Traditional Jewish Papercuts

Traditional Jewish Papercuts

Author: Joseph Shadur

Publisher: UPNE

Published: 2002

Total Pages: 302

ISBN-13: 9781584651659

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The definitive work on papercuts, a long-overlooked aspect of Jewish folk art.


Gilded Lions and Jeweled Horses

Gilded Lions and Jeweled Horses

Author: Murray Zimiles

Publisher: UPNE

Published: 2007

Total Pages: 200

ISBN-13: 9781584656371

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A richly illustrated volume celebrating Jewish carving traditions from the Old World to the New


Jewish Artists and the Bible in Twentieth-century America

Jewish Artists and the Bible in Twentieth-century America

Author: Samantha Baskind

Publisher: Penn State University Press

Published: 2014

Total Pages: 0

ISBN-13: 9780271059839

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Explores the works of five major American Jewish artists: Jack Levine, George Segal, Audrey Flack, Larry Rivers, and R. B. Kitaj. Focuses on the use of imagery influenced by the Bible.


Keepers of Tradition

Keepers of Tradition

Author: Maggie Holtzberg

Publisher: Univ of Massachusetts Press

Published: 2008

Total Pages: 220

ISBN-13: 9781558496408

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Throughout Massachusetts, artists carry on and revitalise deeply rooted traditions that take many expressive forms - from Native American basketry to Yankee wooden boats, Armenian lace, Chinese seals, and Irish music and dance. This illustrated volume celebrates and shares the work of a wide array of these living artists.


Too Jewish?

Too Jewish?

Author: Norman L. Kleeblatt

Publisher: Rutgers University Press

Published: 1996

Total Pages: 187

ISBN-13: 9780813523279

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The resurgence of ethnic consciousness over the past decade has had a profound effect on many Jewish artists, writers, performers, and the Jewish community at large. Surprisingly, however, Jewish identity remains one of the least explored terrains in contemporary discussions of multiculturalism and identity-based art. Too Jewish? takes a fresh, often confrontational and sometimes humorous, approach to newly considered representations of Jewish identity. This book, accompanied by a major exhibition at The Jewish Museum, New York, places the Jewish identity subjects in the recent art of such artists as Deborah Kass, Rona Pondick, Archie Rand, Elaine Reichek, Art Spiegelman, Hannah Wilke, and others within a larger continuum of influences ranging from nineteenth-century art history to twentieth-century media and pop culture. Essays by major writers explore the historic and scientific roots of the construction of the Jew's "otherness," assimilation strategies, and stereotypes inherent in past and present definitions of Jewish masculinity and femininity. The contributors include cultural critic Maurice Berger, sociologist Sander L. Gilman, playwright Tony Kushner, art theorist Rhonda Lieberman, art historian Margaret Olin, and anthropologist Riv-Ellen Prell. Renowned art historian Linda Nochlin provides a clever and highly personal foreword that captures her complicated reaction to the Hasidic-inspired clothing from Jean Paul Gaultier's Fall 1993 collection. The exhibition curator and editor of this work, Norman L. Kleeblatt, offers an insightful introduction on the complex history of post war Jewish identity and its impact on visual artists. This is a lively and provocative book that offers a unique critical perspective on Jewish identity, multiculturalism, or contemporary art.


Image, Action, and Idea in Contemporary Jewish Art

Image, Action, and Idea in Contemporary Jewish Art

Author: Ben Schachter

Publisher: Penn State Press

Published: 2017-12-15

Total Pages: 250

ISBN-13: 0271080825

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Contemporary Jewish art is a growing field that includes traditional as well as new creative practices, yet criticism of it is almost exclusively reliant on the Second Commandment’s prohibition of graven images. Arguing that this disregards the corpus of Jewish thought and a century of criticism and interpretation, Ben Schachter advocates instead a new approach focused on action and process. Departing from the traditional interpretation of the Second Commandment, Schachter addresses abstraction, conceptual art, performance art, and other styles that do not rely on imagery for meaning. He examines Jewish art through the concept of melachot—work-like “creative activities” as defined by the medieval Jewish philosopher Maimonides. Showing the similarity between art and melachot in the active processes of contemporary Jewish artists such as Ruth Weisberg, Allan Wexler, Archie Rand, and Nechama Golan, he explores the relationship between these artists’ methods and Judaism’s demanding attention to procedure. A compellingly written challenge to traditionalism, Image, Action, and Idea in Contemporary Jewish Art makes a well-argued case for artistic production, interpretation, and criticism that revels in the dual foundation of Judaism and art history.


The Medieval Haggadah

The Medieval Haggadah

Author: Marc Michael Epstein

Publisher: Yale University Press

Published: 2011-06-07

Total Pages: 338

ISBN-13: 0300156669

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Discusses four illuminated haggadot, manuscripts created for use at home services on Passover, all created in the early twelfth century.


Jewish Musical Traditions

Jewish Musical Traditions

Author: Amnon Shiloah

Publisher: Wayne State University Press

Published: 1995

Total Pages: 284

ISBN-13: 9780814322352

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Shiloah (musicology, Hebrew U. of Jerusalem ) discusses the manner in which the 2,000-year-old Jewish musical heritage meshes with the complex web of Jewish history by way of central themes such as the relation of music to religion, music and the world of the Kabbalah, and music in communal life. He considers technical and theoretical approaches, as well as art music, folk music, and performance practices of poets, vocalists, instrumentalists and dancers. Annotation copyright by Book News, Inc., Portland, OR


To the End of the Earth

To the End of the Earth

Author: Stanley M. Hordes

Publisher: Columbia University Press

Published: 2005-08-30

Total Pages: 373

ISBN-13: 0231503180

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In 1981, while working as New Mexico State Historian, Stanley M. Hordes began to hear stories of Hispanos who lit candles on Friday night and abstained from eating pork. Puzzling over the matter, Hordes realized that these practices might very well have been passed down through the centuries from early crypto-Jewish settlers in New Spain. After extensive research and hundreds of interviews, Hordes concluded that there was, in New Mexico and the Southwest, a Sephardic legacy derived from the converso community of Spanish Jews. In To the End of the Earth, Hordes explores the remarkable story of crypto-Jews and the tenuous preservation of Jewish rituals and traditions in Mexico and New Mexico over the past five hundred years. He follows the crypto-Jews from their Jewish origins in medieval Spain and Portugal to their efforts to escape persecution by migrating to the New World and settling in the far reaches of the northern Mexican frontier. Drawing on individual biographies (including those of colonial officials accused of secretly practicing Judaism), family histories, Inquisition records, letters, and other primary sources, Hordes provides a richly detailed account of the economic, social and religious lives of crypto-Jews during the colonial period and after the annexation of New Mexico by the United States in 1846. While the American government offered more religious freedom than had the Spanish colonial rulers, cultural assimilation into Anglo-American society weakened many elements of the crypto-Jewish tradition. Hordes concludes with a discussion of the reemergence of crypto-Jewish culture and the reclamation of Jewish ancestry within the Hispano community in the late twentieth century. He examines the publicity surrounding the rediscovery of the crypto-Jewish community and explores the challenges inherent in a study that attempts to reconstruct the history of a people who tried to leave no documentary record.


Jewish Art

Jewish Art

Author: Grace Cohen Grossman

Publisher: Universe Publishing(NY)

Published: 1995

Total Pages: 328

ISBN-13:

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Recounts the history of art within Jewish culture, explains how Jewish artists have worked as a response to living as a minority in other civilizations, and discusses manuscripts, ceremonial objects, and the works of modern artists of Jewish heritage.