'Folk Stories from Southern Nigeria' is a book published in 1910. The book contains forty folk stories and fairy tales from Southern Nigeria, with titles such as 'Why the Cat Kills the Rat' and 'The Story of the Lightning and the Thunder'. The stories were collected by Elphinstone Dayrell, then the District Commissioner of the region. The book has an introduction by Andrew Lang, famous for his series of fairy books.
Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images
Through an examination of various couples who were forced to live in slavery, Rebecca J. Fraser argues that slaves found ways to conduct successful courting relationships. In its focus on the processes of courtship among the enslaved, this study offers further insight into the meanings that structured intimate lives. Establishing their courtships, often across plantations, the enslaved men and women of antebellum North Carolina worked within and around the slave system to create and maintain meaningful personal relationships that were both of and apart from the world of the plantation. They claimed the right to participate in the social events of courtship and, in the process, challenged and disrupted the southern social order in discreet and covert acts of defiance. Informed by feminist conceptions of gender, sexuality, power, and resistance, the study argues that the courting relationship afforded the enslaved a significant social space through which they could cultivate alternative identities to those which were imposed upon them in the context of their daily working lives.
This collection of folktales from South Africa has been put together the author says, not for scholarship but for a love of the sunny country where he was born. Some stories originate from Dutch sources, and some have several versions. Most are tales told by the bushmen.
The book “Folk Stories from Southern Nigeria, West Africa” is a Folk tales written by Elphinstone Dayrell. Elphinstone Dayrell, a British colonial administrator, collected and preserved conventional folks tales from Southern Nigeria. "Folk Stories from Southern Nigeria, West Africa" is a complicated web of oral traditions that captures the spirit of Nigerian tradition. The paintings of literature contain a huge range of folks stories, myths, and legends handed down over ages in Nigeria.Dayrell's paintings are an exquisite useful resource for gaining knowledge of approximately Southern Nigeria's oral literature and cultural records.These human beings's recollections mirror the attitudes, behaviors, and values of numerous Nigerian groups. The testimonies have appealing characters consisting of foxy animals, supernatural beings, and courageous men. Morality, bravery, consciousness, and deception are key topics in these tales, which educate listeners and readers vital instructions. Dayrell efficaciously portrays Southern Nigeria's numerous landscapes and traditions. The work of literature preserves actual folklore, so assisting to preserve Nigeria's cultural historical history for future generations. Each narrative offers insight into the Nigerian humans's ideas and creativity, as well as their many cultural affects.
"These essays . . . are of immense importance to anyone interested in the issues of origins and folklore texts." —Choice " . . . this is Bascom at his best. . . . an attractive and full-bodied book." —Fabula These essays, devoted to traditional narratives found in Africa and in the New World, represent the last major research project of William Bascom (1912-1981), eminent authority on African art and folklore—his intention was to demonstrate the African roots of African American folktales.
