230 colour images and five thematic essays present Hall's large-format photographs, giant Polaroids, sardine tins, painted banknotes, beaded sculptures, installations and knitted sculptures of videotap e and strips of Coca-Cola tins.
This book is an abbreviated, partly re-written version of "Under the Radar - The First Woman in Radio Astronomy: Ruby Payne-Scott." It addresses a general readership interested in historical and sociological aspects of astronomy and presents the biography of Ruby Payne-Scott (1912 – 1981). As the first female radio astronomer (and one of the first people in the world to consider radio astronomy), she made classic contributions to solar radio physics. She also played a major role in the design of the Australian government's Council for Scientific and Industrial Research radars, which were in turn of vital importance in the Southwest Pacific Theatre in World War II. These radars were used by military personnel from Australia, the United States and New Zealand. From a sociological perspective, her career offers many examples of the perils of being a female academic in the first half of the 20th century. Written in an engaging style and complemented by many historical photographs, this book offers fascinating insights into the beginnings of radio astronomy and the role of a pioneering woman in astronomy. To set the scene, the first colourfully illustrated chapter presents an overview of solar astrophysics and the tools of the radio astronomer. From the reviews of “Under the Radar”: “This is a beautifully-researched, copiously-illustrated and well-written book that tells us much more than the life of one amazing female radio astronomer. It also provides a profile on radar developments during WWII and on Australia’s pre-eminent place in solar radio astronomy in the years following WWII. Under the Radar is compelling reading, and if you have taken the time to read right through this review then it certainly belongs on your bookshelf!” (Wayne Orchiston, Journal of Astronomical History and Heritage, March, 2010)
It is rare for a complete biography of an Australian scientist, particularly of an Australian woman scientist, to be published. It is rarer for such a book to be co-authored by an American. Although scientists have written discourses on the history of their discipline, it is most unusual for a scientist to write a full length biography of a colleague in his ?eld. It is also uncommon for a man to write about an Australian woman scientist; most of the work on Australian women scientists has been done by other women. However, these authors, both distinguished researchers in the ?eld of radio astr- omy, became so interested in the history of their discipline and in the career of the pioneer radio astronomer Ruby Payne-Scott that they spent some years bringing this book to fruition. Until relatively recently, Ruby Payne-Scott had been the only woman scientist mentioned brie?y in histories of Australian science or of Australian radio astronomy. This book will be an invaluable resource for anyone interested in these disciplines. Being scientists themselves, the authors explain Payne-Scott’s scienti?c work in detail; therefore, the value and importance of her contributions can, for the ?rst time, be recognised, not only by historians but also by scientists.
This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.
Exhibition catalogue published to accompany the exhibition of the work of artist Fiona Hall at Heide Museum of Modern Art. The exhibition One of Australia's most prominent contemporary artists, Fiona Hall is known for her extraordinary ability to transform mundane man-made materials into vital organic forms with both contemporary and historical resonances. This cross-disciplinary survey exhibition highlights her recent practice and continuing focus on the political interface between nature and culture. At its core is the installation Fall Prey (2012)--created for dOCUMENTA (13) in Kassel, Germany--a macabre yet wondrous wunderkammer of trophy-style sculptures of endangered species from the United Nations 'Red List', rendered in military camouflage. A complement of conceptually linked works includes Hall's impressive Kermadec suite of painted tapa, video and sculptural pieces inspired by a 2011 expedition to the unique marine environment of the Kermadec Trench on the Pacific Rim of Fire.
A celebrated foreign policy expert and key impeachment witness reveals how declining opportunity has set America on the grim path of modern Russia--and draws on her personal journey out of poverty, and her unique perspectives as an historian and policy maker, to show how we can return hope to our forgotten places.
