In the book "FORGOTTEN MEMORIES & IN THE MIRROR OF LETTERS" the poet-writer presents his impressions about a specific period of his youth through poems, stories, memoirs, diary of a stenographer in Part I of the book. The poet-writer wrote letters to his inspiration and the letters he received from a friend in his childhood are collected in Part II of the book. The surreal environment created is nostalgic taking along the readers with the its flow naturally. This is an attempt to talk and write about the
Famous professor Joseph Wieder was brutally murdered, and the crime was never solved. Years later when literary agent Peter Katz receives an incomplete memoir written by a student of the murdered professor, he becomes obsessed with solving the crime.
"It's hard to see how anyone is ever going to better this User's Manual to the life of Georges Perec" - Gilbert Adair, Sunday Times Winner of the Prix Goncourt for Biography, 1994 George Perec (1936-82) was one of the most significant European writers of the twentieth century and undoubtedly the most versatile and innovative writer of his generation. David Bellos's comprehensive biography - which also provides the first full survey of Perec's irreverent, polymathic oeuvre - explores the life of an anguished, comical and endearingly modest man, who worked quietly as an archivist in a medical research library. The French son of Jewish immigrants from Poland, he remained haunted all of his life by his father's death in the war, fighting to defend France, and his mother's in Auschwitz-Birkenau. His acclaimed novel A Void (1969) - written without using the letter "e" - has been seen as an attempt to escape from the words "père", "mere", and even "George Perec". His career made an auspicious start with Things: A Story of the Sixties (1965), which won the Prix Renaudot. He then pursued an idiosyncratic and ambitious literary itinerary through the intellectual ferment of Paris in the 1960s and 1970s.He belonged to the Ouvrior de Littérature Potentielle (OuLiPo), a radically inventive group of writers whose members included Raymond Queneau and Italo Calvino. Perec achieved international celebrity with Life A User's Manual (1978), which won the Prix Medicis and was voted Novel of the Decade by the Salon du Livre. He died in his mid-forties after a short illness, leaving a truly puzzling detective novel, 53 Days, incomplete. "Professor Bellos's book enables us at once to relish the most wilfully bizarre aspects of Perec's oeuvre and to understand the whys and wherefores of his protean nature" - Jonathan Romney, Literary Review
In his highly praised book The Nostalgia Factory, renowned memory scholar Douwe Draaisma explored the puzzling logic of memory in later life with humor and deep insight. In this compelling new book he turns to the “miracle” of forgetting. Far from being a defect that may indicate Alzheimer’s or another form of dementia, Draaisma claims, forgetting is one of memory’s crucial capacities. In fact, forgetting is essential. Weaving together an engaging array of literary, historical, and scientific sources, the author considers forgetting from every angle. He pierces false clichés and asks important questions: Is a forgotten memory lost forever? What makes a colleague remember an idea but forget that it was yours? Draaisma explores “first memories” of young children, how experiences are translated into memory, the controversies over repression and “recovered” memories, and weird examples of memory dysfunction. He movingly examines the impact on personal memories when a hidden truth comes to light. In a persuasive conclusion the author advocates the undervalued practice of “the art of forgetting”—a set of techniques that assist in erasing memories, thereby preserving valuable relationships and encouraging personal contentment.
This new edition continues the story of psychology with added research and enhanced content from the most dynamic areas of the field—cognition, gender and diversity studies, neuroscience and more, while at the same time using the most effective teaching approaches and learning tools.
Tobias Enrem is a world-renowned artist, guided by the Expression (the godlike energy of creation). Tobias creates his works of art with human remains, which he sells in his underground black-market art galleries. Tobias Enrem is one of the most prolific serial killers the city of Houston, or the United States has ever known. Section one is comprised of selected letters Detective Stoltz received from serial killer, Tobias Enrem. Section Two, is comprised of the personal journal entries of Detective Stoltz, pertaining to Tobias Enrem's correspondence. Tobias Enrem shares his thoughts, beliefs, personal philosophies, and social paradigms with Detective Stoltz; along with a detailed description of his latest murdered victim. Contains extremely disturbing content. All cover, and front-matter artwork, was painted by Tobias Enrem. No human remains, or body parts, in any way, what so ever, were used during the creating process for these paintings; except for the use of human blood, which was mixed directly into the oil-based paint. The artwork within this book is what Tobias Enrem refers to as: Macabre Expressionism. Upon first glance, the eye can only see shapes, and colors. When the eyes gaze deeply into the artwork, the image will naturally appear before you.
