In Victorian London, a lonely band of misfits trapped in a sideshow decides to put their extraordinary talents to use to solve the mysteries that no one else cares about, starting with the stealing of poor children from the banks of the Thames.
From the moment Bob Langmuir, a down-and-out rare book dealer, spies some intriguing photographs in the archive of a midcentury Times Square freak show, he knows he's on to something. It turns out he's made the find of a lifetime--never-before-seen prints by the legendary Diane Arbus. Furthermore, he begins to suspect that what he's found may add a pivotal chapter to what is now known about Arbus as well as about the "old weird America," in Greil Marcus's phrase, that Hubert's inhabited. Bob's ensuing adventure--a roller-coaster ride filled with bizarre characters and coincidences--takes him from the fringes of the rare book business to Sotheby's, and from the exhibits of a run-down Times Square freak show to the curator's office of the Metropolitan Museum of Art. Will the photos be authenticated? How will Arbus's notoriously protective daughter react? Most importantly, can Bob, who always manages to screw up his most promising deals, finally make just one big score?
Fiction. Like an expanded Dictionary of Received Ideas, THE BOOK OF FREAKS takes its subject matter from everyday life. Both hilarious and poker-faced in equal measures, this faux encyclopedia categorizes mundanities and renders them starkly unexpected. From circus freaks, to nationalities, to you and everyone you've ever met, THE BOOK OF FREAKS points out what we already knew, but never acknowledged: every one of us, in our own little ways, is a weirdo. THE BOOK OF FREAKS is bewildering in a good way—a bluntly informational yet oddly poetic tour de force. "Jamie Iredell can spin around with a disc in his hand and then throw that disc incredible distances. He can also do freakish things with words."—Michael Kimball
If this is a dream, why does she seem so real? Though Abel Dandy was born to circus performers and grew up in a troupe of odd and inexplicable people, he has never felt limited by his normalcy--until now. Realizing he'll never be more amazing than the talented oddities around him, Abel can only dream of living a life richer than his own. But in his dreams a mysterious woman beckons him, calling him passionately by a name he doesn't know and speaking in a language he's never heard, but fully understands. Compelled by these visions and yearning to be more than ordinary, Abel embarks on a journey more frightening and wondrous than he ever imagined....
There are more Christian martyrs today than there were in ad 100--in the days of the Roman Empire. Now in the twenty-first century, according to the Center for the Study of Global Christianity, more than 150,000 Christians are martyred around the world every year. "Remember the Lord's people who are in jail and be concerned for them. Don't forget those who are suffering, but imagine that you are there with them." Hebrews 13:3 cev Their stories must be told.
Falling in love. Evading the authorities. Chasing the rabbits. Now high school sophomores, the self-styled “Freaks” are back in class in quiet Quapaw City, Arkansas. They grapple with the ordinary challenges of everyday teen life: cliques, cars, and crushes. While everything appears normal on the surface, looks have rarely been more deceiving. A secret government task force—fully aware of the unusual powers the Freaks have acquired—is determined to capture them. Even as the mysterious Baltar Sterne shares ancient wisdom and offers hope, a new menace silently emerges in the woods outside of town. Clever, inexorable, and far more lethal than the Freaks’ first superhuman foe, this traveler from another world possesses powers that can only be described as godlike. The Freaks and their town will be tested in horrific ways they are powerless to predict or even imagine.
This cultural history of the travelling freak show in America chronicles the rise and fall of the industry as attitudes about disability evolved. From 1840 until 1940, hundreds of freak shows crisscrossed the United States, from the smallest towns to the largest cities, exhibiting their casts of dwarfs, giants, Siamese twins, bearded ladies, savages, snake charmers, fire eaters, and other oddities. By today’s standards such displays would be considered cruel and exploitative—the pornography of disability. Yet for one hundred years the freak show was widely accepted as one of America’s most popular forms of entertainment. Robert Bogdan’s fascinating social history brings to life the world of the freak show and explores the culture that nurtured and, later, abandoned it. In uncovering this neglected chapter of show business, he describes in detail the flimflam artistry behind the shows, the promoters and the audiences, and the gradual evolution of public opinion from awe to embarrassment. Freaks were not born, Bogdan reveals; they were manufactured by the amusement world, usually with the active participation of the freaks themselves. Many of the "human curiosities" found fame and fortune, until the ascent of professional medicine transformed them from marvels into pathological specimens.
It begins with a dire call-right before his father disappears and his skyscraper home's doors explode inward. Street Freaks is the kind of thrilling futuristic story only New York Times bestselling author Terry Brooks can tell. "Go into the Red Zone. Go to Street Freaks." his father directs Ashton Collins before the vid feed goes suddenly silent. The Red Zone is the dangerous heart of mega-city Los Angeles; it is a world Ash is forbidden from and one he knows little about. But if he can find Street Freaks, the strangest of aid awaits―human and barely human alike. As Ash is hunted, he must unravel the mystery left behind by his father and discover his role in this new world. Brooks has long been the grandmaster of fantasy. Now he turns his hand to science fiction filled with what his readers love best: complex characters, extraordinary settings, exciting action, and a page-turning story. Through it, Brooks reimagines his bestselling career yet again.
Face of an angel. Body of a god. And a mouth so dirty he could make the devil blush... Fix Marcosa's time can be bought with money, but he isn't selling sex. Murderers, rapists, criminals: if you're on the wrong side of Fix's moral code, you're in trouble. The kind of trouble that winds up getting you killed. As a hitman for hire, Fix is no stranger to violence. He's merciless. Relentless. A true savage, down to the roots of his very soul. You can beg. You can plead. You can pray, but it won't do you any good. Once the tall, dark stranger arrives at your doorstep, it's already too late to repent. Sera Lafferty's no stranger to heartbreak. With an abusive father and a dependant sister, her life has been one of sacrifice and compromise. As soon as she sets eyes on Felix 'Fix' Marcosa, she recognizes the darkness in him and makes a vow: she will not get involved. But trapped inside a motel room with the sexiest man to ever walk the earth? Throw in some tequila and the storm to end all storms, and Sera finds herself worshipping at the altar of Marcosa. She knows she made a mistake. She knows she needs to run. But when she witnesses the assassin at work first hand, she knows it's far too late. Thrown into the back of his sleek black ride, Sera finds herself trapped, and in more way than one. Fix is deadly. He's demanding, he's dirty, and he's determined to claim her for his own. * THIS THE THE FULL BOOK OF DIRTY NASTY FREAKS*