This collection brings together fifteen chapters written by scholars specializing in disciplines ranging from anthropology and sociology to literature, film, and performance studies. These scholars analyze complex questions about how the body is lived and imagined as a locus of meaning-making in contemporary Japan. Exploring such topics as mind-body dualism, aging and illness, spirit possession, beauty, performance, and gender, this collection addresses the wide array of socio-cultural and literary contexts in which the body is interpreted in Japanese culture and thought.
This volume is the first book-length collection on Japanese literary and popular cultural responses to the coronavirus pandemic in English. Disrupting the narrative of COVID-19 as a catastrophe without precedent, this book contextualizes the COVID-19 global public health crisis and pandemic-induced social and political turbulence in a post-industrial society that has withstood multiple major destructions and disasters. From published fiction by major authors to anonymous accounts on social media, from network TV shows to contents by Virtual YouTubers (VTubers), in both "high" and "low" culturescapes, timely representations of coronavirus and individual and social livings under its impact emerge. These narratives, either personal or top-down, all endeavor to fathom this unexpected disruption of modern linear progress. Exploring the paradoxes underlying the "new normal" of Japanese society of the present day, the book collectively demonstrates how the narratives of coronavirus are not "neo-" but "re-": returning to the past, revealing existing problems and reclaiming memories lost and lessons forgotten. This edited volume will be of interest to researchers and students in the fields of Japanese culture and society, Japanese literature, and pandemic studies.
Japanese Literary Theories: An Anthology is the English translation of the 2017 volume edited by Yasusuke Ōura (Nihon Bungaku Riron: Ansorojii), which grew from a unique collaboration between scholars of Western literatures and scholars of modern Japanese literature. Its eight thematic chapters on various aspects of literary theory each contain excerpts from representative texts by Japanese intellectuals, discussed against the background of Japan’s ongoing negotiations with foreign ideas. The anthology offers a comprehensive image of the development of Japanese literary theories, from the beginning of the Meiji period in 1868 and up to the present day. The translation of this anthology, another collaborative project, brings to the English-speaking reader heretofore untranslated pieces by Japanese critics, scholars, and creative writers, providing a point of entry into a variety of intellectual discourses from modern and contemporary Japan. It enriches the repertoire of literary theories available in English, while shedding light on the ways in which literature and literary theory travel back and forth within various linguistic spheres, serving as central loci of intellectual negotiation.
This book explores the roles cultural intermediaries play in East Asian cinema. Based on extensive original research, and viewing cinema from the social science perspective which emphasizes the social processes entailed in the cultural production, circulation, and consumption of films and the social relations they involve, rather than studying films as texts, the book examines issues such as the differences between individual and collective intermediaries, the diverse resources and services that they mediate, their social background and targeted audiences, and the political implications of their work. One important conclusion is that cultural intermediaries have been central to creating the whole "idea" of East Asian cinema.
A Vindication of the Redhead investigates red hair in literature, art, television, and film throughout Eastern and Western cultures. This study examines red hair as a signifier, perpetuated through stereotypes, myths, legends, and literary and visual representations. Brenda Ayres and Sarah E. Maier provide a history of attitudes held by hegemonic populations toward red-haired individuals, groups, and genders from antiquity to the present. Ayres and Maier explore such diverse topics as Judeo-Christian narratives of red hair, redheads in Pre-Raphaelite paintings, red hair and gender identity, famous literary redheads such as Anne of Green Gables and Pippi Longstocking, contemporary and Neo-Victorian representations of redheads from the Black Widow to The Girl with the Dragon Tattoo, and more. This book illuminates the symbolic significance and related ideologies of red hair constructed in mythic, religious, literary, and visual cultural discourse.
