Hailed by Eliot, Pound, Lawrence and Hemingway, and based on the author’s own experiences, The Middle Parts of Fortune is a breathtaking account of the Great War and the men who fought it.
"The Middle Parts of Fortune" is a wartime story by Frederic Manning. In the 1920s the demand for writing on the First World War started to grow, the catalyst being the play 'Journey's End' written by R. C. Sherriff. A friend urged Manning to use his undoubted talent to write a novel about his own intense wartime experiences. To capture the moment, Manning worked rapidly, with little opportunity for second drafts and revisions. The result was "The Middle Parts of Fortune", published anonymously in a numbered limited edition of 520 copies in 1929, which are now collectors' items.
'They can say what they bloody well like, but we're a fuckin' fine mob.' Deep in the mud, stench of the Somme, Bourne is trying his best to stay alive. There he finds the intense fraternity of war and fear unlike anything he has ever known. Frederic Manning's novel was first published anonymously in 1929. The honesty with which he wrote about the horror, the boredom, and the futility of war inspired Ernest Hemingway to read the novel every year, 'to remember how things really were so that I will never lie to myself nor to anyone else about them.
In January 1930 Her Privates We appeared in London, advertised as "a record of experience on the Somme and Ancre fronts in 1916" from the pen of "Private 10922, a well known man of letters, already distinguished in another kind of literature." Reviewers praised the novel as the most accurate and moving portrayal yet rendered of the common soldier, and the work quickly became a bestseller. Shortly thereafter the author was revealed as Frederic Manning, a reclusive and little-known author of narrative poetry, philosophical dialogues, and works on Epicurus. An early contributor to Criterion, Manning enjoyed considerable esteem among his peers--T. E. Lawrence, Ernest Hemingway, Ezra Pound, and T. S. Eliot, among others. How did a classical and noncommercial author come to write a grittily realistic war novel? Manning fled from the attendant publicity, avoiding the limelight assiduously and successfully. Marwil's search for the answer to this riddle and for the details of his life (in some ways the search is as interesting and revealing as the results) and his account of Manning's life and work reveal a great deal of the intellectual and social world of Edwardian and Georgian England.
Inside Computer Music is an investigation of how new technological developments have influenced the creative possibilities of composers of computer music in the last 50 years. This book combines detailed research into the development of computer music techniques with thorough studies of ninecase studies analysing key works in the musical and technical development of computer music. The text is linked to demonstration videos of the techniques used and software which offers readers the opportunity to try out emulations of the software used by the composers for themselves and view videointerviews with the composers and others involved in the production of the musical works. The software also presents musical analyses of each of the nine case studies using software and video alongside text to enable readers to engage with the musical structure aurally and interactively.
The breech-loading, single-shot .458in Martini-Henry rifle has become a symbol of both the Anglo-Zulu War of 1879 and the numerous battles in Egypt and the Sudan in 1884–85, but continued to be used by both British and colonial troops well into the 20th century. Its invention and introduction into British service were in direct response to the success of the Prussian Dreyse needle gun, which demonstrated that the breech-loading rifle offered faster loading, improved accuracy and superior range; significantly, the weapon could be loaded and fired from a prone position, thus offering the rifleman greater security on the battlefield. Due to the longevity of service, many Martini-Henry rifles survive today, both in museums and in private collections, and the weapon is highly prized by shooting enthusiasts. Featuring specially commissioned full-colour artwork and an array of arresting first-hand accounts and written by an authority on warfare in the Victorian era, this engaging study tells the story of the powerful Martini-Henry and its impact on the battlefield, from the Anglo-Zulu War to the opening months of World War I.
It has been over twenty years since the publication of The Ragamuffin Gospel, a book many claim as the shattering of God’s grace into their lives. Since that time, Brennan Manning has been dazzingly faithful in preaching and writing variations on that singular theme – “Yes, Abba is very fond of you!” But today the crowds are gone and the lights are dim, the patches on his knees have faded. If he ever was a ragamuffin, truly it is now. In this his final book, Brennan roves back his past, honoring the lives of the people closest to him, family and friends who’ve known the saint and the sinner, the boy and the man. Far from some chronological timeline, these memories are witness to the truth of life by one who has lived it – All Is Grace.
One of Wall Street Journal’s “Five Best of World War II Fiction” A BBC miniseries starring Emma Thompson and Kenneth Branagh A spellbinding chronicle of a marriage and a panoramic account of Eastern Europe during WWII—the “finest fictional record of the war produced by a British writer” (Anthony Burgess) The Balkan Trilogy is the story of a marriage and of a war, a vast, teeming, and complex masterpiece in which Olivia Manning brings the uncertainty and adventure of civilian existence under political and military siege to vibrant life. Manning’s focus is not the battlefield but the café and kitchen, the bedroom and street, the fabric of the everyday world that has been irrevocably changed by war, yet remains unchanged. At the heart of the trilogy are newlyweds Guy and Harriet Pringle, who arrive in Bucharest—the so-called Paris of the East—in the fall of 1939, just weeks after the German invasion of Poland. Guy, an Englishman teaching at the university, is as wantonly gregarious as his wife is introverted, and Harriet is shocked to discover that she must share her adored husband with a wide circle of friends and acquaintances. Other surprises follow: Romania joins the Axis, and before long German soldiers overrun the capital. The Pringles flee south to Greece, part of a group of refugees made up of White Russians, journalists, con artists, and dignitaries. In Athens, however, the couple will face a new challenge of their own, as great in its way as the still-expanding theater of war.