In this lively and pathbreaking book, William Monter sketches Europe's increasing acceptance of autonomous female rulers between the late Middle Ages and the French Revolution. Monter surveys the governmental records of Europe's thirty women monarchs—the famous (Mary Stuart, Elizabeth I, Catherine the Great) as well as the obscure (Charlotte of Cyprus, Isabel Clara Eugenia of the Netherlands)—describing how each of them achieved sovereign authority, wielded it, and (more often than men) abandoned it. Monter argues that Europe's female kings, who ruled by divine right, experienced no significant political opposition despite their gender.
In the years before World War I, the great European powers were ruled by three first cousins: King George V, Kaiser Wilhelm II, and Tsar Nicholas II. Carter uses the cousins' correspondence and a host of historical sources to tell their tragicomic stories.
Contains the Essay volume and the Exhibit Catalogue volume. The catalogue accompanies an international exhibition, "First Kings of Europe," and the essay volume, First Kings of Europe: From Farmers to Rulers in Prehistoric Southeastern Europe, that examine the artifacts and cultures of this area from the Neolithic to the Iron Age. Over several millennia, early agricultural villages gave rise to tribal kingdoms and monarchies, replacing smaller, more egalitarian social structures with complex state organizations led by royal individuals invested with power. Several hundred objects and artifacts in the exhibition are portrayed in the catalog, accompanied by introductory text and detailed entries for each item. The spectacular and highly detailed color photographs introduce us to the gold and silver ornaments, bronze and iron weaponry, rich metal hoards and magnificent ceremonial vessels that are masterpieces from this period of history. Many of them have never left their countries of origin, making this exhibition and these two volumes documenting it an opportunity not to miss.
To many, Europe has been the pinnacle of world sophistication and culture. Yet beneath the power, the glamor, and the splendor there has also been scandal, mystery and skullduggery. Kings & Queens of Europe: A Dark History peels away the glory and the glitz to take a wry look at what has really gone on in the corridors, bedrooms and dungeons of European power from the fourteenth century up to the present day.
Some of history's greatest dramas have unfolded in the stories of kings and their sons in early modern Europe; and their conflicts presaged in some ways today's tensions in family-run businesses. In several notorious cases, the kings despised their sons to the point of committing murder, thus killing their own heirs. Prof. Konnert shows that these tragic dramas actually represent an extreme of the normal state of affairs rather than unusual occurrences. They are different in degree, not kind. This book is the first to look at these episodes in a systematic and comparative fashion. The stories are moving in themselves, but viewed in their historical context, they illuminate aspects of a past society which has faded from view in the 21st century. Two of the most famous episodes?those of Frederick the Great of Prussia and his father, and of Peter the Great of Russia and his son?are examined here, as well as three less well-known cases. These episodes are put into historical context, and the family dynamics of these royal dynasties are discussed, showing not only how they differed from those of today but also from those of their more common contemporaries. These tensions are also compared to those that have emerged in family-run businesses, where conflicts between fathers and sons are also very common. Furthermore, when the interests of the dynastic enterprise, whether political or corporate, take precedence over family life and personal happiness, marriage practices can produce particularly toxic relations. The cases examined here are unusual only in the degree of hostility rather than in its existence.
When war broke out in Europe in 1914, it surprised a European population enjoying the most beautiful summer in memory. For nearly a century since, historians have debated the causes of the war. Some have cited the assassination of Archduke Franz Ferdinand; others have concluded it was unavoidable. In Europe’s Last Summer, David Fromkin provides a different answer: hostilities were commenced deliberately. In a riveting re-creation of the run-up to war, Fromkin shows how German generals, seeing war as inevitable, manipulated events to precipitate a conflict waged on their own terms. Moving deftly between diplomats, generals, and rulers across Europe, he makes the complex diplomatic negotiations accessible and immediate. Examining the actions of individuals amid larger historical forces, this is a gripping historical narrative and a dramatic reassessment of a key moment in the twentieth-century.
#1 New York Times Bestseller Oprah's Book Club Selection The “extraordinary . . . monumental masterpiece” (Booklist) that changed the course of Ken Follett’s already phenomenal career—and begins where its prequel, The Evening and the Morning, ended. “Follett risks all and comes out a clear winner,” extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett’s unassailable command of the written word and to his universal appeal. The Pillars of the Earth tells the story of Philip, prior of Kingsbridge, a devout and resourceful monk driven to build the greatest Gothic cathedral the world has known . . . of Tom, the mason who becomes his architect—a man divided in his soul . . . of the beautiful, elusive Lady Aliena, haunted by a secret shame . . . and of a struggle between good and evil that will turn church against state and brother against brother. A spellbinding epic tale of ambition, anarchy, and absolute power set against the sprawling medieval canvas of twelfth-century England, this is Ken Follett’s historical masterpiece.
