The scorching-hot New Year's Eve romp Mia Parker spent with a sexy stranger was reckless, amazing…and never to be repeated. So how did she come to agree to marry him three years later? Vineyard owner Benedict del Castillo had visited the lush Parker Retreat in New Zealand to escape the media and recover from an injury. He didn’t expect to see the long-ago one-night stand he'd never forgotten. Nor did he expect to pick up where they'd left off. Until he saw the little boy who called Mia "Mommy"…
The cowboy’s second chance... Single dad Tyler Abernathy has vowed to devote himself completely to his little girl, Maeve. The widowed rancher’s belief that he wasn’t a present enough father or husband pushes him to turn down the locals’ well-meaning attempts to fix him up. But when he meets Callie Sheldrick, she disarms him in ways he can’t explain...or ignore. Walking away would be the right thing to do. Yet doing the ‘right’ thing might end up breaking all three of their hearts... Mills & Boon Western Romance — Small towns, cowboys and contemporary romance, the all-American way!
Jill Rigby reveals the dangers of the self-esteem parenting philosophy and offers an alternative approach that teaches children to respect both themselves and others. --from publisher description.
A baby secret A love brought into the open… After a night of passion, Melissa Frobisher returns home in disgrace. She never expects to meet the father of her baby again. Then Lord Laurence Maxwell turns up suddenly. He’s as dangerously attractive as ever and determined they wed for their baby’s sake! Is Melissa foolish to want Laurence to marry her for herself? But with her child’s reputation and future at stake, what other option does she have? “Just the right mix of mystery and intrigue” —Goodreads on A Vow for an Heiress “An intriguing and uncommon opening will have readers wondering what could possibly happen next” —RT Book Reviews on Carrying the Gentleman’s Secret From Harlequin Historical: Your romantic escape to the past.
"For heaven's sake, Isaiah!" People say that to Isaiah a lot. Everyone talks about heaven. But noone says what heaven is or where to find it. So when Isaiah's grandfather dies and his father says that he has gone to heaven, Isaiah becomes determined to find out where heaven is located exactly. After seeking answers to this question from people of different faiths and backgrounds, he realizes that heaven isn't so difficult to find after all. 20 color illustrations.
The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
Adopting his late girlfriend’s son turns one man’s life upside down in this domestic thriller by the author of The Neighbors. When Josh’s longtime partner, Grace, dies in a tragic accident, he is left with a mess of grief—and full custody of her seven-year-old son, Logan. While not his biological father, Josh has been a dad to Logan in every way that counts, and with Grace gone, Logan needs him more than ever. Wanting to do right by Logan, Josh begins the process of becoming his legal guardian—something that seems suddenly urgent, though Grace always brushed it off as an unnecessary formality. But now, as Josh struggles to find the paperwork associated with Logan’s birth, he begins to wonder whether there were more troubling reasons for Grace’s reluctance to make their family official. As he digs deeper into the past of the woman he loved, Josh soon finds that there are many dark secrets to uncover, and that the truth about where Logan came from is much more sinister than he could have imagined . . . Tightly paced and brimming with tension, Her Secret Son is a heartbreakingly honest portrait of a family on the edge of disaster and a father desperate to hold on to the boy who changed his life. Praise for Her Secret Son “An engrossing mix of suspense, grief, and family drama . . . a powerful tale.” —Kimberly Belle, author of The Marriage Lie “Emotionally tense and brimming with secrets, McKinnon showcases love in all its purity and peril.” —Mindy Mejia, author of Leave No Trace “If readers are expecting this to be just another domestic suspense tale, then they’re in for a wonderful surprise. . . . Her Secret Son will shock, flabbergast, and hook readers into reading frantically way past their planned stopping point.” —Fresh Fiction
