Adventures in the scientific exploration of the American tropics, related by the prize-winning naturalist writer. Maslow recounts the exploits of thirteen pioneers--"inspired characters in mythopoetic settings. Call them Indiana Einsteins, and call us fortunate to have Maslow to tell their stories."--Kirkus Reviews.
Covers Giovanni Belzoni in Egypt; Jean Louis Burckhardt in Petra; John B. Seely and the Temples of Ellora in India; Charles Fellows in Asia Minor; Karl Mauch at Great Zimbabwe; Alfred Maudslay and Mayan pyramids in Guatemala; Richard Wetherill and Indian antiquities in the American Southwest; Hiram Bingham and Machu Picchu of the Incas; and Reginald Le May in Thailand.
The audacious, gripping travelogue of a writer chasing the ghost of Graham Greene into the heart of Africa. Of all the anarchic and war-torn African nations, none is more forbidding than Liberia, the land that nurtured child soldiers, the violent trade in "blood diamonds," even ritual murder. Graham Greene, in search of extreme adventure, ventured through its dense jungles to write the travel classic Journey Without Maps; three-quarters of a century later, Tim Butcher decided to follow Greene's footsteps, only to find the path even more ominous and overgrown than in his predecessor's day. Among the devils he encounters are masked sorcerers whose magical powers depend on cannibalism and missionaries long forgotten in the hinterland he traverses. Butcher, a former African correspondent for the London Telegraph and author of Blood River, his best-selling account of a dramatic journey through the Congo, has produced in this thrilling sequel a book that The Independent hails as "fascinating, harrowing, and eventful."
Terra Nostra is one of the great masterpieces of modern Latin American fiction. Concerned with nothing less than the history of Spain and of South America, with the Indian Gods and with Christianity, with the birth, the passion, and the death of civilizations, Fuentes's great novel is, indeed, that rare creation--the total work of art. Magnificently translated by Margaret Sayers Peden, Terra Nostra is, as Milan Kundera says in his afterword, "the spreading out of the novel, the exploration of its possibilities, the voyage to the edge of what only a novelist can see and say."
For nearly two decades Western governments and a growing activist community have been frustrated in their attempts to bring about a freer and more democratic Burma—through sanctions and tourist boycotts—only to see an apparent slide toward even harsher dictatorship. But what do we really know about Burma and its history? And what can Burma's past tell us about the present and even its future? In The River of Lost Footsteps, Thant Myint-U tells the story of modern Burma, in part through a telling of his own family's history, in an interwoven narrative that is by turns lyrical, dramatic, and appalling. His maternal grandfather, U Thant, rose from being the schoolmaster of a small town in the Irrawaddy Delta to become the UN secretary-general in the 1960s. And on his father's side, the author is descended from a long line of courtiers who served at Burma's Court of Ava for nearly two centuries. Through their stories and others, he portrays Burma's rise and decline in the modern world, from the time of Portuguese pirates and renegade Mughal princes through the decades of British colonialism, the devastation of World War II, and a sixty-year civil war that continues today and is the longest-running war anywhere in the world. The River of Lost Footsteps is a work both personal and global, a distinctive contribution that makes Burma accessible and enthralling.
Richard Burton's account of his trip from the Red Sea coast to Harar and back in 1854-55 is a great read that demonstrates Burton's powers of observation, vividly descriptive language, and genuine interest in the customs, beliefs, and day-to-day activities of indigenous people. In this book, Burton offers a real insight into the beliefs and way of life of the people he meets.
Global Pop examines the rise of "world musics" and "world beat", and some of the musicians associated with these recent genres such as Peter Gabriel, Ladysmith Black Mambazo, and Johnny Clegg. Drawing on a wide range of sources - academic, popular, cyber, interviews, and the music itself - Global Pop charts an accessible path through many of the issues and contradictions surrounding the contemporary movement of people and musics worldwide. Global Pop examines the range of discourses employed in and around world music, demonstrating how the central concept of authenticity is wielded by musicians, fans, and other listeners, and looks at some of these musics in detail, examining ways they are caught up in forms of domination and resistance. The book also explores how some cross-cultural collaborations may fashion new musics and identities through innovative combinations of sounds and styles.