When her best friend suggests she visit a glory hole, she tells her friend to forget it and stomps out. But then she is taken by mysterious men who bring her to a place where she will discover the ultimate glory hole. Will she give in to the intense pleasures of being taken by strangers over and over again? dubcon, dubious consent, forced submission sex, glory hole, taboo, forbidden, dark erotica, erotica short stories, gangbang, ganged, gang bang, group sex, multiple partner erotica, short sex stories, unprotected sex
Jim Ludwig was born in Wisconsin in 1928. He worked his way through college and started as a laborer in the Climax Mine, worked his way through the ranks, eventually retiring while a Senior VP for operations, engineering and exploration. He founded the Pleasant Avenue Nursery which propagates Native plants for Colorado's high Altitudes. Now retired, he has become a writer, publishing numerous essays and two books.
Lily wishes to explore the forbidden nature of what it means to have sex inside of a glory hole booth as she has sex with random men, as they have sex with her, as she is alone and by herself at one of the local adult video stores in the city that she lives in. What joys and wonders did she learn about her newfound lust for random sex with random strangers who cannot see her as she has sex with men, at the Glory Hole booth at a local adult video store? Does she enjoy herself? Would she go back? This story is erotic and as such is for a mature audience.
Includes cases argued and determined in the District Courts of the United States and, Mar./May 1880-Oct./Nov. 1912, the Circuit Courts of the United States; Sept./Dec. 1891-Sept./Nov. 1924, the Circuit Courts of Appeals of the United States; Aug./Oct. 1911-Jan./Feb. 1914, the Commerce Court of the United States; Sept./Oct. 1919-Sept./Nov. 1924, the Court of Appeals of the District of Columbia.
Consider the vast array of things around you, from the building you are in, the lights illuminating the interior, the computational devices mediating your life, the music in the background, even the crockery, furniture and glassware you are in the presence of. Common to all these objects is that their concrete, visual and technological forms were invariably conceived, modelled, finished and tested in sites characterised as studios. Remarkably, the studio remains a peculiar lacuna in our understanding of how cultural artefacts are brought into being and how ‘creativity’ operates as a located practice. Studio Studies is an agenda setting volume that presents a set of empirical case studies that explore and examine the studio as a key setting for aesthetic and material production. As such, Studio Studies responds to three contemporary concerns in social and cultural thought: first, how to account for the situated nature of creative and cultural production; second, the challenge of reimagining creativity as a socio-materially distributed practice rather than the cognitive privilege of the individual; and finally, to unravel the parallels, contrasts and interconnections between studios and other sites of cultural-aesthetic and technoscientific production, notably laboratories. By enquiring into the operations, topologies and displacements that shape and format studios, this volume aims to demarcate a novel and important object of analysis for empirical social and cultural research as well to develop new conceptual repertoires to unpack the multiple ways studio processes shape our everyday lives.
The Booker Prize-winning novel--now a major motion picture from Fox Searchlight Pictures. This sweeping, irrepressibly inventive novel, is a romance, but a romance of the sort that could only take place in nineteenth-century Australia. For only on that sprawling continent--a haven for misfits of both the animal and human kingdoms--could a nervous Anglican minister who gambles on the instructions of the Divine become allied with a teenaged heiress who buys a glassworks to help liberate her sex. And only the prodigious imagination of Peter Carey could implicate Oscar and Lucinda in a narrative of love and commerce, religion and colonialism, that culminates in a half-mad expedition to transport a glass church across the Outback.
