French Cinema

French Cinema

Author: Rémi Fournier Lanzoni

Publisher: Bloomsbury Publishing USA

Published: 2015-10-22

Total Pages: 633

ISBN-13: 1501303090

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To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Rémi Lanzoni examines a considerable number of the world's most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose, while at once concentrating more on the current generation of female directors, mainstream productions such as The Artist and The Intouchables, and the emergence of minority filmmakers (Beur cinema).


French Cinema in the 1990s

French Cinema in the 1990s

Author: Phil Powrie

Publisher:

Published: 1999

Total Pages: 320

ISBN-13:

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Following on from Phil Powrie's French Cinema in the 1980s: Nostalgia and the Crisis of Masculinity (Clarendon Press, 1997), this collection of essays, which brings together scholars in the UK and the USA, focuses on continuity with the 1980s in terms of genres and preoccupations, such as definitions of a national cinema, the heritage film, gay/lesbian issues, and ethnic issues. But it also focuses on key differences: new types of heritage film, whether postcolonial or heritage pastiche; the newly emerging genre of cinema de banlieue; and the focus on community and political reflection.


French Cinema in the 1990s

French Cinema in the 1990s

Author: Phil Powrie

Publisher:

Published: 1999

Total Pages: 322

ISBN-13:

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Following on from Phil Powrie's French Cinema in the 1980s: Nostalgia and the Crisis of Masculinity (Clarendon Press, 1997), this collection of essays, which brings together scholars in the UK and the USA, focuses on continuity with the 1980s in terms of genres and preoccupations, such as definitions of a national cinema, the heritage film, gay/lesbian issues, and ethnic issues. But it also focuses on key differences: new types of heritage film, whether postcolonial or heritage pastiche; the newly emerging genre of cinema de banlieue; and the focus on community and political reflection.


A Companion to Contemporary French Cinema

A Companion to Contemporary French Cinema

Author: Alistair Fox

Publisher: John Wiley & Sons

Published: 2015-01-27

Total Pages: 717

ISBN-13: 1444338994

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A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Features original contributions from top film scholars relating to all aspects of contemporary French cinema Includes new research on matters relating to the political economy of contemporary French cinema, developments in cinema policy, audience attendance, and the types, building, and renovation of theaters Utilizes groundbreaking research on cinema beyond the fiction film and the cinema-theater such as documentary, amateur, and digital filmmaking Contains an unusually large range of methodological approaches and perspectives, including those of genre, gender, auteur, industry, economic, star, postcolonial and psychoanalytic studies Includes essays by important French cinema scholars from France, the U.S., and New Zealand, many of whose work is here presented in English for the first time


Cinema and the Second Sex

Cinema and the Second Sex

Author: Carrie Tarr

Publisher: Bloomsbury Publishing

Published: 2016-10-06

Total Pages: 338

ISBN-13: 1474290787

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Women's filmmaking in France has been a source of both delight and despair. On the one hand, the numbers are impressive – over 250 feature-length films were made by over 100 women directors in France in the 1980s and 1990s. On the other hand, despite the heritage of French feminism, French women directors characteristically disclaim their gender as a significant factor in their filmmaking. This incisive study provides an informative, critical guide to this major body of work, exploring the boundaries between personal films (intimate psychological dramas relating to key stages in life) and genre films (which demonstrate women's ability to appropriate and rework popular genres). It analyzes the effects of postfeminism, women's desire to enter the mainstream, and the impact of a new generation of filmmakers, enabling readers to take stock of the wealth and diversity of women's contribution to French cinema during the 1980s and 1990s.


French Cinema

French Cinema

Author: Phil Powrie

Publisher: Hodder Arnold

Published: 2002

Total Pages: 212

ISBN-13: 9780340760031

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The study of French cinema has greatly expanded in recent years, as it is increasingly taught alongside literature in modern language departments. This book, written by two leading scholars of French film, offers students an introduction to the history and theory of French cinema.


France on Film

France on Film

Author: Lucy Mazdon

Publisher: Wallflower Press

Published: 2001

Total Pages: 198

ISBN-13: 9781903364086

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This collection of new essays is a comprehensive introduction to the concerns and styles which characterise contemporary popular French film.


Contemporary French Cinema

Contemporary French Cinema

Author: Guy Austin

Publisher: Manchester University Press

Published: 1996-11-15

Total Pages: 204

ISBN-13: 9780719046117

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Examines popular French film of the last 25 years. Charts recent developments in all genres since the New Wave, including the heritage film, the thriller, the war film, `cinema du look'. Other topics include: representations of sexuality; the work of women film-makers. Includes a filmography.


French National Cinema

French National Cinema

Author: Susan Hayward

Publisher: Psychology Press

Published: 2005

Total Pages: 417

ISBN-13: 0415307821

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This revised and updated edition of a successful and established text provides a much-needed historical overview of French cinema from its roots through to the political and social developments in the 1990s and beyond.


The Legacy of the New Wave in French Cinema

The Legacy of the New Wave in French Cinema

Author: Douglas Morrey

Publisher: Bloomsbury Publishing USA

Published: 2019-09-05

Total Pages: 273

ISBN-13: 1501311913

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In this study of the impact and influence of the New Wave in French cinema, Douglas Morrey looks at both the subsequent careers of New Wave filmmakers and the work of later film directors and film movements in France. This book is organized around a series of key moments from the past 50 years of French cinema in order to show how the meaning and legacy of the New Wave have shifted over time and how the priorities, approaches and discourses of filmmakers and film critics have changed over the years. Morrey tackles key concepts such as the auteur, the relationship of form and content, gender and sexuality, intertextuality and rhythm. Filmmakers discussed include Godard, Truffaut, Varda, Chabrol and Rohmer plus Philippe Garrel, Luc Besson, Leos Carax, Bruno Dumont, the Dardenne brothers, Christophe Honoré, François Ozon and Jacques Audiard.