeks to find its proper niche in history which mustinevitably render its judgment on the seizure of government power from the people by a lame duck Philippine President.If I had finished this work immediately after my defection from the totalitarian regime of Ferdinand and Imelda, or after the vicious campaign of the dictatorship to vilify me in July-August. 1975, then I could have done so only in anger. Anger did influence my production of certain portions of the manu-script. However, as I put the finishing touches to my work, I found myself expurgating it of the personal venom, the virulence and intemperate language of my original draft.Some of the materials that went into this work had been of public knowledge in the Philippines. If I had used them, it was with the intention of utilizing them as links to heretofore unrevealed facets of the various ruses that Marcos employed to establish his dictatorship.Now, I have kept faith with the Filipino people. I have kept my rendezvous with history. I have, with this work, discharged my obligation to myself, my profession of journalism, my family and my country.I had one other compelling reason for coming out with this work at the great risks of being uprooted from my beloved country, of forced separation from my wife and children and losing their affection, and of losing everything I have in my name in the Philippines - or losing life itself. It is that I wanted to makea public expiation for the little influence that I had . . . .(more inside)
The Science and Passion of Communism presents the battles of the brilliant Italian communist Amadeo Bordiga in the revolutionary cycle of the post-WWI period, through his writings against reformism and war, for Soviet power and internationalism, and then against fascism, on one side, Stalinism and the degeneration of the International, on the other. Equally important was his sharp critique of triumphant U.S. capitalism in the post-WWII period, and his original re-presentation of Marxist critique of political economy, which includes the capital-nature and capital-species relationships, and the programme of social transformations for the revolution to come. Without any form of canonization, we can say that Bordiga’s huge workshop is a veritable goldmine, and anyone who decides to enter it will not be disappointed. He will guide you through a series of instructive, energizing and often highly topical excursions into the near and distant past, into the present that he largely foresaw, and into the future that he sketched with devouring passion.
Theory as Critique, while discussing many central issues of Marxian theory, has two main emphases: First, as the title suggests, it takes seriously Capital’s claim to be a critique of economic theory, rather than a contribution to political economy. Understanding what this means, it shows, goes far to unravelling many difficulties traditionally found in Marx’s book, from the nature of his theory of class to the 'transformation problem'. Secondly, Mattick’s volume carefully explores how to bridge the gap between the extreme abstraction of Marx’s ideas and the complex reality that they are intended to help us understand.
Know when to hold 'em, know when to fold 'em Poker is America’s national card game, and its popularity continues to grow. Nationwide, you can find a game in progress everywhere. If you want to play, you can find poker games on replicas of 19th century riverboats or on Native American tribal lands. You can play poker at home with the family or online with opponents from around the world. Like bowling and billiards before it, poker has moved out from under the seedier side of its roots and is flowering in the sunshine. Maybe you’ve never played poker before and you don’t even know what a full house is. Poker For Dummies covers the basics. Or perhaps you've played for years, but you just don’t know how to win. This handy guide will help you walk away from the poker table with winnings, not lint, in your pockets. If you’re a poker expert, you still can benefit – some of the suggestions may surprise you, and you can certainly learn from the anecdotes from professional players like T.J. Cloutier and Stu Unger. Know what it takes to start winning hand after hand by exploring strategy; getting to know antes and betting structure; knowing your opponents, and understanding the odds. Poker For Dummies also covers the following topics and more: Poker games such as Seven-Card Stud, Omaha, and Texas Hold'em Setting up a game at home Playing in a casino: Do's and don'ts Improving your play with Internet and video poker Deciphering poker sayings and slang Ten ways to read your opponent's body language Playing in poker tournaments Money management and recordkeeping Knowing when and how to bluff Poker looks like such a simple game. Anyone, it seems, can play it well – but that's far from the truth. Learning the rules can be quick work, but becoming a winning player takes considerably longer. Still, anyone willing to make the effort can become a good player. You can succeed in poker the way you succeed in life: by facing it squarely, getting up earlier than the next person, and working harder and smarter than the competition. Foreword by Chris Moneymaker, 2003 World Series of Poker Champion.