The Music of Multicultural America

The Music of Multicultural America

Author: Kip Lornell

Publisher: Univ. Press of Mississippi

Published: 2016-01-04

Total Pages: 441

ISBN-13: 1626746125

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The Music of Multicultural America explores the intersection of performance, identity, and community in a wide range of musical expressions. Fifteen essays explore traditions that range from the Klezmer revival in New York, to Arab music in Detroit, to West Indian steel bands in Brooklyn, to Kathak music and dance in California, to Irish music in Boston, to powwows in the midwestern plains, to Hispanic and Native musics of the Southwest borderlands. Many chapters demonstrate the processes involved in supporting, promoting, and reviving community music. Others highlight the ways in which such American institutions as city festivals or state and national folklife agencies come into play. Thirteen themes and processes outlined in the introduction unify the collection's fifteen case studies and suggest organizing frameworks for student projects. Due to the diversity of music profiled in the book—Mexican mariachi, African American gospel, Asian West Coast jazz, women's punk, French-American Cajun, and Anglo-American sacred harp—and to the methodology of fieldwork, ethnography, and academic activism described by the authors, the book is perfect for courses in ethnomusicology, world music, anthropology, folklore, and American studies. Audio and visual materials that support each chapter are freely available on the ATMuse website, supported by the Archives of Traditional Music at Indiana University.


ECSCW 2013: Proceedings of the 13th European Conference on Computer Supported Cooperative Work, 21-25 September 2013, Paphos, Cyprus

ECSCW 2013: Proceedings of the 13th European Conference on Computer Supported Cooperative Work, 21-25 September 2013, Paphos, Cyprus

Author: Olav W. Bertelsen

Publisher: Springer Science & Business Media

Published: 2013-07-22

Total Pages: 308

ISBN-13: 1447153464

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This volume presents the proceedings of ECSCW 2013, the 13th European Conference on Computer Supported Cooperative Work. Each conference offers an occasion to critically review our research field, which has been multidisciplinary and committed to high scientific standards, both theoretical and methodological, from its beginning. The papers this year focus on work and the enterprise as well as on the challenges of involving citizens, patients, etc. into collaborative settings. The papers embrace new theories, and discuss known ones. They contribute to the discussions on the blurring boundaries between home and work and on the ways we think about and study work. They introduce recent and emergent technologies, and study known social and collaborative technologies. With contributions from all over the world, the papers in interesting ways help focus on the European perspective in our community. The 15 papers selected for this conference deal with and reflect the lively debate currently ongoing in our field of research.


Becoming an Irish Traditional Musician

Becoming an Irish Traditional Musician

Author: Jessica Cawley

Publisher: Routledge

Published: 2020-09-02

Total Pages: 262

ISBN-13: 1000174379

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Coupling the narratives of twenty-two Irish traditional musicians alongside intensive field research, Becoming an Irish Traditional Musician explores the rich and diverse ways traditional musicians hone their craft. It details the educational benefits and challenges associated with each learning practice, outlining the motivations and obstacles learners experience during musical development. By exploring learning from the point of view of the learners themselves, the author provides new insights into modern Irish traditional music culture and how people begin to embody a musical tradition. This book charts the journey of becoming an Irish traditional musician and explores how musicality is learned, developed, and embodied.


Rites of Spontaneity

Rites of Spontaneity

Author: Augusto Ferraiuolo

Publisher: Cambridge Scholars Publishing

Published: 2019-10-11

Total Pages: 288

ISBN-13: 1527541460

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A room in a pub. Some musicians facing each other. They play well-known traditional Irish tunes on flutes, tin whistles, and fiddles. Every musician plays the melodic line adding her own variations and grace notes. Some musicians are just listening; others are cracking jokes. The crowd nearby is composed of friends, occasional patrons, a regular audience, and curious tourists. Some seem not to care; some come closer to listen or perhaps even participate. This is called a “session”. From an anthropological point of view, sessions are not just a musical environment. They are a combination of social interactions, suggesting specific dynamics between community, subjects and cultural items. A scene like that can be found the world over, from Dublin to Boston and Rome. During the last forty years the practices and the appreciation of this particular music, and of this particular setting, have moved decisively from local arenas into the global marketplace. A transnational perspective is, therefore, necessary. As such, this book will appeal to a very wide range of readers, from musicians and aficionados to scholars and students.


ISMIR 2008

ISMIR 2008

Author: Juan Pablo Bello

Publisher: Lulu.com

Published: 2008

Total Pages: 694

ISBN-13: 0615248497

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Celtic Backup for All Instrumentalists

Celtic Backup for All Instrumentalists

Author: Chris Smith

Publisher: Mel Bay Publications

Published: 2016-04-27

Total Pages: 103

ISBN-13: 1610656199

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This book teaches the most crucial function of a chord instrument in the Celtic seisún (session)- that of playing tasteful, interesting, imaginative, and supportive improvised accompaniment. Celtic Back-Up presents accurate and directly applicable information on the theory, conception, stylistic considerations, procedures, and resources for accompaniment. Every facet of seisún accompaniment is thoroughly explored. with this book you will come to understand why many of our Celtic authors are reluctant to suggest chord accompaniment with their melodies in the first place; the idea is to be open to fresh ideas and improvise the accompaniment as you go.