Praised by her mentor John Adams, Mercy Otis Warren was America's first woman playwright and female historian of the American Revolution. In this unprecedented biography, Nancy Rubin Stuart reveals how Warren's provocative writing made her an exception among the largely voiceless women of the eighteenth century.
The second edition of A Woman's Dilemma: Mercy Otis Warren and the American Revolution updates Rosemarie Zagarri's biography of one of the most accomplished women of the Revolutionary era. The work places Warren into the social and political context in which she lived and examines the impact of Warren's writings on Revolutionary politics and the status of women in early America. Presents readers with an engaging and accessible historical biography of an accomplished literary and political figure of the Revolutionary era Provides an incisive narrative of the social and intellectual forces that contributed to the coming of the American Revolution Features a variety of updates, including an in-depth Bibliographical Essay, multiple illustrations, a timeline of Warren's life, and chapter-end study questions Includes expanded coverage of women during the Revolutionary Era and the Early American Republic
Biography of Mercy Otis Warren, 1728-1814, a political satirist in the Vanguard of this country's emancipated women. (Sister of James Otis, "The Patriot".).
Provides a biography of Mercy Otis Warren, an unsung heroine of the American Revolution, who wrote patriotic plays and poems, including a history of the Revolution.
This volume gathers more than one hundred letters-most of them previously unpublished-written by Mercy Otis Warren (1728-1814). Warren, whose works include a three-volume history of the American Revolution as well as plays and poems, was a major literary figure of her era and one of the most important American women writers of the eighteenth century. Her correspondents included Martha and George Washington, Abigail and John Adams, and Catharine Macaulay. Until now, Warren's letters have been published sporadically, in small numbers, and mainly to help complete the collected correspondence of some of the famous men to whom she wrote. This volume addresses that imbalance by focusing on Warren's letters to her family members and other women. As they flesh out our view of Warren and correct some misconceptions about her, the letters offer a wealth of insights into eighteenth-century American culture, including social customs, women's concerns, political and economic conditions, medical issues, and attitudes on child rearing. Letters Warren sent to other women who had lost family members (Warren herself lost three children) reveal her sympathies; letters to a favorite son, Winslow, show her sharing her ambitions with a child who resisted her advice. What readers of other Warren letters may have only sensed about her is now revealed more fully: she was a woman of considerable intellect, religious faith, compassion, literary intelligence, and acute sensitivity to the historical moment of even everyday events in the new American republic.
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Mercy Otis Warren (1728-1814) was an American writer and playwright. She was known as the "Conscience of the American Revolution." She was America's first female playwright, having written anti-British and anti-Loyalist propaganda plays from 1772 to 1775, and was the first woman to create a Jeffersonian interpretation of the Revolution, entitled History of the Rise, Progress and Termination of the American Revolution (1805). Warren formed a strong circle of friends with whom she regularly corresponded, including Abigail Adams, Martha Washington and Hannah Winthrop. Through their correspondence they increased the awareness of women's issues. Since Warren knew most of the leaders of the Revolution personally, she was continually at or near the center of events from 1765 to 1789. She combined her vantage point with a talent for writing to become both a poet and a historian of the Revolutionary era. All Mercy Otis Warren's work was published anonymously until 1790. She wrote several plays, including the satiric The Adulateur: A Tragedy, as it is Now Acted in Upper Servia (1772).
Steve Shone’s Women of Liberty explores the many overlaps between ten radical, feminist, and anarchist thinkers: Tennie C. Claflin, Noe Itō, Louise Michel, Rose Pesotta, Margaret Sanger, Elizabeth Cady Stanton, Mollie Steimer, Lois Waisbrooker, Mercy Otis Warren, and Victoria C. Woodhull. In an age of great and understandable dissatisfaction with governments around the world, Shone illuminates both the lost wisdom of the anarchists and the considerable contribution of women to intellectual thought, influences that are currently missing from many classes documenting the history of political theory.
How American colonists reinterpreted their British and colonial histories to help establish political and cultural independence from Britain In Past and Prologue, Michael Hattem shows how colonists’ changing understandings of their British and colonial histories shaped the politics of the American Revolution and the origins of American national identity. Between the 1760s and 1800s, Americans stopped thinking of the British past as their own history and created a new historical tradition that would form the foundation for what subsequent generations would think of as “American history.” This change was a crucial part of the cultural transformation at the heart of the Revolution by which colonists went from thinking of themselves as British subjects to thinking of themselves as American citizens. Rather than liberating Americans from the past—as many historians have argued—the Revolution actually made the past matter more than ever. Past and Prologue shows how the process of reinterpreting the past played a critical role in the founding of the nation.