These interviews give us new insight into [cinematographers'] special field of filmmaking....Excellent period photos of the craftsmen at work are important additions to the comments. The selection of cinematographers could hardly have been better..
This newly revised edition of the "American Cinematographer Film Manual" continues to be the standard, providing fully updated, comprehensive coverage of cinematography from production to post. (Performing Arts)
Based on extensive reviews and research, this book looks at the work of six of the most important cinematographers of recent years from around the world. For each there is a detailed discussion of their most significant films, ranging in style from lavish Hollywood blockbusters to innovative independents.
Survey and anecdotal interviews with 5 masters -- Arthur Miller, Hal Mohr, Hal Rosson, Lucien Ballard, and Conrad Hall. 105 photographs. Filmographies.
Fred Zinnemann directed some of the most acclaimed and controversial films of the twentieth century, yet he has been a shadowy presence in Hollywood history. In Fred Zinnemann and the Cinema of Resistance, J. E. Smyth reveals the intellectual passion behind some of the most powerful films ever made about the rise and resistance to fascism and the legacy of the Second World War, from The Seventh Cross and The Search to High Noon, From Here to Eternity, and Julia. Smyth's book is the first to draw upon Zinnemann's extensive papers at the Academy of Motion Picture Arts and Sciences and brings Fred Zinnemann's vision, voice, and film practice to life. In his engagement with the defining historical struggles of the twentieth century, Zinnemann fought his own battles with the Hollywood studio system, the critics, and a public bent on forgetting. Zinnemann's films explore the role of women and communists in the antifascist resistance, the West's support of Franco after the Spanish Civil War, and the darker side of America's national heritage. Smyth reconstructs a complex and conflicted portrait of Zinnemann's cinema of resistance, examining his sketches, script annotations, editing and production notes, and personal letters. Illustrated with seventy black-and-white images from Zinnemann's collection, Fred Zinnemann and the Cinema of Resistance discusses the director's professional and personal relationships with Spencer Tracy, Montgomery Clift, Audrey Hepburn, Vanessa Redgrave, and Gary Cooper; the critical reaction to his revisionist Western, High Noon; his battles over the censorship of From Here to Eternity, The Nun's Story, and Behold a Pale Horse; his unrealized history of the Communist Revolution in China, Man's Fate; and the controversial study of political assassination, The Day of the Jackal. In this intense, richly textured narrative, Smyth enters the mind of one of Hollywood's master directors, redefining our knowledge of his artistic vision and practice.
The first book published on Laszlo Kovacs, ASC, a cinematographer who changed the face of filmmaking by taking it out of the studios and on the road. With more than 60 feature films to his credit, Laszlo Kovacs, ASC is one of the top cinematographers in the motion picture industry. From the American Cinematographer magazine comes this definitive look at the work of one of the innovators in motion picture photography, whose films include such classics as Easy Rider, Five Easy Pieces, The King Of Marvin Gardens, Shampoo, Ghostbusters and New York, New York. This book features a new foreword by Vilmos Zsigmond, ASC, introductory essay by Ray Zone, Kovacs on the making of Easy Rider, working with Martin Scorsese on New York, New York, behind the scenes on Ghostbusters, filming the western The Lone Ranger, special effects for Multiplicity, and Jack Frost, Kovacs on lighting and a comprehensive filmography.
Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. This reissue includes a new foreword by cinematographer John Bailey and a new preface by the authors, which bring this classic guide to cinematography, in print for more than twenty-five years, into the twenty-first century.