The Routledge Handbook of Modern Japanese Literature provides a comprehensive overview of how we study Japanese literature today. Rather than taking a purely chronological approach to the content, the chapters survey the state of the field through a number of pressing issues and themes, examining the ways in which it is possible to read modern Japanese literature and situate it in relation to critical theory. The Handbook examines various modes of literary production (such as fiction, poetry, and critical essays) as distinct forms of expression that nonetheless are closely interrelated. Attention is drawn to the idea of the bunjin as a ‘person of letters’ and a more realistic assessment is provided of how writers have engaged with ideas – not labelled a ‘novelist’ or ‘poet’, but a ‘writer’ who may at one time or another choose to write in various forms. The book provides an overview of major authors and genres by situating them within broader themes that have defined the way writers have produced literature in modern Japan, as well as how those works have been read and understood by different readers in different time periods. The Routledge Handbook of Modern Japanese Literature draws from an international array of established experts in the field as well as promising young researchers. It represents a wide variety of critical approaches, giving the study a broad range of perspectives. This handbook will be of interest to students and scholars of Asian Studies, Literature, Sociology, Critical Theory, and History.
This book explores one of the crucial themes in postwar Japanese fiction. Through an examination of the work of a number of prominent twentieth century Japanese writers, the book analyses the meaning of the body in postwar Japanese discourse, the gender constructions of the imagery of the body and the implications for our understanding of individual and national identity. This book will be of interest to all students of modern Japanese literature.
Essential reading for students of Japanese society, An Introduction to Japanese Society now enters its third edition. Here, internationally renowned scholar, Yoshio Sugimoto, writes a sophisticated, yet highly readable and lucid text, using both English and Japanese sources to update and expand upon his original narrative. The book challenges the traditional notion that Japan comprises a uniform culture, and draws attention to its subcultural diversity and class competition. Covering all aspects of Japanese society, it includes chapters on class, geographical and generational variation, work, education, gender, minorities, popular culture and the establishment. This new edition features sections on: Japan's cultural capitalism; the decline of the conventional Japanese management model; the rise of the 'socially divided society' thesis; changes of government; the spread of manga, animation and Japan's popular culture overseas; and the expansion of civil society in Japan.
The past few decades have seen growing interest in the study of the body. However, the increasing number of exciting and influential publications has primarily, if not exclusively, focused on the body in Western cultures. The various works produced by Asian scholars remain largely unknown to Western academic debates even though Asia is home to a host of rich body cultures and religions. The peoples of Asia have experienced colonization, decolonization, and now globalization, all of which make the 'body in Asia' a rewarding field of research. This unique volume brings together a number of scholars who work on East, Southeast and South Asia and presents original and cutting edge research on the body in various Asian cultures.
In 1895, the newly formed Greater Japan Martial Virtue Association (Dainippon Butokukai) held its first annual Martial Virtue Festival (butokusai) in the ancient capital of Kyoto. The Festival marked the arrival of a new iteration of modern Japan, as the Butokukai’s efforts to define and popularise Japanese martial arts became an important medium through which the bodies of millions of Japanese citizens would experience, draw on, and even shape the Japanese nation and state. This book shows how the notion and practice of Japanese martial arts in the late Meiji period brought Japanese bodies, Japanese nationalisms, and the Japanese state into sustained contact and dynamic engagement with one another. Using a range of disciplinary approaches, Denis Gainty shows how the metaphor of a national body and the cultural and historical meanings of martial arts were celebrated and appropriated by modern Japanese at all levels of society, allowing them to participate powerfully in shaping the modern Japanese nation and state. While recent works have cast modern Japanese and their bodies as subject to state domination and elite control, this book argues that having a body – being a body, and through that body experiencing and shaping social, political, and even cosmic realities – is an important and underexamined aspect of the late Meiji period. Martial Arts and the Body Politic in Meiji Japan is an important contribution to debates in Japanese and Asian social sciences, theories of the body and its role in modern historiography, and related questions of power and agency by suggesting a new and dramatic role for human bodies in the shaping of modern states and societies. As such, it will be valuable to students and scholars of Japanese studies, Japanese history, modern nations and nationalisms, and sport and leisure studies, as well as those interested in the body more broadly.