"This volume of essays is the first to focus on the Colored Conventions movement, the nineteenth century's longest campaign for Black civil rights. Well before the founding of the NAACP and other twentieth-century pillars of the civil rights movement, tens of thousands of Black leaders organized state and national conventions across North America. Over seven decades, they advocated for social justice and against slavery, protesting state-sanctioned and mob violence while demanding voting, legal, labor, and educational rights. Collectively, these essays highlight the vital role of the Colored Conventions in the lives of thousands of early organizers, including many of the most famous writers, ministers, politicians, and entrepreneurs in the long history of Black activism"--
THE 1964 NEW YORK COMICON: THE TRUE STORY BEHIND THE WORLD'S FIRST COMIC CONVENTION tells the greatest story never told: the story of the first comic con ever held. This event was never reported by any radio channel, tv station, magazine, or newspaper. Bits and pieces of the story can be found in old fanzines, but, until now, the majority of this story has only existed in the memories of the original 56 attendees of the show. Now, at last - for the first time - the full story of the world's first comic book convention is finally told. The story of the 1964 New York Comicon is the story of Bernie Bubnis, Ron Fradkin, Art Tripp, and Ethan Roberts. Four boys who, like an early 1960s Kirby kid gang of boy commandoes, took Comic Fandom by storm by writing and publishing their own fanzines, pillaging used-book stores and flea markets for back-issue comics, visiting the offices of Marvel, DC, and Gold Key Comics, and meeting with Jack Kirby, Steve Ditko, Stan Lee, Julius Schwartz, Bill Harris, Flo Steinberg, Curt Swan, Mike Sekowsky, Don Heck, Gil Kane, and Joe Giella. Tired of hearing about other fans' failed attempts to stage a convention for years, these four boys took it upon themselves to make a convention happen. They pooled their resources and used their contacts with the comic professionals they knew to get them to attend and donate door prizes that included stacks of original art pages. They even convinced Spider-man artist Steve Ditko to attend the con - and to this day it is the only con Steve Ditko has ever attended. (Find out why.) This book tells the stories of the first comic collectors ever and how they traveled from all over the country and converged on New York City on that hot summer day in July 1964 to attend this historic event. All the earliest-known comic dealers attended that day, including Howard Rogofsky, Bill Thailing, Claude Held, Phil Seuling, Doug Berman, Don Foote, Marc Nadel, Malcolm Willits, and Tom Wilson. 34 pages of their original price lists from 1964 are reprinted to show what comics were for sale that day and what they were selling for. This book presents a complete blow-by-blow account of the convention - in the attendees' own words. It includes over 300 photographs and 45 pages of biographical information about this amazing group of 56 original attendees that includes a fifteen-year-old future GAME OF THRONES writer George R. R. Martin, the world-famous radio host Paul Gambaccini, and a young Len Wein, co-creator of Wolverine and Swamp Thing -- to name just a few of the comic book fans and who attended the con. Research for this book includes dozens of interviews with original attendees and all four organizers as well as information mined from complete runs of old 1960s comic book fanzines, such as The Rocket's Blast, Alter-Ego, The Comicollector, The Comic Reader, Jeddak, Comic Art, Masquerader, Hero, Yancy Street Journal - and more. Featured in this book are complete and unedited early 1960s interviews with Steve Ditko, Jack Kirby, Julius Schwartz, Mike Sekowsky, Joe Giella, and Gold Key editor Bill Harris. Also included is long-lost art by Steve Ditko, Jack Kirby, and Curt Swan. In addition, this book contains the only published art ever drawn by George R.R. Martin along with the first three writings he ever published, and they are each reprinted in their entirety. A digitally-restored copy of the complete 1964 New York Comicon program booklet is reprinted in its entirety as well for the first time since 1964. Also reprinted in their entirety are Progress Report #1 (8 pages) and Progress Report #2 (2 pages) and all ads for the convention. The story of early comic book fans' struggle to organize their first comic convention is a tale of epic proportions - one that is long overdue to be told - for it is Comic Fandom's greatest story. And now, for the first time, comic fans everywhere can read about the convention that started it all: the 1964 New York Comicon.
I'm Going to My First Comic Convention is an illustrated children's book about a little boy going to his first comic con and all the fun things he might see and do. From cosplayers to photos with movie stars to workshops on building props, this book provides a peek into the geeky goings on at pop-culture conventions.
Feminists from 1848 to the present have rightly viewed the Seneca Falls convention as the birth of the women's rights movement in the United States and beyond. In The Road To Seneca Falls, Judith Wellman offers the first well documented, full-length account of this historic meeting in its contemporary context. The convention succeeded by uniting powerful elements of the antislavery movement, radical Quakers, and the campaign for legal reform under a common cause. Wellman shows that these three strands converged not only in Seneca Falls, but also in the life of women's rights pioneer Elizabeth Cady Stanton. It is this convergence, she argues, that foments one of the greatest rebellions of modern times. Rather than working heavy-handedly downward from their official "Declaration of Sentiments," Wellman works upward from richly detailed documentary evidence to construct a complex tapestry of causes that lay behind the convention, bringing the struggle to life. Her approach results in a satisfying combination of social, community, and reform history with individual and collective biographical elements. The Road to Seneca Falls challenges all of us to reflect on what it means to be an American trying to implement the belief that "all men and women are created equal," both then and now. A fascinating story in its own right, it is also a seminal piece of scholarship for anyone interested in history, politics, or gender.
Convention was immediately recognized as a major contribution to the subject and its significance has remained undiminished since its first publication in 1969. Lewis analyzes social conventions as regularities in the resolution of recurring coordination problems-situations characterized by interdependent decision processes in which common interests are at stake. Conventions are contrasted with other kinds of regularity, and conventions governing systems of communication are given special attention.
Patrick looks first at parliamentary behavior, particularly in the tumultuous first eight months, and then analyzes this behavior in terms of the deputies' background.
