"The voice of this book. It has everything I want and yet I really can't explain it. It's hurt shit. A laugh that ends with a turned head and a teary eye. Each poem sings for lost unknowns to come home. It's funny, straightforward, absurd, sad, and, ultimately, true in the way that only art can be. Say hello to the gay Rodney Dangerfield. Say hello to the Boom Doctor. Say hello to your first real boyfriend. Join me in welcoming this new voice. The Big Bruiser Dope Boy. One of the new wolves. May he forever huff and puff. We will never escape his cartoon." --Sam Pink, author of Person & The Garbage Times/White Ibis
"The first survey dedicated to the work of the McKimson brothers, this book offers a rare behind-the-scenes look at the upper echelon of 20th-century animation and examines the creative process behind the making of numerous popular characters and classic programs. Featuring original artwork from the golden age of animation, this book includes a wealth of material from many professional archives--screen captures, original drawings, reproductions of animation cels, illustrations from comic books, lobby cards, and other ephemera from the author's collection--while surveying the careers of three groundbreaking animators whose credits include Looney Tunes, the Pink Panther, and Mr. Magoo. Beginning in the 1920s and then tracing the brothers' work together at Warner Brothers Cartoons in the following decades, this history details Robert McKimson's creation of such beloved characters as Foghorn Leghorn, the Tasmanian Devil, and Speedy Gonzales; Tom McKimson's work at Warner Brothers, Dell Comics, and Golden Books; and Chuck McKimson's long career working in comic books and then later at Pacific Title, creating animated film titles and commercials, including his award-winning work on Music Man, Cleopatra, and The Sound of Music"--
The Magic Behind the Voices is a fascinating package of biographies, anecdotes, credit listings, and photographs of the actors who have created the unmistakable voices for some of the most popular and enduring animated characters of all time. Drawn from dozens of personal interviews, the book features a unique look at thirty-nine of the hidden artists of show business. Often as amusing as the characters they portray, voice actors are charming, resilient people—many from humble beginnings—who have led colorful lives in pursuit of success. Beavis and Butthead and King of the Hill's Mike Judge was an engineer for a weapons contractor turned self-taught animator and voice actor. Nancy Cartwright (the voice of Bart Simpson) was a small-town Ohio girl who became the star protégé of Daws Butler—most famous for Yogi Bear, Huckleberry Hound, and Quick Draw McGraw. Mickey Mouse (Wayne Allwine) and Minnie Mouse (Russi Taylor) were a real-life husband-and-wife team. Spanning many studios and production companies, this book captures the spirit of fun that bubbles from those who create the voices of favorite animated characters. In the earliest days of cartoons, voice actors were seldom credited for their work. A little more than a decade ago, even the Screen Actors Guild did not consider voice actors to be real actors, and the only voice actor known to the general public was Mel Blanc. Now, Oscar-winning celebrities clamor to guest star on animated television shows and features. Despite the crushing turnouts at signings for shows such as Animaniacs, The Simpsons, and SpongeBob Squarepants, most voice actors continue to work in relative anonymity. The Magic Behind the Voices features personal interviews and concise biographical details, parting the curtain to reveal creators of many of the most beloved cartoon voices.
The legendary cartoon and radio voice man offers a behind-the-scenes chronicl of his many-voiced career, detailing his creation of world-famous voices and his work with the best-loved cartoon characters and radio personalities.
Whether you’re seeking movie gifts or something for the history buffs in your life, this comprehensive guide to animation and cartoons has it all. In this one-of-a-kind definitive history of American animated cartoons, renowned film critic and historian Leonard Maltin presents the most extensive filmography on cartoons ever compiled. In this revised and updated edition of Of Mice and Magic, Leonard Maltin not only recreates this whole glorious era from the silent days through the Hollywood golden age to Spielberg’s An American Tail, he traces the evolution of the art of animation and vividly portrays the key creative talents and their studios. This definitive history of American animated cartoons also brings Maltin’s many fans up to date on the work being done today at the Walt Disney and Warner Bros. studios, and other developments in the world of animation. Drawing on colorful interviews with many of the American cartoon industry’s principals, Maltin has come up with a gold mine of anecdotes and film history. Behind the scenes were genius animators and entrepreneurs such as Walt Disney, Chuck Jones, Tex Avery, Mel Blanc, and a legion of others. In all, Maltin has put together a glorious celebration of a universally loved segment of Americana.
An all-new storybook based on Space Jam: A New Legacy, starring LeBron James and the Looney Tunes! Basketball superstar LeBron James, Bugs Bunny, and the rest of the Looney Tunes team up in Space Jam: A New Legacy, the biggest adventure of the summer! Boys and girls ages 3 to 7 will enjoy this storybook that includes more than 30 stickers.
Her own custom-made bad boy When Kimberly Logan makes men over to find their mates, she knows the type of guy women want. However, Nigel Durand, an all-around beautiful hunk of man, might be her toughest client yet. He's got the droolworthy look, but his nice-guy personality and sweet ways make him too available. Looks as if she's in for a lot of hands-on coaching. Too bad the more she has her hands on him, the more tempted she is. And when he throws himself into being "Nicky," his charming and sexy alter ego, Kimberly can't resisL.especially when he delivers steamy kisses and whispered promises. After hitting the sheets with him, she knows this is one bad boy she's not letting go!
Who HQ brings you the stories behind the most beloved characters of our time. If you're a fan of Acme anvils and know that the question "What's up, Doc?" needs no answer, this history of the cartoon favorites Looney Tunes is for you! In the 1930s, Warner Brothers studios introduced the world to the Looney Tunes. A witty rabbit named Bugs, a stuttering pig named Porky, and an erratic duck named Daffy are just some of the characters that have left audiences hysterically laughing for almost a century. These animated short films, starring some of the most iconic cartoon characters in history, went on to have a second, long life on television. In this book, author Steve Korte details how these toons were imagined, which talented folks were tasked with animating and voicing them, the success the shows and films have garnered over the years, and what lies ahead for Bugs and the gang.
There was a time when rural comedians drew most of their humor from tales of farmers' daughters, hogs, hens, and hill country high jinks. Lum and Abner and Ma and Pa Kettle might not have toured happily under the "Redneck" marquee, but they were its precursors. In Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century, author Tim Hollis traces the evolution of this classic American form of humor in the mass media, beginning with the golden age of radio, when such comedians as Bob Burns, Judy Canova, and Lum and Abner kept listeners laughing. The book then moves into the motion pictures of the 1930s, 1940s, and 1950s, when the established radio stars enjoyed second careers on the silver screen and were joined by live-action renditions of the comic strip characters Li'l Abner and Snuffy Smith, along with the much-loved Ma and Pa Kettle series of films. Hollis explores such rural sitcoms as The Real McCoys in the late 1950s and from the 1960s, The Andy Griffith Show, The Beverly Hillbillies, Green Acres, Hee Haw, and many others. Along the way, readers are taken on side trips into the world of animated cartoons and television commercials that succeeded through a distinctly rural sense of fun. While rural comedy fell out of vogue and networks sacked shows in the early 1970s, the emergence of such hits as The Dukes of Hazzard brought the genre whooping back to the mainstream. Hollis concludes with a brief look at the current state of rural humor, which manifests itself in a more suburban, redneck brand of standup comedy.
