Kentish folklore reflects the curious geography and administrative history of Kent, with its extensive coastline and strong regional differences, which are reflected in distinctive cultural traditions. Bounded by sea on three sides, Kent has the longest coastline of any English county and was the base for much maritime activity, giving rise to communities rich in sea-lore. Fran and Geoff Doel explore the folklore, legends, customs and songs of Kent and the causative factors behind them. From saints to smugglers, hop-pickers to hoodeners, mummers to May garlands and wife sales to witchcraft, this book charts the traditional culture of a populous and culturally significant southern county.
From the author of Burial Rites, "a literary novel with the pace and tension of a thriller that takes us on a frightening journey towards an unspeakable tragedy" (Paula Hawkins, bestselling author of The Girl on the Train and Into the Water). Based on true events in nineteenth century Ireland, Hannah Kent's startling new novel tells the story of three women, drawn together to rescue a child from a superstitious community. Nora, bereft after the death of her husband, finds herself alone and caring for her grandson Micheal, who can neither speak nor walk. A handmaid, Mary, arrives to help Nora just as rumors begin to spread that Micheal is a changeling child who is bringing bad luck to the valley. Determined to banish evil, Nora and Mary enlist the help of Nance, an elderly wanderer who understands the magic of the old ways. Set in a lost world bound by its own laws, The Good People is Hannah Kent's startling new novel about absolute belief and devoted love. Terrifying, thrilling and moving in equal measure, this follow-up to Burial Rites shows an author at the height of her powers.
Do motorists pick up a phantom hitchhiker on Blue Bell Hill during stormy nights? Does Satan appear if you dance round the Devil's Bush in the village of Pluckley? Do big cats roam the local woods? And what happens if you manage to count the 'Countless Stones' near Aylesford? For centuries strange urban legends have materialised in the Garden of England. Now, for the first time, folklorist and monster-hunter Neil Arnold looks at these intriguing tales, strips back the layers, and reveals if there is more to these Chinese whispers than meets the eye. Folklore embeds itself into a local community, often to the extent that some people believe all manner of mysteries and take them as fact. Whether they're stories passed around the school playground, through the internet, or round a flickering campfire, urban legends are everywhere. Kent Urban Legends is a quirky and downright spooky ride into the heart of Kent folklore.
Essex - the witch hunting county - is especially rich in traditions, legends, dialect and stories that have been handed down through the ages. It is these traditions that are gathered together in this volume and whose origins and meanings are explored to create a sense of how the customs of the past have influenced the ways of the present. This fully illustrated study of folklore rediscovers those traditions that have either vanished, been ignored or hidden away. There are tales of dragons and warriors, literary folk and legendary folk, but always at the heart of Essex folklore are the traditional beliefs, stories, events and customs of the common people. Daily life itself contained numerous beliefs and maxims, omens and superstitions, as well as being full of music, dance and song.
These traditional stories and local legends have been handed down by storytellers for centuries. As folk tales reveal a lot about the people who invented them, this book provides a link to the ethics and way of life of generations of Kentish people. Herein you will find the intriguing tales of Brave Mary of Mill Hill, King Herla, the Pickpockets of Sturry, the Wantsum Wyrm and the Battle of Sandwich, to name but a few. These captivating stories, brought to life with a collection of unique illustrations, will be enjoyed by readers time and again. Tony Cooper has been a full-time storyteller for the past twenty-five years. He attends regular storytelling events, with a particular favourite being the Winter Tales Festival, 'a dark evening of storytelling and object theatre for adults' held in his hometown of Sandwich.
Do motorists pick up a phantom hitchhiker on Blue Bell Hill during stormy nights? Does Satan appear if you dance round the Devil's Bush in the village of Pluckley? Do big cats roam the local woods? And what happens if you manage to count the 'Countless Stones' near Aylesford? For centuries strange urban legends have materialised in the Garden of England. Now, for the first time, folklorist and monster-hunter Neil Arnold looks at these intriguing tales, strips back the layers, and reveals if there is more to these Chinese whispers than meets the eye. Folklore embeds itself into a local community, often to the extent that some people believe all manner of mysteries and take them as fact. Whether they're stories passed around the school playground, through the internet, or round a flickering campfire, urban legends are everywhere. Kent Urban Legends is a quirky and downright spooky ride into the heart of Kent folklore.
Any landscape has an unseen component: a subjective component of experience, memory, and narrative which people familiar with the place understand to be an integral part of its geography but which outsiders may not suspect the existence ofOCounless they listen and read carefully. This invisible landscape is make visible though stories, and these stories are the focus of this engrossing book. Traveling across the invisible landscape in which we imaginatively dwell, Kent RydenOCohimself a most careful listener and readerOCoasks the following questions. What categories of meaning do we read into our surroundings? What forms of expression serve as the most reliable maps to understanding those meanings? Our sense of any place, he argues, consists of a deeply ingrained experiential knowledge of its physical makeup; an awareness of its communal and personal history; a sense of our identity as being inextricably bound up with its events and ways of life; and an emotional reaction, positive or negative, to its meanings and memories. Ryden demonstrates that both folk and literary narratives about place bear a striking thematic and stylistic resemblance. Accordingly, "Mapping the Invisible Landscape" examines both kinds of narratives. For his oral materials, Ryden provides an in-depth analysis of narratives collected in the Coeur d'Alene mining district in the Idaho panhandle; for his consideration of written works, he explores the OC essay of place, OCO the personal essay which takes as its subject a particular place and a writer's relationship to that place. Drawing on methods and materials from geography, folklore, and literature, "Mapping the Invisible Landscape" offers a broadly interdisciplinary analysis of the way we situate ourselves imaginatively in the landscape, the way we inscribe its surface with stories. Written in an extremely engaging style, this book will lead its readers to an awareness of the vital role that a sense of place plays in the formation of local cultures, to an understanding of the many-layered ways in which place interacts with individual lives, and to renewed appreciation of the places in their own lives and landscapes."
A remarkable collection of "terrible but true" ghost stories. This enduringly popular book, originally written in the 1970s by New York Times Best Selling author, Adi-Kent Thomas Jeffrey, has recently been revised and edited by the author's daughter. Each page of this fascinating book offers readers authenticated accounts and eye witness reports of psychic phenomena and supernatural encounters that have occurred, and in many cases, are still occurring in the Delaware Valley area. The 40th Anniversary edition of GHOSTS IN THE VALLEY includes introductory comments by the Amazing Kreskin, stunning interior photographs and graphic images, as well as new supplemental material. Everybody loves a good ghost story and no one tells them better than Adi-Kent Thomas Jeffrey.
