French Cinema in the 1980s
French Cinema in the 1980s

Author: Phil Powrie

Publisher: Oxford University Press

Published: 1997

Total Pages: 236

ISBN-13: 9780198711193

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French film in the 1980s might have lacked the invention of the New Wave but gritty police thrillers and nostalgic costume-dramas such as Jean de Florette and Manon des Sources brought French cinema to a wider audience than ever before. This landmark study is not merely a history of French film in the 1980s, but offers a set of critical essays on the crisis of masculinity in contemporary French culture, and its interrelationship with nostalgia. After a brief overview both of the crisis in the French film industry during the 1980s, and of the socio-political crisis of masculinity in the wake of 1970s feminism, the book is divided into three sections: the retro-nostalgic film, the Polar, or police thriller, and the comic film. Films studied in detail include Diva, Subway, Coup de foudre, Vivement dimanche , La Vie est un long fleuve tranquille, and Tenue de soir e, while the volume covers actors from G rard Depardieu, Daniel Auteuil, and Yves Montand to Isabelle Adjani, Isabelle Huppert, and Emmanuelle B art.

French Cinema
French Cinema

Author: Rémi Fournier Lanzoni

Publisher: Bloomsbury Publishing USA

Published: 2015-10-22

Total Pages: 633

ISBN-13: 1501303090

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To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Rémi Lanzoni examines a considerable number of the world's most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose, while at once concentrating more on the current generation of female directors, mainstream productions such as The Artist and The Intouchables, and the emergence of minority filmmakers (Beur cinema).

French Cinema
French Cinema

Author: Phil Powrie

Publisher: Hodder Arnold

Published: 2002

Total Pages: 212

ISBN-13: 9780340760031

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The study of French cinema has greatly expanded in recent years, as it is increasingly taught alongside literature in modern language departments. This book, written by two leading scholars of French film, offers students an introduction to the history and theory of French cinema.

Cinema and the Second Sex
Cinema and the Second Sex

Author: Carrie Tarr

Publisher: Bloomsbury Publishing

Published: 2016-10-06

Total Pages: 338

ISBN-13: 1474290787

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Women's filmmaking in France has been a source of both delight and despair. On the one hand, the numbers are impressive – over 250 feature-length films were made by over 100 women directors in France in the 1980s and 1990s. On the other hand, despite the heritage of French feminism, French women directors characteristically disclaim their gender as a significant factor in their filmmaking. This incisive study provides an informative, critical guide to this major body of work, exploring the boundaries between personal films (intimate psychological dramas relating to key stages in life) and genre films (which demonstrate women's ability to appropriate and rework popular genres). It analyzes the effects of postfeminism, women's desire to enter the mainstream, and the impact of a new generation of filmmakers, enabling readers to take stock of the wealth and diversity of women's contribution to French cinema during the 1980s and 1990s.

French Cinema in the 1990s
French Cinema in the 1990s

Author: Phil Powrie

Publisher:

Published: 1999

Total Pages: 320

ISBN-13:

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Following on from Phil Powrie's French Cinema in the 1980s: Nostalgia and the Crisis of Masculinity (Clarendon Press, 1997), this collection of essays, which brings together scholars in the UK and the USA, focuses on continuity with the 1980s in terms of genres and preoccupations, such as definitions of a national cinema, the heritage film, gay/lesbian issues, and ethnic issues. But it also focuses on key differences: new types of heritage film, whether postcolonial or heritage pastiche; the newly emerging genre of cinema de banlieue; and the focus on community and political reflection.

Contemporary French Cinema
Contemporary French Cinema

Author: Guy Austin

Publisher: Manchester University Press

Published: 1996-11-15

Total Pages: 204

ISBN-13: 9780719046117

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Examines popular French film of the last 25 years. Charts recent developments in all genres since the New Wave, including the heritage film, the thriller, the war film, `cinema du look'. Other topics include: representations of sexuality; the work of women film-makers. Includes a filmography.

French Cinema in the 1990s
French Cinema in the 1990s

Author: Phil Powrie

Publisher:

Published: 1999

Total Pages: 0

ISBN-13: 9781383006797

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Following on from Phil Powrie's French Cinema in the 1980s, this collection of essays on French films in the 1990s focuses on continuity with the 1980s in terms of genres and preoccupations, but it also focuses on key differences.

The Cinema of France
The Cinema of France

Author: Phil Powrie

Publisher: Wallflower Press

Published: 2006

Total Pages: 314

ISBN-13: 9781904764465

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An in-depth look at some of the best and most influential French films of all time, The Cinema of France contains 24 essays, each on an individual film. The book features works from the silent period and poetic realism, through the stylistic developments of the New Wave, and up to more contemporary challenging films, from directors such as Abel Gance, Jean Renoir, Marcel Carné, François Truffaut, Jean-Luc Godard, Alain Resnais, Agnès Varda and Luc Besson. Set in chronological order, The Cinema of France provides an illuminating history of this essential national cinema and includes in-depth studies of films such as Un Chien Andalou (1929), Les Vacances de Monsieur Hulot (1953), Le Samouraï (1967), Shoah (1985), Jean de Florette (1986), Les Visiteurs (1993) and La Haine (1995).

The French Cinema Book
The French Cinema Book

Author: Michael Temple

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 743

ISBN-13: 1838718869

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This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.

A Bout De Souffle
A Bout De Souffle

Author: Ramona Fotiade

Publisher: Bloomsbury Publishing

Published: 2013-05-28

Total Pages: 226

ISBN-13: 0857733567

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One of the most charismatic feature films of the New Wave, A Bout de souffle (1960) has retained its appeal not only as the emphatic statement of a generational break with tradition, but also as Godard's earliest rendition of a set of thematic and stylistic motifs that would become his trademark. A Bout de souffle is now a cult film, propelled in part by the memorable coupling of its leading actors, Jean-Paul Belmondo and Jean Seberg, whose story on screen seemed to portray the troubled love affair between French cinema and Hollywood. In this original guide to the film, Ramona Fotiade analyses in depth its production and reception, as well as its mise-en-scene and editing. She situates A Bout de souffle in relation to Godard's filmography and critical writings up to 1960, focusing on a narrative and visual discourse that is now identified with a distinctive strand in postmodern French cinema. She also explores the impact of Godard's early counter-narrative and visual strategies on the independent American filmmakers and the French Cinema du Look during the 1980s and 1990s.