No matter where he finds himself, Sam Pickering's thoughts invariably return to his roots. Whether traipsing through a New England field near his home, overhearing a conversation at the local coffee shop, or enjoying idle time in Nova Scotia, he finds connections in life that always seem to lead him back to Tennessee.
As alarm over global warming spreads, a radical idea is gaining momentum. Forget cuts in greenhouse gas emissions, some scientists argue. Instead, bounce sunlight back into space by pumping reflective nanoparticles into the atmosphere. Launch mirrors into orbit around the Earth. Make clouds thicker and brighter to create a "planetary thermostat." These ideas might sound like science fiction, but in fact they are part of a very old story. For more than a century, scientists, soldiers, and charlatans have tried to manipulate weather and climate, and like them, today's climate engineers wildly exaggerate what is possible. Scarcely considering the political, military, and ethical implications of managing the world's climate, these individuals hatch schemes with potential consequences that far outweigh anything their predecessors might have faced. Showing what can happen when fixing the sky becomes a dangerous experiment in pseudoscience, James Rodger Fleming traces the tragicomic history of the rainmakers, rain fakers, weather warriors, and climate engineers who have been both full of ideas and full of themselves. Weaving together stories from elite science, cutting-edge technology, and popular culture, Fleming examines issues of health and navigation in the 1830s, drought in the 1890s, aircraft safety in the 1930s, and world conflict since the 1940s. Killer hurricanes, ozone depletion, and global warming fuel the fantasies of today. Based on archival and primary research, Fleming's original story speaks to anyone who has a stake in sustaining the planet.
Nestled on the east coast of Scotland, with rolling hills to one side and the sun glinting over the gentle swell of the sea on the other, St Giles is not the place you’d expect to find a dead body… August 1902. A family trip to Scotland to visit her in-laws had been Eliza’s idea. But now they were here, she wondered what she’d been thinking of. Archie’s parents were less than pleased to see her but at least she had best friend Connie to keep her company. On their second evening in the village, Eliza and Connie spot an unidentifiable shape on the beach, but with the light fading and high tide approaching, they are warned to stay away. When the shape is confirmed to be the dead body of an elderly ex-resident, there are questions to answer. Why was she in St Giles? And who knew she was visiting? With no apparent reason for her death, Eliza struggles to uncover a motive for murder. But when past indiscretions surface, it’s clear that long held secrets refuse to stay hidden... This is the fifth standalone story in the Eliza Thomson Investigates series. If you like Miss Marple-style murder mysteries, and historical heroines with attitude, you’ll love this step-back-in-time cozy series. Get your copy today! Books in the Eliza Thomson Investigates series: •A Deadly Tonic •Murder in Moreton •Death of an Honourable Gent •Dying for a Garden Party •A Scottish Fling •A Christmas Murder •The Palace Murder NB. This series is written in UK English
Jessica Fletcher and a group of friends from Cabot Cove take off for the British Isles and end up at a castle in Scotland in this Murder, She Wrote mystery... Scotland's most celebrated witch, executed long ago with a pitchfork through her heart, is said to haunt Inspector George Sutherland's family castle in the village of Wick. It's an intriguing tale and after a British book tour, Jessica accepts Sutherland's invitation to bring her Cabot Cove friends to the heather-covered Highlands. Indeed, after "roamin' in the gloamin'" with the handsome inspector, she spots a spectral woman in white in the gloomy castle. But Jessica's blood runs cold when she later finds a local lass executed in the same way as the legendary witch. Something is very vile in Wick. It's a case of evil, greed, and murder that pits Jessica Fletcher against a killer from this world—or maybe the next.
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The idea behind this volume, according to its editor Brian Lavery, was to give a rounded picture of life at sea during the age of sail. It concentrates on the daily routine of shipboard life rather than more dramatic events such as battles and mutiny. It supplements other volumes produced by the Navy Records Society, notably Five Naval Journals 1789-1817 (vol 91, 1951, ed H G Thursfield) and The Health of Seamen (vol 107, 1965, ed C C Lloyd.) The selection begins in the second quarter of the eighteenth century because, stated Brian Lavery, ‘there are no suitable documents from earlier periods’ and closes in 1815, when the navy entered a new era with the advent of steam and a long period of peace. One of the most important aspects of shipboard life was that it was intensely self-contained, especially in the later part of the age of sail. After the conquest of scurvy, ships were able to stay at sea for many months at a time and the world-wide battle for empire caused them to make very long voyages, often away from their home bases over a period of years. Even in port seamen often stayed on board and shore leave was not in any sense a right. This volume throws a spotlight on the way in which a crew of up to 850 men could be crammed into a small space for many months at a time, and the ways in which they were fed, clothed, allocated space for eating and sleeping, at the same time as they were organised for sailing and battle duties. It contains separate sections dealing with Admiralty Regulations, Captain’s Orders, Medical Journals, discipline and punishment. It also includes an extensive glossary of the nautical terms and descriptions of the time.
A fictional drama set in Texas and Mexico in 1890. An exploration of fate, life, and death in a small town in the Rio Grande desert region of southwest Texas. In the period between the Civil War and the growth of the railroad network and the industrial revolution. Written in the genre of ‘SCROVEL’. A crossover of a SCREENPLAY, and a NOVEL. A dispute around a campfire leads to violence and retribution, as men and women, still reeling from the aftermath of the Civil War, and the Mexican – American War, confront the vast sweeping vanguard of the industrial revolution and the growth of the railroad network. A young cowboy is insulted and retaliates. A wealthy cattleman is humiliated and injured, and he sends a rag-tag posse into the Mexican High Country to hunt the cowboy down.