Regions That Work provides a history and critique of community-development corporations, a statistical analysis of the poverty-growth relationship in seventy-four metro areas, a detailed study of three regions that have produced superior equity outcomes, and a provocative call for new policies and new politics."A remarkable and timely book. ... Must reading." William Julius Wilson
This warm, perceptive, and dryly humorous romance novel from the acclaimed Isla Dewar is a wonderful, richly textured story focusing on several generations of one family through a year in their lives.
Through forty years—from Hollywood's golden days in World War II to the present—Faye Price would create first a career as a legendary actress, then a family, and finally she would realize her dream of becoming one of Hollywood's first woman directors. But nothing was more precious to Faye than her five children. In a changing world, a milieu where family values are constantly challenged from without and within, the Thayers would face the greatest challenges and harshest test a family can endure, to emerge stronger, bound forever by loyalty and love. It is only when Faye is gone that they can each assess how far they have come, and how important their family album is.
Through a variety of case studies by global scholars from diverse academic fields, this book explores photographic-album practices of historically marginalized figures from a range of time periods, geographic locations, and socio-cultural contexts. Their albums' stories span various racial, ethnic, gender and sexual identities; nationalities; religions; and dis/abilities. The vernacular albums featured in this volume present narratives that move beyond those reflected in our existing histories. Essays examine the visual, material, and aural strategies that album-makers have used to assert control over the presentation of their histories and identities, and to direct what those narratives have to say, a point of special relevance as these albums move out of private domestic space and into public archives, institutions, and digital formats. This book does not consider photographic albums and scrapbooks as separate genres, but as a continuum of modern creative practices of photographic and mass-print collage aimed at self-expression and narrative-building that co-evolved and were readily accessible. The book will be of interest to scholars working in art history, history of photography, visual culture, material culture, media studies, and cultural studies.
