The book is a memoir of an honest and duty bound policeman. The volume chronicles first-hand account of some of the most sensational cases handled by the author. Every form of crime and its manifestations are well documented and is given special treatment
It's the dead of winter and struggling actress and wedding-cake decorator Piper Donovan is thrilled to be in warm and romantic Sarasota, Florida, enjoying the powdery white beaches, soothing seas, and golden sunsets over the Gulf of Mexico. She and her family are there to celebrate her beloved cousin's wedding. Not only is Piper creating the sugar-sand-dollar-festooned wedding cake, she's also the maid of honor. But a cloud seems to be hovering over the whole affair. Shortly after a bridesmaid mysteriously disappears, a kindly neighbor's car is run off the road and a prospective witness, an innocent Amish teenager, is threatened to keep silent. Then a body is found on the beach where the wedding will take place. With the nuptials threatened, it falls to Piper to unmask a killer. Could it be the wedding planner with something to hide? A doctor and his wife who collect unusual Japanese figurines? The best man, an ex–drug dealer with lecherous eyes and roving hands? What about her cousin's future stepfather—or even the bridegroom himself? As Piper gets close to figuring out who's been covering his guilty footprints in the sand, the cunning killer has already set his sights on Piper as his next victim!
Eight teens are dropped off on a remote west-coast island for a week-long treatment program called INTRO (Into Nature to Renew Ourselves). The story is told by two of them: Alice, whose police-officer mother believes Alice might have a substance-abuse problem, and Caleb, who assaulted his abusive stepfather. They are joined by six other miscreants and three staff: a psychologist, a social worker and an ex-cop. On the first night, one of the girls disappears from her cabin. There is a panicked search of the island, but she is nowhere to be found. The adults seem oddly ineffectual in dealing with the crisis—and then the ex-cop gets sick and dies. The radio has been sabotaged, and there is no way to call for help. When the social worker also becomes ill, the kids decide to take matters into their own hands and track down the killer.
This is a guide to recommended practices for crime scene investigation. The guide is presented in five major sections, with sub-sections as noted: (1) Arriving at the Scene: Initial Response/Prioritization of Efforts (receipt of information, safety procedures, emergency care, secure and control persons at the scene, boundaries, turn over control of the scene and brief investigator/s in charge, document actions and observations); (2) Preliminary Documentation and Evaluation of the Scene (scene assessment, "walk-through" and initial documentation); (3) Processing the Scene (team composition, contamination control, documentation and prioritize, collect, preserve, inventory, package, transport, and submit evidence); (4) Completing and Recording the Crime Scene Investigation (establish debriefing team, perform final survey, document the scene); and (5) Crime Scene Equipment (initial responding officers, investigator/evidence technician, evidence collection kits).
The essays selected for this volume show how radical and Marxist criminology has established itself as an influential critique since it emerged in the late 1960s. Unlike orthodox criminology which emphasizes individual level explanations of criminal behavior, radical and Marxist criminology emphasizes power inequality and structures, especially those related to class, as key factors in crime, law and justice. This collection of essays draws attention to the way in which structural forces shape and influence both individual and institutional (for example, governmental) behavior; highlights neglected crime (corporate, governmental, state-corporate and environmental) which causes more extensive damage than the street crimes examined by orthodox criminology; and discusses the ways in which law and criminal justice processes reinforce power structures and contribute to class control.
During the 1960s, traditional thinking about crime and its punishment, deviance and its control, came under radical attack. The discipline of criminology split into feuding factions, and various schools of thought emerged, each with quite different ideas about the nature of the crime problem and its solutions. These differences often took political form, with conservative, liberal, and radical supporters, and the resulting controversies continue to reverberate throughout the fields of criminology and sociology, as well as related areas such as social work, social policy, psychiatry, and law. Stanley Cohen has been at the center of these debates in Britain and the United States. This volume is a selection of his essays, written over the past fifteen years, which contribute to and comment upon the major theoretical conflicts in criminology during this period. Though associated with the "new" or radical criminology, Cohen has always been the first to point out its limitations--particularly in translating its theoretical claims into real world applications. His essays cove a wide range of topics-political crime, the nature of individual responsibility, the implications of new theories for social work practice, models of crime used in the Third World, banditry and rebellion, and the decentralization of social control. Also included is a previously unpublished paper on how radical social movements such as feminism deal with criminal law. Many criminology textbooks present particular theories or research findings. This book uniquely reviews the main debates of the last two decades about just what the role and scope of the subject should be.
This unique collection of the greatest macabre tales, mysteries & thriller novels by Gaston Leroux has been designed and formatted to the highest digital standards. "The Mystery of the Yellow Room" is one of the first locked-room mystery crime fiction novels. It is the first novel starring fictional detective Joseph Rouletabille, and concerns a complex and seemingly impossible crime in which the criminal appears to disappear from a locked room. Leroux provides the reader with detailed, precise diagrams and floorplans illustrating the scene of the crime. The emphasis of the story is firmly on the intellectual challenge to the reader, who will almost certainly be hard pressed to unravel every detail of the situation. "The Phantom of the Opera" is a story inspired by historical events at the Paris Opera during the nineteenth century. Opera singer Christine triumphs at the gala on the night of the old managers' retirement. Her old childhood friend, Raoul, hears her sing and recalls his love for Christine. At this time, there are rumours of a phantom living at the Opera and he makes himself known to the managers through letters and malevolent acts. Sometime after the gala, the Paris Opera performs Faust, with the prima donna Carlotta playing the lead, against the Phantom's wishes. During the performance, Carlotta loses her voice and the grand chandelier plummets into the audience... Other novels included are: The Secret of the Night, The Man with the Black Feather and Balaoo. Gaston Leroux (1868-1927) was a French journalist and author of detective fiction. In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fantôme de l'Opéra), which has been made into several film and stage productions of the same name.
First published in 1997.This work summarizes and synthesizes the substantial crime prevention literature to provide an approachable and comprehensive text for students. It sets out a critical analysis in the context of the politics of criminal justice policy.