Originally published in 1981, and then again in 1995, Medical Obituaries is an extensive index begun in the 1960s cataloguing biographical data for American physicians from the 18th and 19th century. The book is an extensive index of American physicians and surgeons and contains an extensive list of sources to the medical obituaries of medical professionals from this period. It also provides a list of graduating classes at the American Medical Colleges before 1907. The book in particular provides an extensive collection of references from medical journals. It is arranged alphabetically and will provide an extremely valuable resource to historians and medical professionals, seeking information about American physicians and surgeons working in the 18th and 19th century.
Read obituaries and death notices for over 500 Revolutionary War patriots. Spotlighting the famous, such as George Washington, John Adams and Benjamin Franklin, and many lesser known heroes -- this publication will draw the interest of historians and family historians on their own genealogical journey.
North Carolina sent more than 125,000 men and boys to fight the Civil War. It is estimated that about 40,000 lost their lives on the battlefield or by disease. Most were sent home for burial in family plots or community churchyards but thousands could not be identified or could not be transported and were interred in unmarked graves across the country. Many never had an obituary published. Others had obituaries that included directions to the deceased's final resting place. This compilation of obituaries from North Carolina newspapers documents the date and cause of death for hundreds of soldiers, with many providing place of burial, surviving relatives, last words, accounts by comrades and details of military service.
Willa Cather’s twelfth and final novel, Sapphira and the Slave Girl, is her most intense fictional engagement with political and personal conflict. Set in Cather’s Virginia birthplace in 1856, the novel draws on family and local history and the escalating conflicts of the last years of slavery—conflicts in which Cather’s family members were deeply involved, both as slave owners and as opponents of slavery. Cather, at five years old, appears as a character in an unprecedented first-person epilogue. Tapping her earliest memories, Cather powerfully and sparely renders a Virginia world that is simultaneously beautiful and, as she said, “terrible.” The historical essay and explanatory notes explore the novel’s grounding in family, local, and national history; show how southern cultures continually shaped Cather’s life and work, culminating with this novel; and trace the progress of Cather’s research and composition during years of grief and loss that she described as the worst of her life. More early drafts, including manuscript fragments, are available for Sapphira and the Slave Girl than for any other Cather novel, and the revealing textual essay draws on this rich resource to provide new insights into Cather’s composition process.
George Purtlebaugh (b.ca. 1752) was born in Frederick County, Virginia and died there after 1830. Descendants lived in Virginia, Indiana, Michigan, Florida and elsewhere.
An exquisite and authoritative look at four centuries of quilts and quilting from around the world Quilts are among the most utilitarian of art objects, yet the best among them possess a formal beauty that rivals anything made on canvas. This landmark book, drawn from the world-renowned collection of the Colonial Williamsburg Foundation, highlights the splendor and craft of quilts with more than 300 superb color images and details. Fascinating essays by two noted scholars trace the evolution of quilting styles and trends as they relate to the social, political, and economic issues of their time. The collection includes quilts made by diverse religious and cultural groups over 400 years and across continents, from the Mediterranean, England, France, America, and Polynesia. The earliest quilts were made in India and the Mediterranean for export to the west and date to the late 16th century. Examples from 18th- to 20th-century America, many made by Amish and African-American quilters, reflect the multicultural nature of American society and include boldly colored and patterned worsteds and brilliant pieced and appliquéd works of art. Grand in scope and handsomely produced, Four Centuries of Quilts: The Colonial Williamsburg Collection is sure to be one of the most useful and beloved references on quilts and quilting for years to come.