Adolf "Dolfo" Joseph Ferdinand Galland was a German Luftwaffe General and one of the greatest flying aces of World War II. He flew 705 combat missions, and fought on the Western and the Defence of the Reich fronts. On four occasions he survived being shot down, and he was credited with an astonishing 104 aerial victories, all of them against the Western Allies. He is a legend of air combat, and this is his heroic story. First published in 1954, this is a reprint of the original edition and not any revised version. It was a best-seller in 14 languages and sold three million copies. It was also very well received by the British and American airforces as a frank and honest statement of how the war was won and lost in the air. Time magazine called this book "The clearest picture yet of how the Germans lost their war in the air."
PS, I Love You meets One Day in this magical tearjerker from a rising star in female fiction How do you hold on to a love that is slowly slipping away from you? Can you let go of the past when you know what is in the future? And how do you cope when you know that every kiss is a countdown to goodbye? This is the story of a love affair, of Ryan and Molly and how they fell in love and were torn apart. The first time Molly kissed Ryan, she knew they'd be together forever. Six years and thousands of kisses later she's married to the man she loves. But today, when Ryan kisses her, Molly realises how many of them she wasted because the future holds something which neither of them could have ever predicted… 'An adorable, heartwarming tale of love and friendship which bubbles with tenderness. Love it' Marie Claire 'Not since One Day's Emma and Dexter have we fallen so hard for a literary couple...The First Last Kiss will burrow deep inside your head and heart, and will stay there long after you finish reading. 5 stars.' Heat
DESPERATE FOR THE TRUTH. OBSESSED BY DESIRE... Emily Wayborn is finally her own woman. After a string of shameful relationships and reckless partying with her best friend Amber, she’s now a successful voiceover actress, her wild past and everyone in it firmly behind her. Until she receives a cryptic voicemail from her former friend that sends her spiraling into the darkness she thought she had outrun. One thing is clear from the message, Amber is in trouble. Determined to track down her friend, Emily follows a chain of clues that leads her to Reeve Sallis, a gorgeous and equally dangerous hotelier known for his power games and shady dealings. Now, in order to find Amber, Emily must return to her playgirl ways to uncover his secrets and track down her friend. But as she becomes more entangled with him, she finds she's drawn to Reeve and his depravity despite her growing conviction that he may be the one responsible for Amber’ s disappearance.
What does it take to lead people into a burning building? How do the leaders of the New York City Fire Department develop so much loyalty, trust, and grace under pressure that their subordinates will risk their very lives for them? As a high-ranking officer of the FDNY, John Salka is an expert at both practicing and teaching high-stakes leadership. In First In, Last Out, he explains the department’s unique strategies and how they can be adopted by leaders in any field—as he has taught them to organizations around the country. In a tough-talking, no-nonsense style, Salka uses real-world stories to convey leadership imperatives such as: first in, last out—your people need to see you taking the biggest risk, as the first one to enter the danger zone and the last to leave manage change—the fire you fought yesterday is not the one you’ll be fighting tomorrow communicate aggressively—a working radio is worth more than 20,000 gallons of water create an execution culture—focus your people on the flames, not the smoke commit to reality—never allow the way you would like things to be to color how things are develop your people—let them feel a little heat today or they’ll get burned tomorrow Illustrated by harrowing real-life situations, the principles in First In, Last Out will help managers become more confident, coherent, and commanding. On the web: http://www.firstinleadership.com
"Newt has been to hell and back with his friends. The Glade. The Maze. The Scorch. The inner halls of WICKED. But now he has a burden that can't be shared with Thomas and the other, the Flare. And Newt can't bear the thought of his friends watching him descend into madness as he succumbs to the virus. Leaving only a note, Newt departs the Berg before the Gladers return from their mission into Denver, Colorado. From there, he experiences the gritty nightmare of life on the streets, running from the infected and those hunting them, until he ends up in the Crank Palace, the last dumping ground of those without hope. Although Newt thought he was running away from his friends to save them from himself, along the way he meets a young mother named Keisha and her son, Dante, who end up saving Newt in a way he could never have imagined."--Publisher's description.
Bobby's a classic urban teenager. He's restless. He's impulsive. But the thing that makes him different is this: He's going to be a father. His girlfriend, Nia, is pregnant, and their lives are about to change forever. Instead of spending time with friends, they'll be spending time with doctors, and next, diapers. They have options: keeping the baby, adoption. They want to do the right thing. If only it was clear what the right thing was.
The magic of summer comes to life in this “heartfelt” (School Library Journal) middle grade debut about an eleven-year-old girl who must save the future by restarting time after she realizes that her wish to relive the last day of summer may not have been such a great thing after all. What if you could get a do-over—a chance to relive a day in your life over and over again until you got it right? Would you? After finding a mysterious set of paints in her backpack, eleven-year-old Haleigh Adams paints a picture of her last day at the New Jersey shore. When she wakes up the next morning, Haleigh finds that her wish for an endless summer with her new friend Kevin has come true. At first, she’s thrilled, but Haliegh soon learns that staying in one place—and time—comes with a price. And when Haleigh realizes her parents have been keeping a secret, she is faced with a choice: do nothing and miss out on the good things that come with growing up or find the secret of the time loop she’s trapped in and face the inevitable realities of moving on. As she and Kevin set out to find the source of the magic paints, Haleigh worries it might be too late. Will she be able to restart time? And if she does, will it be the biggest mistake of her life?
New York Times bestselling sportswriter John Feinstein exposes the real “March Madness”—behind the scenes at the Final Four basketball tournament. When Stevie wins a writing contest for aspiring sports journalists, his prize is a press pass to the Final Four in New Orleans. While exploring the Superdome, he overhears a plot to throw the championship game. With the help of fellow contest winner Susan Carol, Stevie has just 48 hours to figure out who is blackmailing one of the star players . . . and why. John Feinstein has been praised as “the best writer of sports books in America today” (The Boston Globe), and he proves it again in this fast-paced novel. “A page-turning thriller and a basketball junkie’s bonanza.” —USA Today
Beyond her most famous creation—the nightmarish vision of Frankenstein’s Creature—Mary Shelley’s most enduring influence on politics, literature, and art perhaps stems from the legacy of her lesser-known novel about the near-extinction of the human species through war, disease, and corruption. This novel, The Last Man (1826), gives us the iconic image of a heroic survivor who narrates the history of an apocalyptic disaster in order to save humanity—if not as a species, then at least as the practice of compassion or humaneness. In visual and musical arts from 1826 to the present, this postapocalyptic figure has transmogrified from the “last man” into the globally familiar filmic images of the “invisible man” and the “final girl.” Reading Shelley’s work against the background of epidemic literature and political thought from ancient Greece to Covid-19, Eileen M. Hunt reveals how Shelley’s postapocalyptic imagination has shaped science fiction and dystopian writing from H. G. Wells, M. P. Shiel, and George Orwell to Octavia Butler, Margaret Atwood, and Emily St. John Mandel. Through archival research into Shelley’s personal journals and other writings, Hunt unearths Shelley’s ruminations on her own personal experiences of loss, including the death of young children in her family to disease and the drowning of her husband, Percy Bysshe Shelley. Shelley’s grief drove her to intensive study of Greek tragedy, through which she developed the thinking about plague, conflict, and collective responsibility that later emerges in her fiction. From her readings of classic works of plague literature to her own translation of Sophocles’s Oedipus Rex, and from her authorship of the first major modern pandemic novel to her continued influence on contemporary popular culture, Shelley gave rise to a tradition of postapocalyptic thought that asks a question that the Covid-19 pandemic has made newly urgent for many: What do humans do after disaster?
