Folklore and the Internet
Folklore and the Internet

Author: Trevor J. Blank

Publisher: University Press of Colorado

Published: 2009-09-07

Total Pages: 271

ISBN-13: 0874217512

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A pioneering examination of the folkloric qualities of the World Wide Web, e-mail, and related digital media. These stuidies show that folk culture, sustained by a new and evolving vernacular, has been a key, since the Internet's beginnings, to language, practice, and interaction online. Users of many sorts continue to develop the Internet as a significant medium for generating, transmitting, documenting, and preserving folklore. In a set of new, insightful essays, contributors Trevor J. Blank, Simon J. Bronner, Robert Dobler, Russell Frank, Gregory Hansen, Robert Glenn Howard, Lynne S. McNeill, Elizabeth Tucker, and William Westerman showcase ways the Internet both shapes and is shaped by folklore

The Carver's Art
The Carver's Art

Author: Simon J. Bronner

Publisher: University Press of Kentucky

Published: 1996

Total Pages: 228

ISBN-13: 9780813130859

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Insurgencies, especially in the form of guerrilla warfare, continue to erupt across many parts of the globe. Most of these rebellions fail, but Four Rebellions that Shaped Our World analyzes four twentieth-century conflicts in which the success of the insurgents permanently altered the global political arena: the Maoists in China against Chiang Kai-shek and the Japanese in the 1930s and 1940s; the Viet Minh in French Indochina from 1945 to 1954; CastroÕs followers against Batista in Cuba from 1956 to 1959; and the mujahideen in Soviet Afghanistan from 1980 to 1989. Anthony James Joes illuminates patterns of failed counterinsurgencies that include serious but avoidable political and military blunders and makes clear the critical and often decisive influence of the international setting. Offering provocative insights and timeless lessons applicable to contemporary conflicts in Iraq and Afghanistan, this authoritative and comprehensive book will be of great interest to policy-makers and concerned citizens alike.

Quilts, Rag Dolls, and Rocking Chairs: Folk Arts and Crafts
Quilts, Rag Dolls, and Rocking Chairs: Folk Arts and Crafts

Author: Gus Snedeker

Publisher: Simon and Schuster

Published: 2014-09-02

Total Pages: 54

ISBN-13: 142229255X

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A patchwork quilt . . . a handmade mandolin . . . a rag doll . . . a wooden chair—all these things are examples of folk arts and crafts. They are useful objects that are also beautiful. Learn about various kinds of folk art, including:• furniture • toys • religious objects • musical instruments • quilts, clothes, and other fabric arts. In folk traditions, art is a part of everyday life. And people still enjoy folk art today.

Eight Words for the Study of Expressive Culture
Eight Words for the Study of Expressive Culture

Author: Burt Feintuch

Publisher: University of Illinois Press

Published: 2010-10-01

Total Pages: 250

ISBN-13: 0252091175

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Group. Art. Text. Genre. Performance. Context. Tradition. Identity. No matter where we are--in academic institutions, in cultural agencies, at home, or in a casual conversation--these are words we use when we talk about creative expression in its cultural contexts. Eight Words for the Study of Expressive Culture is a thoughtful, interdisciplinary examination of the keywords that are integral to the formulation of ideas about the diversity of human creativity, presented as a set of essays by leading folklorists. Many of us use these eight words every day. We think with them. We teach with them. Much of contemporary scholarship rests on their meanings and implications. They form a significant part of a set of conversations extending through centuries of thought about creativity, meaning, beauty, local knowledge, values, and community. Their natural habitats range across scholarly disciplines from anthropology and folklore to literary and cultural studies and provide the framework for other fields of practice and performance as well. Eight Words for the Study of Expressive Culture is a much-needed study of keywords that are frequently used but not easily explained. Anchored by Burt Feintuch’s cogent introduction, the book features essays by Dorothy Noyes, Gerald L. Pocius, Jeff Todd Titon, Trudier Harris, Deborah A. Kapchan, Mary Hufford, Henry Glassie, and Roger D. Abrahams.

American Regional Folklore
American Regional Folklore

Author: Terry Ann Mood-Leopold

Publisher: Bloomsbury Publishing USA

Published: 2004-09-24

Total Pages: 497

ISBN-13: 1576076210

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An easy-to-use guide to American regional folklore with advice on conducting research, regional essays, and a selective annotated bibliography. American Regional Folklore begins with a chapter on library research, including how to locate a library suitable for folklore research, how to understand a library's resources, and how to construct a research strategy. Mood also gives excellent advice on researching beyond the library: locating and using community resources like historical societies, museums, fairs and festivals, storytelling groups, local colleges, newspapers and magazines, and individuals with knowledge of the field. The rest of the book is divided into eight sections, each one highlighting a separate region (the Northeast, the South and Southern Highlands, the Midwest, the Southwest, the West, the Northwest, Alaska, and Hawaii). Each regional section contains a useful overview essay, written by an expert on the folklore of that particular region, followed by a selective, annotated bibliography of books and a directory of related resources.

Annual Report
Annual Report

Author: National Endowment for the Arts

Publisher:

Published: 1985

Total Pages: 752

ISBN-13:

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Reports for 1980-19 also include the Annual report of the National Council on the Arts.

Traditional Storytelling Today
Traditional Storytelling Today

Author: Margaret Read MacDonald

Publisher: Routledge

Published: 2013-12-16

Total Pages: 644

ISBN-13: 1135917140

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Traditional Storytelling Today explores the diversity of contemporary storytelling traditions and provides a forum for in-depth discussion of interesting facets of comtemporary storytelling. Never before has such a wealth of information about storytelling traditions been gathered together. Storytelling is alive and well throughout the world as the approximately 100 articles by more than 90 authors make clear. Most of the essays average 2,000 words and discuss a typical storytelling event, give a brief sample text, and provide theory from the folklorist. A comprehensive index is provided. Bibliographies afford the reader easy access to additional resources.

A Literary History of the American West
A Literary History of the American West

Author: Western Literature Association (U.S.)

Publisher: TCU Press

Published: 1987

Total Pages: 1408

ISBN-13: 9780875650210

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Literary histories, of course, do not have a reason for being unless there exists the literature itself. This volume, perhaps more than others of its kind, is an expression of appreciation for the talented and dedicated literary artists who ignored the odds, avoided temptations to write for popularity or prestige, and chose to write honestly about the American West, believing that experiences long knowns to be of historical importance are also experiences that need and deserve a literature of importance.

American Folk Art [2 volumes]
American Folk Art [2 volumes]

Author: Kristin G. Congdon

Publisher: Bloomsbury Publishing USA

Published: 2012-03-19

Total Pages: 789

ISBN-13: 0313349371

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Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.