One writer is stranded by the Second World War. Another flees multiple revolutions to live the rest of his life in Rio de Janeiro. Two others, public about their sexuality at home, choose self-exile. In Lost and Found Voices Luc Beaudoin offers a critical engagement with these four displaced authors: Witold Gombrowicz, Valerii Pereleshin, Abdellah Taïa, and Slava Mogutin. Not quite fitting into their respective diasporas and sharing an urge to express their queer desires, it is in their published works of literature, film, and photography that these writers locate their shifting identities and emergent queer voices. Their artistry is the basis from which Beaudoin traces their expressions of desire in language, culture, and community, offering a contextual queer reading that navigates their linguistic, cultural, artistic, and sexual self-translations and self-portrayals. Their choices are determinative: Gombrowicz masked his attraction to men in his works, keeping the truth hidden in an intimate diary; Pereleshin explored his lust in Brazilian Portuguese after being shunned by the Russian diaspora; Taïa writes in French to destabilize both the language and his status as an immigrant in France; Mogutin becomes a hardcore gay rebel in word and image to rattle assumptions about gay life. Bringing authors generally not familiar to an English-speaking readership into one volume, and including Beaudoin's own experience of living between languages, Lost and Found Voices provides provocative insights into what it means to be gay in both the past and the present.
The author sees writing poetry as a way to capture observations, emotions and philosophical thoughts in a distilled format that helps him re-live them with the same delight at a later date. Poetry also is one of his preferred ways of communicating with others and, if they are moved to a deeper understanding of life through his words, the world becomes for him a less lonely place; hopefully for them also. These poems reflect having left behind his native Irish culture, his feelings at being separated from family due to business trips and what he observed while in foreign countries.
Kathryn Stripling Byer in these poems engages the contradictions inherent in the act of coming home. She explores the step-by-step leaving and returning— and finding “home” transformed because of the journey. Seamless lines of poetry weave together experiences as a daughter and a mother, the challenges of aging, the innate dignity of domestic life, and learning to let go while holding fast to what matters all the while. Byer gathers the trivial things that make up our lives and shows their meaningful connections, our movement toward discovery. In Coming to Rest, she expands upon the great themes of the poetic tradition.
Better Eyesight Magazine by William H. Bates, M.D. Ophthalmologist - Central Fixation Publishing Co., New York City, New York, USA. July 1919 to June 1930-132 Magazine Issues. Unedited. (Black & White Version. More pages, Lessons. All Articles, Eyecharts. 20 Natural Eyesight Improvement PDF E-Books, Printable, in Color with this Paperback book (download); Dr. Bates Books, Medical Articles, a scan photo copy of the 132 Original Antique Magazine Issues, a Modern text copy with 500 pictures and Clark Night's books including; 'Do It Yourself- Natural Eyesight Improvement-Original and Modern Bates Method'. All our Amazon.com books in 20 E-Books. Dr. Bates discovered the natural principles, true function of the eyes and applied relaxation, natural methods to return the eyes, eye muscles, nerves, mind/brain, thought patterns, body (entire visual system) to normal function with healthy eyes and clear vision. The Bates Method of Natural Eyesight Improvement. Dr. Bates Better Eyesight Magazine stories, articles describe how Dr. Bates, Emily Lierman Bates, other Doctors, School Teachers, Bates Method Students/Teachers, Children and Parents used Natural Treatments to remove, correct, prevent many different eye problems without use of eyeglasses, surgery, drugs. The natural treatments they applied removed/prevented; unclear close and distant vision, astigmatism, cataracts, glaucoma, conical cornea, cornea scars, wandering/crossed eyes (strabismus) and other conditions. Hundreds of Natural Treatments are listed. The magazines contain `True Life Stories' of the doctors, assistants, patients, treatments. Interesting, entertaining, fun to read. A History book, life in the early 1900's. Vision improvement based `Fairy Stories' and other articles for children are included. The stories produce a positive, relaxed state of mind. This state improves the eyesight. Dr. Bates worked his entire life treating people successfully with Natural Eyesight Improvement. When he cured the eyes, vision of many patients and other doctors in the hospital where he worked with natural treatments, without use of eyeglasses, surgery, drugs and proved his method is fact and that some of the old theories of eye function are incorrect, only theories; the doctors, surgeons that preferred to sell eyeglasses, surgery, drugs expelled him. Dr. Bates then opened his own office, a Clinic in Harlem, New York City. He treated thousands of people by natural methods, including many of the poor people that had little money. He kept his price for medical treatment low and also provided free assistance to people that could not afford to pay for a visit to an Ophthalmologist. His treatments were successful. He cured the young and old, people of all ages, nationalities. The Bates Method is so simple and effective that many of his cured patients, `often children' then went on to cure their parents, teachers and other children of defective vision including crossed, wandering eyes. Read the `true story of the two little girls that restored a blind mans eyesight' in the Oct. 1925 Magazine Issue. Read Dr. Bates full story in Better Eyesight Magazine. Dr. Bates recorded 11 years of work in his clinic, his patients and their varied treatments in his Better Eyesight Magazines, Books and Medical Articles. Dr. Bates discovered Natural Eyesight Improvement, The Bates Method. He discovered the natural, normal function of the eyes and applied natural methods to return the eyes, eye muscles, brain (visual system) to natural, normal function, relaxation with clear vision, healthy eyes. This black and white version is identical in pages, content, to the color paperback book version. (Created for a low price, printing cost.) Eyecharts included. See William H. Bates Author's Page, for Video of internal book pages, full description of the Paperback, 20 E-books; https://cleareyesight-batesmethod.info/