Instagram Sensation Johnny Wu has amassed a gargantuan following for his photographs depicting action figures starring in glorious, cinematic adventures. This first book collection of Wu's work will take you on a hero's journey through action figure eyes with appearances throughout from some of pop culture's most beloved and recognized toys.
Showcasing the artistic vision of the music video director, this title features 55 top directors, including Spike Jonze, Peter Care, and David Fincher, and contains nearly 400 stills culled from the most compelling and influential videos from the last two decades. Full-color illustrations.
The Aardman Studio in Bristol is one of the biggest successes in the new wave of British animation. This book sets Aardman's achievements and the history of the studio within the context of the tradition of 3-D animation. The studio's initial success with Morph was followed with an Oscar for Creature Comforts and nominations for Adam and A Grand Day Out. Nick Park at Aardman has received two Oscars for his Wallace and Gromit stories, The Wrong Trousers and A Close Shave.
Ben Harris is a talented news photographer whose job puts him where the action is—a job that costs him his marriage and his family. His ex-wife marries his editor and boss. For the sake of his two children, Harris swallows his pride and offers his hand in friendship. Then his best friend is killed by the blast of a concealed bomb in Harris’s surveillance van. He looks into the stories Gallagher was investigating to find the killer—and the target. Frames Per Second is the story of a flawed but good man trying to make the best of a bad situation. Trying to uncover the truth of his friend’s death, trying to keep his family together, trying to reconcile with the new man in their lives—and, ultimately, fighting desperately to keep them alive.
"The catalogue has been published in conjunction with the exhibition Truth: 24 frames per second, on view at the Dallas Museum of Art from October 22, 2017, to January 28, 2018."
Superhero films and comic book adaptations dominate contemporary Hollywood filmmaking, and it is not just the storylines of these blockbuster spectacles that have been influenced by comics. The comic book medium itself has profoundly influenced how movies look and sound today, as well as how viewers approach them as texts. Comic Book Film Style explores how the unique conventions and formal structure of comic books have had a profound impact on film aesthetics, so that the different representational abilities of comics and film are put on simultaneous display in a cinematic work. With close readings of films including Batman: The Movie, American Splendor, Superman, Hulk, Spider-Man 2, V for Vendetta, 300, Scott Pilgrim vs. the World, Watchmen, The Losers, and Creepshow, Dru Jeffries offers a new and more cogent definition of the comic book film as a stylistic approach rather than a genre, repositioning the study of comic book films from adaptation and genre studies to formal/stylistic analysis. He discusses how comic book films appropriate comics' drawn imagery, vandalize the fourth wall with the use of graphic text, dissect the film frame into discrete panels, and treat time as a flexible construct rather than a fixed flow, among other things. This cinematic remediation of comic books' formal structure and unique visual conventions, Jeffries asserts, fundamentally challenges the classical continuity paradigm and its contemporary variants, placing the comic book film at the forefront of stylistic experimentation in post-classical Hollywood.
In this follow-up volume to the bestseller Color Correction Handbook, Alexis Van Hurkman walks you through twenty-one categories of creative grading techniques, designed to give you an arsenal of stylizations you can pull out of your hat when the client asks for something special, unexpected, and unique. Each chapter presents an in-depth examination and step-by-step, cross-platform breakdown of stylistic techniques used in music videos, commercial spots, and cinema.
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