INSTANT NEW YORK TIMES BESTSELLER! Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue, returns with a tantalizing novel about the secrets, betrayal, and murder within one of New York City's most impressive Gilded Age mansions. Eight months since losing her mother in the Spanish flu outbreak of 1919, twenty-one-year-old Lillian Carter's life has completely fallen apart. For the past six years, under the moniker Angelica, Lillian was one of the most sought-after artists' models in New York City, with statues based on her figure gracing landmarks from the Plaza Hotel to the Brooklyn Bridge. But with her mother gone, a grieving Lillian is rudderless and desperate—the work has dried up and a looming scandal has left her entirely without a safe haven. So when she stumbles upon an employment opportunity at the Frick mansion—a building that, ironically, bears her own visage—Lillian jumps at the chance. But the longer she works as a private secretary to the imperious and demanding Helen Frick, the daughter and heiress of industrialist and art patron Henry Clay Frick, the more deeply her life gets intertwined with that of the family—pulling her into a tangled web of romantic trysts, stolen jewels, and family drama that runs so deep, the stakes just may be life or death. Nearly fifty years later, mod English model Veronica Weber has her own chance to make her career—and with it, earn the money she needs to support her family back home—within the walls of the former Frick residence, now converted into one of New York City's most impressive museums. But when she—along with a charming intern/budding art curator named Joshua—is dismissed from the Vogue shoot taking place at the Frick Collection, she chances upon a series of hidden messages in the museum: messages that will lead her and Joshua on a hunt that could not only solve Veronica's financial woes, but could finally reveal the truth behind a decades-old murder in the infamous Frick family.
'Made me laugh and flinch in equal measure' Sophie Kinsella A smart and funny novel about love, life and a second shot at freedom for rebellious women of a certain age. Eliza is angry. Very angry, and very, very hot. Late for work and dodging traffic, she's still reeling from the latest row with husband Paddy. Twenty-something years ago, their eyes met over the class divide in oh-so-cool Britpop London, but while Paddy now seems content filling his downtime with canal boats and cricket, Eliza craves the freedom and excitement of her youth. Fifty sounds dangerously close to pensionable: her woke children want to cancel her, a male motorist has just called her a 'mad old bat' and to cap it all her hormones are on the run. Who knew menopause was puberty's evil older sister? But then a moment of heroism draws an unexpected admirer, and Eliza sets out to discover whether the second half of life can be a glass half full after all. She might suffer mental fog and night sweats - and have temporarily mislaid her waist - but this is her renaissance. Woman of a Certain Rage is a smart and funny novel for all women who won't be told it's too late to shake things up. Praise for Woman of a Certain Rage: 'Georgie Hall has created a brand new, funny and brilliantly honest voice in this hugely relatable book. I loved the mix of comedy, warmth and frank reality - it made me laugh and flinch in equal measure' Sophie Kinsella 'Fierce, brilliant, honest and very, very funny - this book is a must' Jenny Colgan 'Warm, wise and laugh-out-loud witty, Eliza and her unexpected midlife resurgence are simply magnificent. Bridget Jones on HRT (and bigger pants). I absolutely loved it' Lucy Dillon 'Beautifully written and smart as a whip, this is a funny and truthful novel about love and life past the big five-0. Hall has created a character that mid-life readers can not only root for but identify with too' Mike Gayle
This book is a selection of essays covering aspects of the history, and contemporary understanding of the fields of art and design and their inter-percolation. Making things has always involved skill and thought. Thought is given to their creation so they are fit for purpose. Where the purpose is aesthetic or intellectual pleasure, the resulting object is often called art. There is, however, often a hierarchy placing “art” somewhere apart from “design.” But isn’t some art designed? These essays investigate aspects of this dichotomy – from both sides of the supposed divide to discuss the ground between.
"Thomas Nast (1840-1902), the founding father of American political cartooning, is perhaps best known for his cartoons portraying political parties as the Democratic donkey and the Republican elephant. Nast's legacy also includes a trove of other political cartoons, his successful attack on the machine politics of Tammany Hall in 1871, and his wildly popular illustrations of Santa Claus for Harper's Weekly magazine. In this thoroughgoing and lively biography, Fiona Deans Halloran interprets his work, explores his motivations and ideals, and illuminates the lasting legacy of Nast's work on American political culture"--