For many of us the word home brings warm thoughts and happy memories—far more than the dictionary's simple definition of "a place of birth or one's living quarters." For many of us, home is where the heart is. Yet it is even than that. It is the secure environment that allows our hearts to develop. A haven of growth, quiet, and rest. The place where we love and are loved. Sadly though, this kind of home is beginning to disappear as our busy society turns homes into houses where related people abide, but where there is no "heart." With a desire to help you nurture your family's heart, Susan Schaeffer Macaulay presents a clear blueprint for constructing a home that survives the variety of situations that you face in modern life. With Jesus Christ as the foundation, using tools such as common sense, realism, and traditions, you can build a secure, loving environment where every member of your family can flourish.
Prominent among the topics addressed are economics, the environment, the power of dialogue, the proper role of religion, the compassionate spirit of the bodhisattva, the importance of culture, the role of the United Nations, disarmament, the sovereignty of the people and the importance of global citizenship."--BOOK JACKET.
A comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuries America on Film: Representing Race, Class, Gender and Sexuality at the Movies, now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability. The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic. America on Film fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include: The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinema African Americans and American film, with a discussion of BlacKkKlansman informing its examination of broader issues Asian, Latin/x, and Native Americans on film Classical Hollywood cinema and class, with an in-depth examination of The Florida Project Women in classical Hollywood filmmaking, including a discussion of the 1955 film, All that Heaven Allows Perfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.
Representative selections from Restoration and eighteenth-century drama, comedy, satire, tragedy, and farce are prefaced by descriptions of the theaters, acting styles, methods of play production, and audiences.
